Clerambault

war on the mind, was that it aroused new affinities between individuals. People who up to this time had not a thought in common discovered all at once that they thought alike; and this resemblance drew them together. It was what people called “the Sacred Union.” Men of all parties and temperaments, the choleric, the phlegmatic, monarchists, anarchists, clericals, Calvinists, suddenly forgot their everyday selves, their passions, their fads and their antipathies⁠—shed their skins. And there before you were now creatures, grouped in an unforeseen manner, like metal filings round an invisible magnet. All the old categories had momentarily disappeared, and no one was astonished to find himself closer to the stranger of yesterday than to a friend of many years’ standing. It seemed as if, underground, souls met by secret roots that stretched through the night of instinct, that unknown region, where observation rarely ventures. For our psychology stops at that part of self which emerges from the soil, noting minutely individual differences, but forgetting that this is only the top of the plant, that nine-tenths are buried, the feet held by those of other plants. This profound, or lower, region of the soul is ordinarily below the threshold of consciousness, the mind feels nothing of it; but the war, by waking up this underground life, revealed moral relationships which no one had suspected. A sudden intimacy showed itself between Clerambault and a brother of his wife whom he had looked upon until now, and with good reason, as the type of a perfect Philistine.

Leo Camus was not quite fifty years old. He was tall, thin, and stooped a little; his skin was grey, his beard black, not much hair on his head⁠—you could see the bald spots under his hat behind⁠—little wrinkles everywhere, cutting into each other, crossing, like a badly-made net; add to this a frowning, sulky expression, and a perpetual cold in the head. For thirty years he had been employed by the State, and his life had passed in the shadow of a courtyard at the Department. In the course of years he had changed rooms, but not shadows; he was promoted, but always in the courtyard, never would he leave it in this life. He was now Undersecretary, which enabled him to throw a shadow in his turn. The public and he had few points of contact, and he only communicated with the outside world across a rampart of pasteboard boxes and piles of documents. He was an old bachelor without friends, and he held the misanthropical opinion that disinterested friendship did not exist upon earth. He felt no affection except for his sister’s family, and the only way that he showed that was by finding fault with everything that they did. He was one of those people whose uneasy solicitude causes them to blame those they love when they are ill, and obstinately prove to them that they suffer by their own fault.

At the Clerambaults no one minded him very much. Madame Clerambault was so easygoing that she rather liked being pushed about in this way, and as for the children, they knew that these scoldings were sweetened by little presents; so they pocketed the presents and let the rest go by.

The conduct of Leo Camus towards his brother-in-law had varied with time. When his sister had married Clerambault, Camus had not hesitated to find fault with the match; an unknown poet did not seem to him “serious” enough. Poetry⁠—unknown poetry⁠—is a pretext for not working; when one is “known,” of course that is quite another thing; Camus held Hugo in high esteem, and could even recite verses from the Châtiments, or from Auguste Barbier. They were “known,” you see, and that made all the difference.⁠ ⁠… Just at this time Clerambault himself became “known,” Camus read about him one day in his favourite paper, and after that he consented to read Clerambault’s poems. He did not understand them, but he bore them no ill will on that account. He liked to call himself old-fashioned, it made him feel superior, and there are many in the world like him, who pride themselves on their lack of comprehension. For we must all plume ourselves as we can; some of us on what we have, others on what we have not.

Camus was willing to admit that Clerambault could write. He knew something of the art himself⁠—and his respect for his brother-in-law increased in proportion to the “puffs” he read in the papers, and he liked to chat with him. He had always appreciated his affectionate kindheartedness, though he never said so, and what pleased also in this great poet, for great he was now, was his manifest incapacity, and practical ignorance of business matters; on this ground Camus was his superior, and did not hesitate to show it. Clerambault had a simple-hearted confidence in his fellow-man, and nothing could have been better suited to Camus’ aggressive pessimism, which it kept in working order. The greater part of his visits was spent in reducing Clerambault’s illusions to fragments, but they had as many lives as a cat, and every time he came it had to be done over again. This irritated Camus, but secretly pleased him for he needed a pretext constantly renewed to think the world bad, and men a set of imbeciles. Above all he had no mercy on politicians; this Government employee hated Governments, though he would have been puzzled to say what he would put in their places. The only form of politics that he understood was opposition. He suffered from a spoiled life and thwarted nature. He was a peasant’s son and born to raise grapes, or else to exercise his authoritative instincts over the field labourers, like a watchdog. Unfortunately, diseases of the vines interfered and also the pride of a quill-driver; the family moved to town, and now he would have felt it a derogation to return to his real nature, which was too much atrophied, even