and guide it. He had no regrets. Medicine seemed a far-off, dry-as-dust thing.

The oak paneling of the room went to the ceiling and there broke softly with carven light against white flowers and into long lucent curves. The table below was sheer with lace and linen, sparkling with silver and crystal. The servants moved deftly, and all of them were white save one who stood behind the Princess’ high and crimson chair. At her right sat Matthew himself, hardly realizing until long afterward the honor thus done an almost nameless guest.

Fortunately he had the dinner jacket of year before last with him. It was not new, but it fitted his form perfectly, and his was a form worth fitting. He was a bit shocked to note that all the other men but two were in full evening dress. But he did not let this worry him much.

Ten of them sat at the table. On the Princess’ left was a Japanese, faultless in dress and manner, evidently a man of importance, as the deference shown him and the orders on his breast indicated. He was quite yellow, short and stocky, with a face which was a delicately handled but perfect mask. There were two Indians, one a man grave, haughty, and old, dressed richly in turban and embroidered tunic, the other, in conventional dress and turban, a young man, handsome and alert, whose eyes were ever on the Princess. There were two Chinese, a young man and a young woman, he in a plain but becoming Chinese costume of heavy blue silk, she in a pretty dress, half Chinese, half European in effect. An Egyptian and his wife came next, he suave, talkative, and polite⁠—just a shade too talkative and a bit too polite, Matthew thought; his wife a big, handsome, silent woman, elegantly jeweled and gowned, with much bare flesh. Beyond them was a cold and rather stiff Arab who spoke seldom, and then abruptly.

Of the food and wine of such dinners, Matthew had read often but never partaken; and the conversation, now floating, now half submerged, gave baffling glimpses of unknown lands, spiritual and physical. It was all something quite new in his experience, the room, the table, the service, the company.

He could not keep his eyes from continually straying sidewise to his hostess. Never had he seen color in human flesh so regally set: the rich and flowing grace of the dress out of which rose so darkly splendid the jeweled flesh. The black and purple hair was heaped up on her little head, and in its depths gleamed a tiny coronet of gold. Her voice and her poise, her self-possession and air of quiet command, kept Matthew staring almost unmannerly, despite the fact that he somehow sensed a shade of resentment in the young and handsome Indian opposite.

They had eaten some delicious tidbits of meat and vegetables and then were served with a delicate soup when the Princess, turning slightly to her right, said:

“You will note, Mr. Towns, that we represent here much of the Darker World. Indeed, when all our circle is present, we represent all of it, save your world of Black Folk.”

“All the darker world except the darkest,” said the Egyptian.

“A pretty large omission,” said Matthew with a smile.

“I agree,” said the Chinaman; but the Arab said something abruptly in French. Matthew had said that he knew “some” French. But his French was of the American variety which one excavates from dictionaries and cements with grammar, like bricks. He was astounded at the ease and the fluency with which most of this company used languages, so easily, without groping or hesitation and with light, sure shading. They talked art in French, literature in Italian, politics in German, and everything in clear English.

M. Ben Ali suggests,” said the Princess, “that even you are not black, Mr. Towns.”

“My grandfather was, and my soul is. Black blood with us in America is a matter of spirit and not simply of flesh.”

“Ah! mixed blood,” said the Egyptian.

“Like all of us, especially me,” laughed the Princess.

“But, your Royal Highness⁠—not Negro,” said the elder Indian in a tone that hinted a protest.

“Essentially,” said the Princess lightly, “as our black and curly-haired Lord Buddha testifies in a hundred places. But”⁠—a bit imperiously⁠—“enough of that. Our point is that Pan-Africa belongs logically with Pan-Asia; and for that reason Mr. Towns is welcomed tonight by you, I am sure, and by me especially. He did me a service as I was returning from the New Palace.”

They all looked interested, but the Egyptian broke out:

“Ah, Your Highness, the New Palace, and what is the fad today? What has followed expressionism, cubism, futurism, vorticism? I confess myself at sea. Picasso alarms me. Matisse sets me aflame. But I do not understand them. I prefer the classics.”

“The Congo,” said the Princess, “is flooding the Acropolis. There is a beautiful Kandinsky on exhibit, and some lovely and startling things by unknown newcomers.”

Mais,” replied the Egyptian, dropping into French⁠—and they were all off to the discussion, save the silent Egyptian woman and the taciturn Arab.

Here again Matthew was puzzled. These persons easily penetrated worlds where he was a stranger. Frankly, but for the context he would not have known whether Picasso was a man, a city, or a vegetable. He had never heard of Matisse. Lightly, almost carelessly, as he thought, his companions leapt to unknown subjects. Yet they knew. They knew art, books, and literature, politics of all nations, and not newspaper politics merely, but inner currents and whisperings, unpublished facts.

“Ah, pardon,” said the Egyptian, returning to English, “I forgot Monsieur Towns speaks only English and does not interest himself in art.”

Perhaps Matthew was sensitive and imagined that the Egyptian and the Indian rather often, if not purposely, strayed to French and subjects beyond him.

Mr. Towns is a scientist?” asked the Japanese.

“He studies medicine,” answered the Princess.

“Ah⁠—a high service,” said the Japanese. “I was reading only today of the work on cancer by your

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