Aldgate into a different world, they left behind them the sleek dignity of Parliament and the Temple and the Embankment and shot under Blackfriars Bridge into a different world⁠—a world of clustering, untidy bridges and sheer warehouses and endless wharves. They felt very small in the little boat that spun sideways in the bewildering eddies round the bridges and was pulled under them at breathless speed by the confined and tremendous tide. They came through London Bridge into a heavy sea, where the boat pitched and wallowed and tossed her head and plunged suddenly with frightening violence in the large waves that ran not one way only but rolled back obliquely from the massed barges by the banks, and dashed at each other and made a tumult of water, very difficult for a small boat to weather. Tugs dashed up and down and across the river with the disquieting quickness and inconsequence of taxicabs in the narrow space between the barges and the big steamers huddled against the wharves. The men in them looked out and laughed at the puny white boat plunging sideways under Tower Bridge. There was then an oceangoing steamer moving portentously out, and Muriel was frightened by the size of the ship, and the noise and racket of the wharves, and the hooting tugs, and the mad water splashing and heaving about them. But they came soon past Wapping into a wide and quieter reach; and here there were many ships and many barges, some anchored and some slowly moving, like ships in a dream. All of them were bright with colour against the sky and against the steel-blue water and the towering muddle of wharves and tall chimneys and warehouses upon the banks. The sails of the barges stood out far off in lovely patches of warm brown, and their masts shone like copper in the sun. Tucked away among the wharves and cranes were old, mysterious houses, balconies and ladylike windows looking incongruously over coal-barges.

But it was all mysterious and all beautiful, Stephen thought, in this sunny market of the Thames. He liked the strange old names of the places they passed, and told them lovingly to Muriel⁠—Limehouse Causeway, the Wapping Old Stairs, and Shadwell Basin, and Cherry Garden Pier; and he loved to see through inlets here and there the high forests of masts, and know that yonder were the special mysteries of great docks; for for such things he had the romantic reverence of a boy. But Muriel saw no romance and little beauty in the Pool of London, and her brother George saw less. She saw it only as a strange muddle of dirty vessels and ugly buildings, strongly suggestive of slums and the East End. It was noisy sometimes, and she had been splashed with water which she knew was dirty and probably infected; she felt that she preferred the westward stretches of the Thames, where navigation was less anxious and Stephen was not so preoccupied with his surroundings.

Stephen perceived this and was aware of a faint disappointment. Only when they rounded a bend and saw suddenly the gleaming pile of Greenwich Hospital, brilliant against the green hill behind, did Muriel definitely admire. And then, Stephen thought, it was not because she saw that the building was so beautiful from that angle and in that light, but because it had such an air of cleanliness and austere respectability after the orgy of raffish and commercial scenery which she had been compelled to endure. Or perhaps it was because at Greenwich Pier they were going to get out of the boat.

XIII

They came home in the gathering dusk on the young flood. And because of this and because it was Saturday evening they had the river to themselves, and moved almost alone through the silent and deserted Pool. They followed slowly after the sun and saw the Tower Bridge as a black scaffolding framing the last glow of yellow and gold. All the undiscovered colours of sunset and half-darkness lay upon the water, smooth now and velvety, and they fled away in front of the boat as the glow departed. At Blackfriars the moon had not yet come, and Nature had made thick darkness; but man had made a marvel of light and beauty upon the water that left Stephen silent with wonder. The high trams swam along the Embankment, palaces of light, and they swam yet more admirably in the water. There were the scattered lights of houses, and the brilliant lights of theatres, and the opulent lights of hotels, and the regimented lights of streetlamps, and the sudden little lights of matches on the banks, and the tiny lights of cigarettes, where men hung smoking on the Embankment wall, and sometimes a bright, inexplicable light high up among the roofs; and the lights of Parliament, and at last the light of the young moon peeping shyly over a Lambeth brewery⁠—and all these lights were different and beautiful in the dark, and made a glory of the muddy water. The small boat travelled on in the lonely darkness of midstream, and to Stephen it seemed a wonderful thing that no other but he and Muriel and her brother George could look as they could upon those magical lights and the magical patterns that the water had made of them. He had a sense of remoteness, of privileged remoteness from the world; yet he had a yearning for pleasant companionship, and itched for the moment when young George was to leave them to go to his Club.

Young George left them at Westminster Pier, and those two went on together in the boat. The lights of Chelsea were as beautiful as the lights of Westminster, and Stephen thought suddenly of Margery’s description of evening by the Solent. It was hardly necessary to go so far for loveliness, he thought. He was glad that Muriel was with him, because she too was lovely, but when she clung to

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