my attic-cell among strangers, those smug and well-brushed stairs of a three-storey house, let as three flats to highly respectable families. I don’t know how it comes about, but I, the homeless Steppenwolf, the solitary, the hater of life’s petty conventions, always take up my quarters in just such houses as this. It is an old weakness of mine. I live neither in palatial houses nor in those of the humble poor, but instead and deliberately in these respectable and wearisome and spotless middle class homes, which smell of turpentine and soap and where there is a panic if you bang the door or come in with dirty shoes. The love of this atmosphere comes, no doubt, from the days of my childhood, and a secret yearning I have for something homelike drives me, though with little hope, to follow the same old stupid road. Then again, I like the contrast between my lonely, loveless, hunted, and thoroughly disorderly existence and this middle-class family-life. I like to breathe in on the stairs this odour of quiet and order, of cleanliness and respectable domesticity. There is something in it that touches me in spite of my hatred for all it stands for. I like to step across the threshold of my room and leave it suddenly behind; to see, instead, cigar-ash and wine-bottles among the heaped-up books and there is nothing but disorder and neglect; and where everything⁠—books, manuscript, thoughts⁠—is marked and saturated with the plight of lonely men, with the problem of existence and with the yearning after a new orientation for an age that has lost its bearings.

And now I came to the araucaria. I must tell you that on the first floor of this house the stairs pass by a little vestibule at the entrance to a flat which, I am convinced, is even more spotlessly swept and garnished than the others; for this little vestibule shines with a superhuman housewifery. It is a little temple of order. On the parquet floor, where it seems desecration to tread, are two elegant stands and on each a large pot. In the one grows an azalea. In the other a stately araucaria, a thriving, straight-grown baby-tree, a perfect specimen, which to the last needle of the topmost twig reflects the pride of frequent ablutions. Sometimes, when I know that I am unobserved, I use this place as a temple. I take my seat on a step of the stairs above the araucaria and, resting awhile with folded hands, I contemplate this little garden of order and let the touching air it has and its somewhat ridiculous loneliness move me to the depths of my soul. I imagine behind this vestibule, in the sacred shadow, one may say, of the araucaria, a home full of shining mahogany, and a life full of sound respectability⁠—early rising, attention to duty, restrained but cheerful family gatherings, Sunday churchgoing, early to bed.

Affecting lightheartedness, I trod the moist pavements of the narrow streets. As though in tears and veiled, the lamps glimmered through the chill gloom and sucked their reflections slowly from the wet ground. The forgotten years of my youth came back to me. How I used to love the dark, sad evenings of late autumn and winter, how eagerly I imbibed their moods of loneliness and melancholy when wrapped in my cloak I strode for half the night through rain and storm, through the leafless winter landscape, lonely enough then too, but full of deep joy, and full of poetry which later I wrote down by candlelight sitting on the edge of my bed! All that was past now. The cup was emptied and would never be filled again. Was that a matter for regret? No, I did not regret the past. My regret was for the present day, for all the countless hours and days that I lost in mere passivity and that brought me nothing, not even the shocks of awakening. But, thank God, there were exceptions. There were now and then, though rarely, the hours that brought the welcome shock, pulled down the walls and brought me back again from my wanderings to the living heart of the world. Sadly and yet deeply moved, I set myself to recall the last of these experiences. It was at a concert of lovely old music. After two or three notes of the piano the door was opened of a sudden to the other world. I sped through heaven and saw God at work. I suffered holy pains. I dropped all my defences and was afraid of nothing in the world. I accepted all things and to all things I gave up my heart. It did not last very long, a quarter of an hour perhaps; but it returned to me in a dream at night, and since, through all the barren days, I caught a glimpse of it now and then. Sometimes for a minute or two I saw it clearly, threading my life like a divine and golden track. But nearly always it was blurred in dirt and dust. Then again it gleamed out in golden sparks as though never to be lost again and yet was soon quite lost once more. Once it happened, as I lay awake at night, that I suddenly spoke in verses, in verses so beautiful and strange that I did not venture to think of writing them down, and then in the morning they vanished; and yet they lay hidden within me like the hard kernel within an old brittle husk. Once it came to me while reading a poet, while pondering a thought of Descartes, of Pascal; again it shone out and drove its gold track far into the sky while I was in the presence of my beloved. Ah, but it is hard to find this track of the divine in the midst of this life we lead, in this besotted humdrum age of spiritual blindness, with its architecture, its business, its politics, its

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