“You needn’t worry about that, Panzer,” retorted the Inspector. “I’ve caused your shutdown and I’ll see that the theatre is compensated for it tonight. I’ll get the newspaper boys on the wire and ask them to ballyhoo the opening in the next edition. It will mean a lot of unexpected publicity for you and undoubtedly the free advertising, combined with the normal curiosity of the public, will give you a sellout.”
“That’s sporting of you, Inspector,” said Panzer, rubbing his hands. “Is there anything else I can do for you at the moment?”
“There’s one item you’ve forgotten, dad,” interposed Ellery. He turned to the swart little manager. “Will you see that LL32 and LL30 Left are not sold tonight? The Inspector and I would enjoy seeing this evening’s performance. We’ve not really had that pleasure yet, you know. And naturally we wish to preserve a stately incognito, Panzer—dislike the adulation of the crowd and that sort of thing. You’ll keep it under cover, of course.”
“Anything you say, Mr. Queen. I’ll instruct the cashier to put aside those tickets,” returned Panzer pleasantly. “And now, Inspector—you said you would telephone the press, I believe—?”
“Certainly.” Queen took up the telephone and held pithy conversations with the city editors of a number of metropolitan newspapers. When he had finished Panzer bade them a hurried goodbye to get busy with the telephone.
Inspector Queen and his son strolled out into the orchestra, where they found Flint and the two detectives who had been examining the boxes awaiting them.
“You men hang around the theatre on general principles,” ordered the Inspector. “Be particularly careful this afternoon. … Any of you find anything?”
Flint scowled. “I ought to be digging clams in Canarsie,” he said with a disgruntled air. “I fell down on the job Monday night, Inspector, and I’m blamed if I could find a thing for you today. That place upstairs is swept as clean as a hound’s tooth. Guess I ought to go back to pounding a beat.”
Queen slapped the big detective on the shoulder. “What’s the matter with you? Don’t be acting like a baby, lad. How on earth could you find anything when there wasn’t anything to find? You fellows get something?” he demanded, swinging on the other two men.
They shook their heads in a gloomy negation.
A moment later the Inspector and Ellery climbed into a passing taxicab and settled back for the short drive to headquarters. The old man carefully closed the glass sliding-window separating the driver’s seat from the interior of the car.
“Now, my son,” he said grimly, turning on Ellery, who was puffing dreamily at a cigarette, “please explain to your old daddy that hocus-pocus in Panzer’s office!”
Ellery’s lips tightened. He stared out of the window before replying. “Let me start this way,” he said. “You have found nothing in your search today. Nor have your men. And although I scouted about myself, I was just as unsuccessful. Dad, make up your mind to this one primary point: The hat which Monte Field wore to the performance of Gunplay on Monday night, in which he was seen at the beginning of the second act, and which presumably the murderer took away after the crime was committed, is not in the Roman Theatre now and has not been there since Monday night. To proceed.” Queen stared at him with grizzled brows. “In all likelihood Field’s tophat no longer exists. I would stake my Falconer against your snuffbox that it has fled this life and now enjoys a reincarnation as ashes in the City dumps. That’s point number one.”
“Go on,” commanded the Inspector.
“Point number two is so elementary as to be infantile. Nevertheless, allow me the privilege of insulting the Queen intelligence. … If Field’s hat is not in the Roman Theatre now and has not been in the Roman Theatre since Monday night, it must of necessity have been taken out of the Roman Theatre some time during the course of that evening!”
He paused to gaze thoughtfully through the window. A traffic-officer was waving his arms at the juncture of 42nd Street and Broadway.
“We have established therefore,” he continued lightly, “the factual basis of a point which has been running us ragged for three days: to wit, did the hat for which we are looking leave the Roman Theatre. … To be dialectic—yes, it did. It left the Roman Theatre the night of the murder. Now we approach a greater problem—how did it leave and when.” He puffed at his cigarette and regarded the glowing tip. “We know that no person left the Roman Monday night with two hats or no hat at all. In no case was there anything incongruous in the attire of any person leaving the theatre. That is, a man wearing a full-dress costume did not go out with a fedora. In a similar way, no one wearing a silk-topper was dressed in ordinary street-clothes. Remember, we noticed nothing wrong from this angle in anyone. … This leads us inevitably, to my staggering mind, to the third fundamental conclusion: that Monte Field’s hat left the theatre in the most natural manner in the world: id est, by way of some man’s head, its owner being garbed in appropriate evening-clothes!”
The Inspector was keenly interested. He thought over Ellery’s statement for a moment. Then he said seriously, “That’s getting us somewhere, son. But you say a man left the theatre wearing Monte Field’s hat—an important and enlightening statement. But please answer this question: What did he do with his own hat, since no one left with two?”
Ellery smiled. “You now have your hand on the heart of our little mystery, dad. But let it hold for the moment. We have a number of other points to mull
