“What statement?” Morgan was in a sweat of fear; his eyes started from his head.
“ ‘Publish those papers, and if it means ruin to me—I’ll see to it that it’s the last time you’ll ever blackmail anybody!’ ” repeated the Inspector. “Did you say that, Mr. Morgan?”
The lawyer stared incredulously at the Queens, then threw back his head and laughed. “Good heavens!” he gasped, at last. “Is that the ‘threat’ I made? Why, Inspector, what I meant was that if he published those documents, in the event that I couldn’t meet his blackguard demands, that I’d make a clean breast of it to the police and drag him down with me. That’s what I meant! And she thought I was threatening his life—” He wiped his eyes hysterically.
Ellery smiled, his finger summoning the waiter. He paid the check and lit a cigarette, looking sidewise at his father, who was regarding Morgan with a mixture of abstraction and sympathy.
“Very well, Mr. Morgan.” The Inspector rose, pushed back his chair. “That’s all we wanted to know.” He stood aside courteously to allow the dazed, still trembling lawyer to precede them toward the cloakroom.
The sidewalk fronting the Roman Theatre was jammed when the two Queens strolled up 47th Street from Broadway. The crowd was so huge that police lines had been established. Traffic was at a complete standstill along the entire length of the narrow thoroughfare. The electric lights of the marquee blared forth the title “Gunplay” in vigorous dashes of light and in smaller lights the legend, “Starring James Peale and Eve Ellis, Supported by an All-Star Cast.” Women and men wielded frenzied elbows to push through the milling mob; policemen shouted hoarsely, demanding tickets for the evening’s performance before they would allow anyone to pass through the lines.
The Inspector showed his badge and he and Ellery were hurled with the jostling crowd into the small lobby of the theatre. Beside the box-office, his Latin face wreathed in smiles, stood Manager Panzer, courteous, firm and authoritative, helping to speed the long line of cash customers from the box-office window to the ticket-taker. The venerable doorman, perspiring mightily, was standing to one side, a bewildered expression on his face. The cashiers worked madly. Harry Neilson was huddled in a corner of the lobby, talking earnestly to three young men who were obviously reporters.
Panzer caught sight of the two Queens and hurried forward to greet them. At an imperious gesture from the Inspector he hesitated, then with an understanding nod turned back to the cashier’s window. Ellery stood meekly in line and procured two reserved tickets from the box-office. They entered the orchestra in the midst of a pushing throng.
A startled Madge O’Connell fell back as Ellery presented two tickets plainly marked LL32 Left and LL30 Left. The Inspector smiled as she fumbled with the pasteboards and threw him a half-fearful glance. She led them across the thick carpet to the extreme left aisle, silently indicated the last two seats of the last row and fled. The two men sat down, placed their hats in the wire holders below the seats and leaned back comfortably, for all the world like two pleasure-seekers contemplating an evening’s gory entertainment.
The auditorium was packed. Droves of people being ushered down the aisles were rapidly consuming the empty seats. Heads twisted expectantly in the direction of the Queens, who became unwittingly the center of a most unwelcome scrutiny.
“Heck!” grumbled the old man. “We should have come in after the curtain went up.”
“You’re much too sensitive to public acclaim, mon père,” laughed Ellery. “I don’t mind the limelight.” He consulted his wristwatch and their glances met significantly. It was exactly 8:25. They wriggled in their seats and settled down.
The lights were blotted out, one by one. The chatter of the audience died in a responsive sympathy. In total darkness the curtain rose on a weirdly dim stage. A shot exploded the silence; a man’s gurgling shout raised gasps in the theatre. Gunplay was off in its widely publicized and theatrical manner.
Despite the preoccupation of his father, Ellery, relaxed in the chair which three nights before had held the dead body of Monte Field, was able to sit still and enjoy the exceedingly mellow melodrama. The fine rich voice of James Peale, ushered onto the stage by a series of climactic incidents, rang out and thrilled him with its commanding art. Eve Ellis’s utter absorption in her role was apparent—at the moment she was conversing in low throbbing tones with Stephen Barry, whose handsome face and pleasant voice were evoking admiring comment from a young girl seated directly to the Inspector’s right. Hilda Orange was huddled in a corner, dressed flamboyantly as befitted her stage-character. The old “character-man” pottered aimlessly about the stage. Ellery leaned toward his father.
“It’s a well cast production,” he whispered. “Watch that Orange woman!”
The play stuttered and crackled on. With a crashing symphony of words and noise the first act came to an end. The Inspector consulted his watch as the lights snapped on. It was 9:05.
He rose and Ellery followed him lazily. Madge O’Connell, pretending not to notice them, pushed open the heavy iron doors across the aisle and the audience began to file out into the dimly lit alleyway. The two Queens sauntered out among the others.
A uniformed boy standing behind a neat stand covered with paper cups was crying his wares in a subdued, “refined” voice. It was Jess Lynch, the boy who had testified in the matter of Monte Field’s request for ginger ale.
Ellery strolled behind the iron door—there was a cramped space between the door and the brick wall. He noticed that the wall of the building flanking the other side of the alley was easily six stories high and unbroken. The Inspector bought an orange-drink from the boy. Jess Lynch recognized him with a start and Inspector Queen greeted the boy pleasantly.
People were standing in small groups, their attitudes
