“Hermine,” I cried in torment, “you have only to look at me, I am an old man!”
“You’re a child. You were too lazy to learn to dance till it was nearly too late, and in the same way you were too lazy to learn to love. As for ideal and tragic love, that, I don’t doubt, you can do marvellously—and all honour to you. Now you will learn to love a little in an ordinary human way. We have made a start. You will soon be fit to go to a ball, but you must know the Boston first, and we’ll begin on that tomorrow. I’ll come at three. How did you like the music, by the way?”
“Very much indeed.”
“Well, there’s another step forward, you see. Up to now you couldn’t stand all this dance and jazz music. It was too superficial and frivolous for you. Now you have seen that there’s no need to take it seriously and that it can all the same be very agreeable and delightful. And, by the way, the whole orchestra would be nothing without Pablo. He conducts it and puts fire into it.”
Just as the gramophone contaminated the aesthetic and intellectual atmosphere of my study and just as the American dances broke in as strangers and disturbers, yes, and as destroyers, into my carefully tended garden of music, so, too, from all sides there broke in new and dreaded and disintegrating influences upon my life that, till now, had been so sharply marked off and so deeply secluded. The Steppenwolf treatise, and Hermine too, were right in their doctrine of the thousand souls. Every day new souls kept springing up beside the host of old ones, making clamorous demands and creating confusion; and now I saw as clearly as in a picture what an illusion my former personality had been. The few capacities and pursuits in which I had happened to be strong had occupied all my attention, and I had painted a picture of myself as a person who was in fact nothing more than a most refined and educated specialist in poetry, music and philosophy; and as such I had lived, leaving all the rest of me to be a chaos of potentialities, instincts and impulses which I found an encumbrance and gave the label of Steppenwolf.
Meanwhile, though cured of an illusion, I found this disintegration of the personality by no means a pleasant and amusing adventure. On the contrary, it was often exceedingly painful, often almost intolerable. Often the sound of the gramophone was truly fiendish to my ears in the midst of surroundings where everything was tuned to so very different a key. And many a time, when I danced my one-step in a stylish restaurant among pleasure seekers and elegant rakes, I felt that I was a traitor to all that I was bound to hold most sacred. Had Hermine left me for one week alone I should have fled at once from this wearisome and laughable trafficking with the world of pleasure. Hermine, however, was always there. Though I might not see her every day, I was all the same continually under her eye, guided, guarded and counselled—besides, she read all my mad thoughts of rebellion and escape in my face, and smiled at them.
As the destruction of all that I had called my personality went on, I began to understand, too, why it was that I had feared death so horribly in spite of all my despair. I began to perceive that this ignoble horror in the face of death was a part of my old conventional and lying existence. The late Herr Haller, gifted writer, student of Mozart and Goethe, author of essays upon the metaphysics of art, upon genius and tragedy and humanity, the melancholy hermit in a cell encumbered with books, was given over bit by bit to self-criticism and at every point was found wanting. This gifted and interesting Herr Haller had, to be sure, preached reason and humanity and had protested against the barbarity of the war; but he had not let himself be stood against a wall and shot, as the proper consequence of his way of thinking would have been. He had found some way of accommodating himself; one, of course, that was outwardly reputable and noble, but still a compromise and no more. He was, further, opposed to the power of capital and yet he had industrial securities lying at his bank and spent the interest from them without a pang of conscience. And so it was all through. Harry Haller had, to be sure, rigged himself out finely as an idealist and contemner of the world, as a melancholy hermit and growling prophet. At bottom, however, he was a bourgeois who took exception to a life like Hermine’s and fretted himself over the nights thrown away in a restaurant and the money squandered there, and had them on his conscience. Instead of longing to be freed and completed, he longed, on the contrary, most earnestly to get back to those happy times when his intellectual trifling had been his diversion and brought him fame. Just so those newspaper readers—whom he despised and scorned—longed to get back
