Not that I made it of wine because wine is rare; nor the walls of gold because gold is rare: that would have been too childish: but because I would match for beauty a human work with the works of those Others: and because it happens, by some persistent freak of the earth, that precisely things most rare and costly are generally the most beautiful.
The vision of glorious loveliness which is this palace now risen before my eyes cannot be described by pen and paper, though there may be words in the lexicons of language which, if I sought for them with inspired wit for sixteen years, as I have built for sixteen years, might as vividly express my thought on paper, as the stones-of-gold, so grouped and built, express it to the eye: but, failing such labours and skill, I suppose I could not give, if there were another man, and I tried to give, the faintest conception of its celestial charm.
It is a structure positively as clear as the sun, and as fair as the moon—the sole great human work in the making of which no restraining thought of cost has played a part: one of its steps alone being of more cost than all the temples, mosques and besestins, the palaces, pagodas and cathedrals, built between the ages of the Nimrods and the Napoleons.
The house itself is very small—only 40 ft. long, by 35 broad, by 27 high: yet the structure as a whole is sufficiently enormous, high uplifted: the rest of the bulk being occupied by the platform, on which the house stands, each side of this measuring at its base 480 ft., its height from top to bottom 130 ft., and its top 48 ft. square, the elevation of the steps being just nearly 30 degrees, and the top reached from each of the four points of the compass by 183 low long steps, very massively overlaid with smooth molten gold—not forming a continuous flight, but broken into threes and fives, sixes and nines, with landings between the series, these from the top looking like a great terraced parterre of gold. It is thus an Assyrian palace in scheme: only that the platform has steps on all sides, instead of on one. The platform-top, from its edge to the golden walls of the house, is a mosaic consisting of squares of the glassiest clarified gold, and squares of the glassiest jet, corner to corner, each square 2 ft. wide. Around the edge of the platform on top run 48 square plain gold pilasters, 12 on each side, 2 ft. high, tapering upwards, and topped by a knob of solid gold, pierced with a hole through which passes a lax inch-and-a-half silver chain, hung with little silver balls which strike together in the breeze. The mansion consists of an outer court, facing east toward the sea, and the house proper, which encloses an inner court. The outer court is a hollow oblong 32 ft. wide by 8 ft. long, the summit of its three walls being battlemented; they are 18½ ft. in height, or 8½ ft. lower than the house; around their gold sides, on inside and outside, 3 ft. from the top, runs a plain flat band of silver, 1 ft. wide, projecting ⅔ in., and at the gate, which is a plain Egyptian entrance, facing eastwards, 2½ ft. narrower at top than at bottom, stand the two great square pillars of massive plain gold, tapering upwards, 45 ft. high, with their capital of band, closed lotus, and thin plinth; in the outer court, immediately opposite the gate, is an oblong well, 12 ft. by 3 ft., reproducing in little the shape of the court, its sides, which are gold-lined, tapering downward to near the bottom of the platform, where a conduit of ⅛ in. diameter automatically replenishes the ascertained mean evaporation of the lake during the year, the well containing 105,360 litres when nearly full, and the lake occupying a circle round the platform of 980 ft. diameter, with a depth of 3½ ft. Round the well run pilasters connected by silver chains with little balls, and it communicates by a ⅛ in. conduit with a pool of wine let into the inner court, this being fed from eight tall and narrow golden tanks, tapering upwards, which surround it, each containing a different red wine, sufficient on the whole to last for all purposes during my lifetime. The ground of the outer court is also a mosaic of jet and gold: but thenceforth the jet-squares give place throughout to squares of silver, and the gold-squares to squares of clear amber, clear as solidified oil. The entrance is by an Egyptian doorway 7 ft. high, with folding-doors of gold-plated cedar, opening inwards, surrounded by a very large projecting coping of plain silver, 3½ ft. wide, severe simplicity of line throughout enormously multiplying the effect of richness of material. The interior resembles, I believe, rather a Homeric, than an Assyrian or Egyptian house—except for the “galleries,” which are purely Babylonish and Old Hebrew. The inner court, with its wine-pool and tanks, is a small oblong of 8 ft. by 9 ft., upon which open four silver-latticed window-oblongs in the same proportion, and two doors, before and behind, oblongs in the same proportion. Round this run the eight walls of the house proper, the inner 10 ft. from the outer, each parallel two forming a single long corridor-like chamber, except the front (east) two, which are divided into three apartments; in each side of the house are six panels of massive plain silver, half-an-inch thinner in their central space, where are affixed paintings, 22 or else 21 taken at the burning of Paris from a place called the Louvre, and 2 or else 3 from a place in England: so that the panels have the look of frames, and are surrounded by oval garlands of the palest
