Vanamee started up, coming, as it were, to himself, looking wildly about him. Sarria was there.
“I saw her,” said the priest. “It was Angéle, the little girl, your Angéle’s daughter. She is like her mother.”
But Vanamee scarcely heard. He walked as if in a trance, pushing by Sarria, going forth from the garden. Angéle or Angéle’s daughter, it was all one with him. It was She. Death was overcome. The grave vanquished. Life, ever-renewed, alone existed. Time was naught; change was naught; all things were immortal but evil; all things eternal but grief.
Suddenly, the dawn came; the east burned roseate toward the zenith. Vanamee walked on, he knew not where. The dawn grew brighter. At length, he paused upon the crest of a hill overlooking the ranchos, and cast his eye below him to the southward. Then, suddenly flinging up his arms, he uttered a great cry.
There it was. The Wheat! The Wheat! In the night it had come up. It was there, everywhere, from margin to margin of the horizon. The earth, long empty, teemed with green life. Once more the pendulum of the seasons swung in its mighty arc, from death back to life. Life out of death, eternity rising from out dissolution. There was the lesson. Angéle was not the symbol, but the proof of immortality. The seed dying, rotting and corrupting in the earth; rising again in life unconquerable, and in immaculate purity—Angéle dying as she gave birth to her little daughter, life springing from her death—the pure, unconquerable, coming forth from the defiled. Why had he not had the knowledge of God? Thou fool, that which thou sowest is not quickened except it die. So the seed had died. So died Angéle. And that which thou sowest, thou sowest not that body that shall be, but bare grain. It may chance of wheat, or of some other grain. The wheat called forth from out the darkness, from out the grip of the earth, of the grave, from out corruption, rose triumphant into light and life. So Angéle, so life, so also the resurrection of the dead. It is sown in corruption. It is raised in incorruption. It is sown in dishonour. It is raised in glory. It is sown in weakness. It is raised in power. Death was swallowed up in Victory.
The sun rose. The night was over. The glory of the terrestrial was one, and the glory of the celestial was another. Then, as the glory of sun banished the lesser glory of moon and stars, Vanamee, from his mountain top, beholding the eternal green life of the growing Wheat, bursting its bonds, and in his heart exulting in his triumph over the grave, flung out his arms with a mighty shout:
“Oh, Death, where is thy sting? Oh, Grave, where is thy victory?”
IV
Presley’s Socialistic poem, “The Toilers,” had an enormous success. The editor of the Sunday supplement of the San Francisco paper to which it was sent, printed it in Gothic type, with a scare-head title so decorative as to be almost illegible, and furthermore caused the poem to be illustrated by one of the paper’s staff artists in a most impressive fashion. The whole affair occupied an entire page. Thus advertised, the poem attracted attention. It was promptly copied in New York, Boston, and Chicago papers. It was discussed, attacked, defended, eulogised, ridiculed. It was praised with the most fulsome adulation; assailed with the most violent condemnation. Editorials were written upon it. Special articles, in literary pamphlets, dissected its rhetoric and prosody. The phrases were quoted—were used as texts for revolutionary sermons, reactionary speeches. It was parodied; it was distorted so as to read as an advertisement for patented cereals and infants’ foods. Finally, the editor of an enterprising monthly magazine reprinted the poem, supplementing it by a photograph and biography of Presley himself.
Presley was stunned, bewildered. He began to wonder at himself. Was he actually the “greatest American poet since Bryant”? He had had no thought of fame while composing “The Toilers.” He had only been moved to his heart’s foundations—thoroughly in earnest, seeing clearly—and had addressed himself to the poem’s composition in a happy moment when words came easily to him, and the elaboration of fine sentences was not difficult. Was it thus fame was achieved? For a while he was tempted to cross the continent and go to New York and there come unto his own, enjoying the triumph that awaited him. But soon he denied himself this cheap reward. Now he was too much in earnest. He wanted to help his People, the community in which he lived—the little world of the San Joaquin, at grapples with the Railroad. The struggle had found its poet. He told himself that his place was here. Only the words of the manager of a lecture bureau troubled him for a moment. To range the entire nation, telling all his countrymen of the drama that was working itself out on this fringe of the continent, this ignored and distant Pacific Coast, rousing their interest and stirring them up to action—appealed to him. It might do great good. To devote himself to “the Cause,” accepting no penny of remuneration; to give his life to loosing the grip of the iron-hearted monster of steel and steam would be beyond question heroic. Other States than California had their grievances. All over the country the family of
