at the château.

Secondly, the Countess’s magnificent brilliants were examined by a lapidary, and pronounced to be worth about five pounds to a tragedy-queen, who happened to be in want of a suite of paste.

The Countess had figured some years before as one of the cleverest actresses on the minor stage of Paris, where she had been picked up by the Count and used as his principal accomplice.

She it was who, admirably disguised, had rifled my papers in the carriage on my memorable night-journey to Paris. She also had figured as the interpreting magician of the palanquin at the ball at Versailles. So far as I was affected by that elaborate mystification it was intended to reanimate my interest, which, they feared, might flag in the beautiful Countess. It had its design and action upon other intended victims also; but of them there is, at present, no need to speak. The introduction of a real corpse⁠—procured from a person who supplied the Parisian anatomists⁠—involved no real danger, while it heightened the mystery and kept the prophet alive in the gossip of the town and in the thoughts of the noodles with whom he had conferred.

I divided the remainder of the summer and autumn between Switzerland and Italy.

As the well-worn phrase goes, I was a sadder if not a wiser man. A great deal of the horrible impression left upon my mind was due, of course, to the mere action of nerves and brain. But serious feelings of another and deeper kind remained. My after life was ultimately formed by the shock I had then received. Those impressions led me⁠—but not till after many years⁠—to happier though not less serious thoughts; and I have deep reason to be thankful to the all-merciful Ruler of events, for an early and terrible lesson in the ways of sin.

Colophon

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The Room in the Dragon Volant
was published in 1872 by
J. Sheridan Le Fanu.

This ebook was produced for
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Kenneth Williams and Christopher Hapka
and is based on a transcription produced in 2011 by
Andrea Ball, Christine Bell, and Marc D’Hooghe
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The cover page is adapted from
Le porche de l’auberge du Cheval-blanc, rue Mazet,
a painting completed in 1898 by
Victor Marec.
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