The particular intellectualistic difficulty that had held my own thought so long in a vise was, as we have seen at such tedious length, the impossibility of understanding how “your” experience and “mine,” which “as such” are defined as not conscious of each other, can nevertheless at the same time be members of a world-experience defined expressly as having all its parts co-conscious, or known together. The definitions are contradictory, so the things defined can in no way be united. You see how unintelligible intellectualism here seems to make the world of our most accomplished philosophers. Neither as they use it nor as we use it does it do anything but make nature look irrational and seem impossible.
In my next lecture, using Bergson as my principal topic, I shall enter into more concrete details and try, by giving up intellectualism frankly, to make, if not the world, at least my own general thesis, less unintelligible.
Lecture VI
Bergson and His Critique of Intellectualism
I gave you a very stiff lecture last time, and I fear that this one can be little less so. The best way of entering into it will be to begin immediately with Bergson’s philosophy, since I told you that that was what had led me personally to renounce the intellectualistic method and the current notion that logic is an adequate measure of what can or cannot be.
Professor Henri Bergson is a young man, comparatively, as influential philosophers go, having been born at Paris in 1859. His career has been the perfectly routine one of a successful French professor. Entering the école normale supérieure at the age of twenty-two, he spent the next seventeen years teaching at lycées, provincial or parisian, until his fortieth year, when he was made professor at the said école normale. Since 1900 he has been professor at the College de France, and member of the Institute since 1900. So far as the outward facts go, Bergson’s career has then been commonplace to the utmost. Neither one of Taine’s famous principles of explanation of great men, the race, the environment, or the moment, no, nor all three together, will explain that peculiar way of looking at things that constitutes his mental individuality. Originality in men dates from nothing previous, other things date from it, rather. I have to confess that Bergson’s originality is so profuse that many of his ideas baffle me entirely. I doubt whether anyone understands him all over, so to speak; and I am sure that he would himself be the first to see that this must be, and to confess that things which he himself has not yet thought out clearly, had yet to be mentioned and have a tentative place assigned them in his philosophy. Many of us are profusely original, in that no man can understand us—violently peculiar ways of looking at things are no great rarity. The rarity is when great peculiarity of vision is allied with great lucidity and unusual command of all the classic expository apparatus. Bergson’s resources in the way of erudition are remarkable, and in the way of expression they are simply phenomenal. This is why in France, where l’art de bien dire counts for so much and is so sure of appreciation, he has immediately taken so eminent a place in public esteem. Old-fashioned professors, whom his ideas quite fail to satisfy, nevertheless speak of his talent almost with bated breath, while the youngsters flock to him as to a master.
If anything can make hard things easy to follow, it is a style like Bergson’s. A “straightforward” style, an American reviewer lately called it; failing to see that such straightforwardness means a flexibility of verbal resource that follows the thought without a crease or wrinkle, as elastic silk underclothing follows the movements of one’s body. The lucidity of Bergson’s way of putting things is what all readers are first struck by. It seduces you and bribes you in advance to become his disciple. It is a miracle, and he a real magician.
M. Bergson, if I am rightly informed, came into philosophy through the gateway of mathematics. The old antinomies of the infinite were, I imagine, the irritant that first woke his faculties from their dogmatic slumber. You all remember Zeno’s famous paradox, or sophism, as many of our logic books still call it, of Achilles and the tortoise. Give that reptile ever so small an advance and the swift runner Achilles can never overtake him, much less get ahead of him; for if space and time are infinitely divisible (as our intellects tell us they must be), by the time Achilles reaches the tortoise’s starting-point, the tortoise has already got ahead of that starting-point, and so on ad infinitum, the interval between the pursuer and the pursued growing endlessly minuter, but never becoming wholly obliterated. The common way of showing up the sophism here is by pointing out the ambiguity of the expression “never can overtake.” What the word “never” falsely suggests, it is said, is an infinite duration of time; what it really means is the inexhaustible number of the steps of which the overtaking must consist. But if these steps are infinitely short, a finite time will suffice for them; and in point of fact they do rapidly converge, whatever be the original interval or the contrasted speeds, toward infinitesimal shortness. This proportionality of the shortness of the times to that of the spaces required frees us, it is claimed, from the sophism which the word “never” suggests.
But this criticism misses Zeno’s point entirely. Zeno would have been perfectly willing to grant that
