disgustingly, her throat marked and inflamed with the fingers of her employer. The coat of Cook was crumpled beneath her, and she had torn great rents in her nightdress in her desperate resistance, so that she lay half-naked in the cruel glare of the electric light. Her two plump legs were crossed fantastically like the legs of a crusader, but so that the feet were wide apart. Her pink flesh glistened and smelt powerfully of soap.

It was not the kind of thing to spring upon any man, least of all should it have been sprung upon Egerton. For he was a highly sensitive man and easily shocked. He had not been, like Stephen, to the war⁠—being a Civil Servant and imperfect in the chest⁠—and in an age when the majority of living young men have looked largely on, and become callous about, death, John Egerton had never seen a dead body.

And he was a person of extraordinary modesty, in the sense in which most women but few men possess modesty. He had a real chastity of thought which few men ever achieve. John Egerton was no prig. Only he had this natural purity of outlook which made him actually blush when indelicate things were said on the stage or hinted at in private society.

And now he was suddenly confronted in the house of his best friend with the dead and disgusting body of a half-naked female. He was inexpressibly shocked.

When the light went on and he looked down at the floor, his mouth opened suddenly, but he said no word; he only stared incredulously at the sprawling flesh.

Then he began to blush. A faint flush travelled slowly over his rather sallow face. He looked up then at Stephen, watching anxiously in the corner.

“What the devil⁠—” he said.

From the tone in which he spoke, Stephen realized suddenly the error he had made. Pulling down a coat from a peg, he flung it over the body. Only a few times had he heard John Egerton speak like that and look like that, but he knew quite clearly what it meant. John should have been kept out of this. Or he should have had it broken to him. Of course. But there was no time⁠—no time⁠—that was the trouble. Stephen looked at his watch. It was twenty to ten. At any moment his wife might be back. Something must be done.

He opened the dining-room door. “Come in here,” he said, and they went in.

John Egerton stood by the sideboard looking very grim and perplexed. He could not be called handsome, not at least beside Stephen Byrne. There was less intellect but more character in his face, a kind of moral refinement in the adequate jaw and steady grey eyes, set well apart under indifferent eyebrows. His face was pale from too much office-work, and he had the habit of a forward stoop, from peering nervously at new people. These things gave him, somehow, a false air of primness, and a little detracted from the kindliness, the humanity, which was the secret of his character and his charm. For ultimately men were charmed by John, though a deep-seated shyness concealed him from them at a first meeting. His voice was soft and unassuming, his mouth humorous but firm. He had slightly discoloured teeth, not often visible. Stephen’s teeth were admirable and flashed attractively when he smiled.

“What’s it all mean?” John said. “Is she⁠—”

Stephen said, “She’s dead⁠ ⁠… it’s Emily, our maid.”

“How?” Egerton began.

“I⁠—I was playing the fool⁠ ⁠… pretended I was going to kiss her, you know⁠ ⁠… the little fool thought I meant it⁠ ⁠… got frightened⁠ ⁠… then something⁠ ⁠… I don’t know what happened exactly⁠ ⁠… she bumped her head.⁠ ⁠… Oh, damn it, there’s no time to explain⁠ ⁠… we’ve got to get her away somehow⁠ ⁠… and I want you to help⁠ ⁠… Margery⁠ ⁠…”

“Get her away?” said John; “but the police⁠ ⁠… you can’t⁠ ⁠…”

John Egerton was still far from grasping the full enormity of the position. He had been badly shocked by the sight of the body. He was shocked by his friend’s incoherent confession of some vulgar piece of foolery with a servant. He was amazed that a man like Stephen should even “pretend” that he was going to kiss a servant. That kind of thing was not done in The Chase, and Stephen was not that kind of man, he thought. No doubt he had had a little too much wine, flung out some stupid compliment or other; there had been a scuffle, and then some accident, a fall or something⁠—the girl probably had a weak heart; fleshy people often did: it was all very horrible and regrettable, but not criminal. Nothing to be kept from the police.

But it was damnably awkward, of course, with Mrs. Byrne in that condition. Stephen’s spluttering mention of her name had suddenly reminded him of that. There would be policemen, fusses, inquests, and things. She would be upset. John had a great regard for Mrs. Byrne. She oughtn’t to be upset just now. But it couldn’t be helped.

Stephen Byrne was pouring out port again⁠—a full glass. He lifted and drank it with an impatient urgency, leaning back his black head. Some of the wine spilled out as he drank, and flowed stickily down his chin. Three drops fell on his crumpled shirtfront and swelled slowly into pear-shaped stains.

His friend’s failure to understand was clearly revealed to him, and filled him with an unreasonable irritation. It was his own fault of course. He should have told him the whole truth. But somehow he couldn’t⁠—even now⁠—though every moment was precious. Even now he could not look at John and tell him simply what he had done. He took a napkin from the sideboard drawer and rubbed it foolishly across his shirtfront, as he spoke. He said:

“Oh, for God’s sake, John⁠ ⁠… don’t you understand⁠ ⁠… I⁠ ⁠… I believe I⁠ ⁠… I’ve killed her⁠ ⁠… myself⁠ ⁠… I don’t know.” He looked quickly at John and away again. John’s honest mouth was opening. His grey eyes were wide and horrified. When

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