or reading⁠—I forget which⁠—for some time, and felt in her usual health and serene spirits. Raising her eyes, and looking towards the door, she saw a horrible-looking little man enter. He was dressed in red, was very short, had a singularly dark face, and a most atrocious countenance. Having walked some steps into the room, with his eyes fixed on her, he stopped, and beckoning to her to follow, moved back toward the door. About halfway, again he stopped once more and turned. She was so terrified that she sat staring at the apparition without moving or speaking. Seeing that she had not obeyed him, his face became more frightful and menacing, and as it underwent this change, he raised his hand and stamped on the floor. Gesture, look, and all, expressed diabolical fury. Through sheer extremity of terror she did rise, and, as he turned again, followed him a step or two in the direction of the door. He again stopped, and with the same mute menace, compelled her again to follow him.

She reached the narrow stone doorway of the Earl’s Hall, through which he had passed; from the threshold she saw him standing a little way off, with his eyes still fixed on her. Again he signed to her, and began to move along the short passage that leads to the winding stair. But instead of following him further, she fell on the floor in a fit.

The poor lady was thoroughly persuaded that she was not long to survive this vision, and her foreboding proved true. From her bed she never rose. Fever and delirium supervened in a few days and she died. Of course it is possible that fever, already approaching, had touched her brain when she was visited by the phantom, and that it had no external existence.

The Vision of Tom Chuff

At the edge of melancholy Catstean Moor, in the north of England, with half-a-dozen ancient poplar-trees with rugged and hoary stems around, one smashed across the middle by a flash of lightning thirty summers before, and all by their great height dwarfing the abode near which they stand, there squats a rude stone house, with a thick chimney, a kitchen and bedroom on the ground-floor, and a loft, accessible by a ladder, under the shingle roof, divided into two rooms.

Its owner was a man of ill repute. Tom Chuff was his name. A shock-headed, broad-shouldered, powerful man, though somewhat short, with lowering brows and a sullen eye. He was a poacher, and hardly made an ostensible pretence of earning his bread by any honest industry. He was a drunkard. He beat his wife, and led his children a life of terror and lamentation, when he was at home. It was a blessing to his frightened little family when he absented himself, as he sometimes did, for a week or more together.

On the night I speak of he knocked at the door with his cudgel at about eight o’clock. It was winter, and the night was very dark. Had the summons been that of a bogie from the moor, the inmates of this small house could hardly have heard it with greater terror.

His wife unbarred the door in fear and haste. Her hunchbacked sister stood by the hearth, staring toward the threshold. The children cowered behind.

Tom Chuff entered with his cudgel in his hand, without speaking, and threw himself into a chair opposite the fire. He had been away two or three days. He looked haggard, and his eyes were bloodshot. They knew he had been drinking.

Tom raked and knocked the peat fire with his stick, and thrust his feet close to it. He signed towards the little dresser, and nodded to his wife, and she knew he wanted a cup, which in silence she gave him. He pulled a bottle of gin from his coat-pocket, and nearly filling the teacup, drank off the dram at a few gulps.

He usually refreshed himself with two or three drams of this kind before beating the inmates of his house. His three little children, cowering in a corner, eyed him from under a table, as Jack did the ogre in the nursery tale. His wife, Nell, standing behind a chair, which she was ready to snatch up to meet the blow of the cudgel, which might be levelled at her at any moment, never took her eyes off him; and hunchbacked Mary showed the whites of a large pair of eyes, similarly employed, as she stood against the oaken press, her dark face hardly distinguishable in the distance from the brown panel behind it.

Tom Chuff was at his third dram, and had not yet spoken a word since his entrance, and the suspense was growing dreadful, when, on a sudden, he leaned back in his rude seat, the cudgel slipped from his hand, a change and a deathlike pallor came over his face.

For a while they all stared on; such was their fear of him, they dared not speak or move, lest it should prove to have been but a doze, and Tom should wake up and proceed forthwith to gratify his temper and exercise his cudgel.

In a very little time, however, things began to look so odd, that they ventured, his wife and Mary, to exchange glances full of doubt and wonder. He hung so much over the side of the chair, that if it had not been one of cyclopean clumsiness and weight, he would have borne it to the floor. A leaden tint was darkening the pallor of his face. They were becoming alarmed, and finally braving everything his wife timidly said, “Tom!” and then more sharply repeated it, and finally cried the appellative loudly, and again and again, with the terrified accompaniment, “He’s dying⁠—he’s dying!” her voice rising to a scream, as she found that neither it nor her plucks and shakings of him by the shoulder had the slightest effect in recalling him from his torpor.

And now from sheer

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