but to resist them he has also weapons which others have not. For the least reflective, he who abandons himself to his lyrical impulses, has in some degree the faculty of introspection which it rests with him to utilise. If he does not do this, he lacks goodwill more than power; he is afraid to look too clearly at himself for fear of seeing an unflattering picture. Those however who, like Clerambault, have the virtue of sincerity without psychological gifts, are sufficiently well-equipped to exercise some control over their excitability.

One day as he was walking alone, he saw a crowd on the other side of the street, he crossed over calmly and found himself on the opposite sidewalk in the midst of a confused agitation circling about an invisible point. With some difficulty he worked his way forward, and scarcely was he within this human mill-wheel, than he felt himself a part of the rim, his brain seemed turning round. At the centre of the wheel he saw a struggling man, and even before he grasped the reason for the popular fury, he felt that he shared it. He did not know if a spy was in question, or if it was some imprudent speaker who had braved the passions of the mob, but as cries rose around him, he realised that he, yes he, Clerambault, had shrieked out:⁠ ⁠… “Kill him.”⁠ ⁠…

A movement of the crowd threw him out from the sidewalk, a carriage separated him from it, and when the way was clear the mob surged on after its prey. Clerambault followed it with his eyes; the sound of his own voice was still in his ears⁠—he did not feel proud of himself.⁠ ⁠…

From that day on he went out less; he distrusted himself, but he continued to stimulate his intoxication at home, where he felt himself safe, little knowing the virulence of the plague. The infection came in through the cracks of the doors, at the windows, on the printed page, in every contact. The most sensitive breathe it in on first entering the city, before they have seen or read anything; with others a passing touch is enough, the disease will develop afterwards alone. Clerambault, withdrawn from the crowd, had caught the contagion from it, and the evil announced itself by the usual premonitory symptoms. This affectionate tenderhearted man hated, loved to hate. His intelligence, which had always been thoroughly straightforward, tried now to trick itself secretly, to justify its instincts of hatred by inverted reasoning. He learned to be passionately unjust and false, for he wanted to persuade himself that he could accept the fact of war, and participate in it, without renouncing his pacifism of yesterday, his humanitarianism of the day before, and his constant optimism. It was not plain sailing, but there is nothing that the brain cannot attain to. When its master thinks it absolutely necessary to get rid for a time of principles which are in his way, it finds in these same principles the exception which violates them while confirming the rule. Clerambault began to construct a thesis, an ideal⁠—absurd enough⁠—in which these contradictions could be reconciled: War against War, War for Peace, for eternal Peace.

The enthusiasm of his son was a great help to him. Maxime had enlisted. His generation was carried away on a wave of heroic joy; they had waited so long⁠—they had not dared to expect an opportunity for action and sacrifice.

Older men who had never tried to understand them, stood amazed; they remembered their own commonplace, bungling youth, full of petty egotisms, small ambitions, and mean pleasures. As they could not recognise themselves in their children they attributed to the war this flowering of virtues which had been growing up for twenty years around their indifference and which the war was about to reap. Even near a father as large-minded as Clerambault, Maxime was blighted. Clerambault was interested in spreading his own overflowing diffuse nature, too much so to see clearly and aid those whom he loved: he brought to them the warm shadow of his thought, but he stood between them and the sun.

These young people sought employment for their strength which really embarrassed them, but they did not find it in the ideals of the noblest among their elders; the humanitarianism of a Clerambault was too vague, it contented itself with pleasant hopes, without risk or vigour, which the quietude of a generation grown old in the talkative peace of Parliaments and Academies, alone could have permitted. Except as an oratorical exercise it had never tried to foresee the perils of the future, still less had it thought to determine its attitude in the day when the danger should be near. It had not the strength to make a choice between widely differing courses of action. One might be a patriot as well as an internationalist or build in imagination peace palaces or super-dreadnoughts, for one longed to know, to embrace, and to love everything. This languid Whitmanism might have its aesthetic value, but its practical incoherence offered no guide to young people when they found themselves at the parting of the ways. They pawed the ground trembling with impatience at all this uncertainty and the uselessness of their time as it went by.

They welcomed the war, for it put an end to all this indecision, it chose for them, and they made haste to follow it. “We go to our death⁠—so be it; but to go is life.” The battalions went off singing, thrilling with impatience, dahlias in their hats, the muskets adorned with flowers. Discharged soldiers re-enlisted; boys put their names down, their mothers urging them to it; you would have thought they were setting out for the Olympian games.

It was the same with the young men on the other side of the Rhine, and there as here, they were escorted by their gods: Country, Justice, Right, Liberty, Progress of the World, Eden-like dreams of reborn humanity, a whole phantasmagoria of mystic

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