West’s Garden, Gallery and Painting Room.
Cave of Despair. Spenser.
Arethusa Bathing.
Cupid Shows Venus His Finger Stung by a Bee.
Ubald Brings His Three Daughters to Alfred for Him to Choose One for His Wife.
* Pylades and Orestes.
Besides the two hundred and ninety-nine large finished pictures here mentioned, Mr. West has done about one hundred portraits, and upwards of two hundred drawings with the pen; which last, for sublimity of conception, are among the finest of his works. So that the whole of his pieces amount to above six hundred. Some of them are larger in size than any in the national gallery of France, and he has not been assisted by any other painter.
Mr. West is now about sixty-eight years of age. He discovers no abatement in the activity of his genius, nor in the laborious exercise of his talents. He has painted several fine pictures since the above catalogue was made, three of which I have particularly noticed in his painting room: Tobet and Tobias with the Fish; Abraham Sending Away Hagar with Her Child; Achilles Receiving from Thetis the New Armor; and we hear that he has lately painted the Death of Nelson. He may yet produce many more original works; though it is presumed he has already exceeded all other historical painters, except Rubens, in the number and variety of his productions. With regard to the merit of his pictures, I cannot pretend to form a judgment that would be of any use in directing that of others. He is doubtless the most classical painter, except Raphael, whose works are known to us.
The critics find fault with the coloring of Mr. West. But in his works, as in those of Raphael, we do not look for coloring. It is dignity of character, fine expression, delicate design, correct drawing and beautiful disposition of drapery which fix the suffrage of the real judge. All which qualities can only spring from an elevated mind. ↩
O sanctas gentes, quibus haec nascuntur in hortis Numina.
Juv. Sat. 15.
The state of the arts and sciences among the ancients, viewed with reference to the event of universal civilization, was faulty in two respects. First, in their comparative estimation: Second, in their flourishing only in one nation at a time. These circumstances might be favorable to the exertions of individual genius; and they may be assigned both as causes of the universal destruction of the arts and sciences by the Gothic conquest, and as reasons why we should not greatly lament that destruction.
From the political state of mankind in the days of their ancient splendor it was natural that those arts which depend on the imagination, such as Architecture, Statuary, Painting, Eloquence and Poetry, should claim the highest rank in the estimation of a people. In several, perhaps all of these, the ancients remain unrivalled. But these are not the arts which tend the most to the general improvement of society. A man in those days would have rendered more service to the world by ascertaining the true figure and movements of the earth, than by originating a heaven and filling it with all the gods of Homer; and had the expenses of the Egyptian pyramids been employed in furnishing ships of discovery and sending them out of the Mediterranean, the nations called civilized would not have been afterwards overrun by Barbarians.
But the sciences of Geography, Navigation and Commerce, with their consequent improvements in Natural Philosophy and Humanity, could not, from the nature of things at that time, become objects of great encouragement or enterprise. Talent was therefore confined to the cultivation of arts more striking to the senses. As these arts were adapted to gratify the vanity of princes, to help carry on the sacred frauds of priests, to fire the ambition of heroes, or to gain causes in popular assemblies, they were brought to a degree of perfection which prevented their being relished or understood by barbarous neighbors.
The improvements of the world therefore, whether in literature, sciences or arts, descended with the line of conquest from one nation to another, till the whole were concentred in the Roman empire. Their tendency there was to inspire a contempt for nations less civilized, and to teach the Romans to consider all mankind as the proper objects of their military despotism. These circumstances prepared, through a course of ages, and finally opened a scene of wretchedness at which the human mind has been taught to shudder. But some such convulsion seemed necessary to reduce the nations to a position capable of commencing regular improvements. And, however novel the sentiment may appear, I will venture to say that, as to the prospect of universal civilization, mankind were in a better situation in the time of Charlemagne than they were in the days of Augustus.
The final destruction of the Roman empire left the nations of Europe in circumstances similar to each other; and their consequent rivalship prevented any disproportionate refinement from appearing in any particular region. The principles of government, firmly rooted in the Feudal System, unsocial and unphilosophical as they were, laid the foundation of that balance of power which discourages the Caesars and Alexanders of modern ages from attempting the conquest of the world.
It seems necessary that the arrangement of events in civilizing the world should be in the following order: first, all parts of it must be considerably peopled; second, the different nations must be known to each other; third, their wants must be increased, in order to inspire a passion for commerce. The first of these objects was not probably accomplished till a late period. The second for three centuries past has been greatly accelerated. The third is a necessary consequence of the two former. The spirit of commerce is happily calculated to open an amicable intercourse between all countries, to soften the horrors of war, to enlarge the field of science
