The Octopus

the Cross. They were of a hideous crudity of design and composition, yet were wrought out with an innocent, unquestioning sincerity that was not without its charm. Each picture framed alike in gilt, bore its suitable inscription in staring black letters. “Simon, The Cyrenean, Helps Jesus to Carry His Cross.” “Saint Veronica Wipes the Face of Jesus.” “Jesus Falls for the Fourth Time,” and so on. Halfway up the length of the church the pews began, coffin-like boxes of blackened oak, shining from years of friction, each with its door; while over them, and built out from the wall, was the pulpit, with its tarnished gilt sounding-board above it, like the raised cover of a great hatbox. Between the pews, in the aisle, the violent vermilion of a strip of ingrain carpet assaulted the eye. Farther on were the steps to the altar, the chancel rail of worm-riddled oak, the high altar, with its napery from the bargain counters of a San Francisco store, the massive silver candlesticks, each as much as one man could lift, the gift of a dead Spanish queen, and, last, the pictures of the chancel, the Virgin in a glory, a Christ in agony on the cross, and St. John the Baptist, the patron saint of the Mission, the San Juan Bautista, of the early days, a gaunt grey figure, in skins, two fingers upraised in the gesture of benediction.

The air of the place was cool and damp, and heavy with the flat, sweet scent of stale incense smoke. It was of a vault-like stillness, and the closing of the door behind Vanamee reechoed from corner to corner with a prolonged reverberation of thunder.

However, Father Sarria was not in the church. Vanamee took a couple of turns the length of the aisle, looking about into the chapels on either side of the chancel. But the building was deserted. The priest had been there recently, nevertheless, for the altar furniture was in disarray, as though he had been rearranging it but a moment before. On both sides of the church and halfway up their length, the walls were pierced by low archways, in which were massive wooden doors, clamped with iron bolts. One of these doors, on the pulpit side of the church, stood ajar, and stepping to it and pushing it wide open, Vanamee looked diagonally across a little patch of vegetables⁠—beets, radishes, and lettuce⁠—to the rear of the building that had once contained the cloisters, and through an open window saw Father Sarria diligently polishing the silver crucifix that usually stood on the high altar. Vanamee did not call to the priest. Putting a finger to either temple, he fixed his eyes steadily upon him for a moment as he moved about at his work. In a few seconds he closed his eyes, but only part way. The pupils contracted; his forehead lowered to an expression of poignant intensity. Soon afterward he saw the priest pause abruptly in the act of drawing the cover over the crucifix, looking about him from side to side. He turned again to his work, and again came to a stop, perplexed, curious. With uncertain steps, and evidently wondering why he did so, he came to the door of the room and opened it, looking out into the night. Vanamee, hidden in the deep shadow of the archway, did not move, but his eyes closed, and the intense expression deepened on his face. The priest hesitated, moved forward a step, turned back, paused again, then came straight across the garden patch, brusquely colliding with Vanamee, still motionless in the recess of the archway.

Sarria gave a great start, catching his breath.

“Oh⁠—oh, it’s you. Was it you I heard calling? No, I could not have heard⁠—I remember now. What a strange power! I am not sure that it is right to do this thing, Vanamee. I⁠—I had to come. I do not know why. It is a great force⁠—a power⁠—I don’t like it. Vanamee, sometimes it frightens me.”

Vanamee put his chin in the air.

“If I had wanted to, sir, I could have made you come to me from back there in the Quien Sabe ranch.”

The priest shook his head.

“It troubles me,” he said, “to think that my own will can count for so little. Just now I could not resist. If a deep river had been between us, I must have crossed it. Suppose I had been asleep now?”

“It would have been all the easier,” answered Vanamee. “I understand as little of these things as you. But I think if you had been asleep, your power of resistance would have been so much the more weakened.”

“Perhaps I should not have waked. Perhaps I should have come to you in my sleep.”

“Perhaps.”

Sarria crossed himself. “It is occult,” he hazarded. “No; I do not like it. Dear fellow,” he put his hand on Vanamee’s shoulder, “don’t⁠—call me that way again; promise. See,” he held out his hand, “I am all of a tremble. There, we won’t speak of it further. Wait for me a moment. I have only to put the cross in its place, and a fresh altar cloth, and then I am done. Tomorrow is the feast of The Holy Cross, and I am preparing against it. The night is fine. We will smoke a cigar in the cloister garden.”

A few moments later the two passed out of the door on the other side of the church, opposite the pulpit, Sarria adjusting a silk skull cap on his tonsured head. He wore his cassock now, and was far more the churchman in appearance than when Vanamee and Presley had seen him on a former occasion.

They were now in the cloister garden. The place was charming. Everywhere grew clumps of palms and magnolia trees. A grapevine, over a century old, occupied a trellis in one angle of the walls which surrounded the garden on two sides. Along the third side was the church itself, while the fourth was open, the wall having crumbled