he had cut in Runic characters on the turf at the Castle-gate of St. Andrew, knew love too well to write of it much, or to speak of it at all. He had won his ideal as alone the ideal can be won; he never lost her: she was with him always, because she had been unattainable. “There are few,” he says, “who have not, at one period of life, broken ties of love and friendship, secret disappointments of the heart, to mourn over⁠—and we know no book which recalls the memory of them more severely than ‘Julia de Roubigné.’ ” He could not be very eager to recall them, he who had so bitterly endured them, and because he had known and always knew l’amor che move ’l sol e l’altre stelle, a seal was on his lips, a silence broken only by a caress of Di Vernon’s.10

This apology we may make, if an apology be needed, for what modern readers may think the meagreness of the love-passages in Scott. He does not deal in embraces and effusions, his taste is too manly; he does not dwell much on Love, because, like the shepherd in Theocritus, he has found him an inhabitant of the rocks. Moreover, when Scott began novel-writing, he was as old as Thackeray when Thackeray said that while at work on a love-scene he blushed so that you would think he was going into an apoplexy. Waverley stands by its pictures of manners, of character, by its humour and its tenderness, by its manly “criticism of life,” by its touches of poetry, so various, so inspired, as in Davie Gellatley with his songs, and Charles Edward in the gallant hour of Holyrood, and Flora with her high, selfless hopes and broken heart, and the beloved Baron, bearing his lot “with a good-humoured though serious composure.” “To be sure, we may say with Virgilius Maro, ‘Fuimus Troes’⁠—and there’s the end of an auld sang. But houses and families and men have a’ stood lang eneugh when they have stood till they fall with honour.”

Waverley ends like a fairytale, while real life ever ends like a Northern saga. But among the good things that make life bearable, such fairytales are not the least precious, and not the least enduring.

Introduction

The plan of this edition leads me to insert in this place some account of the incidents on which the Novel of Waverley is founded. They have been already given to the public by my late lamented friend, William Erskine, Esq. (afterwards Lord Kinneder), when reviewing the Tales of My Landlord for the Quarterly Review in .11 The particulars were derived by the critic from the Author’s information. Afterwards they were published in the preface to the Chronicles of the Canongate. They are now inserted in their proper place.

The mutual protection afforded by Waverley and Talbot to each other, upon which the whole plot depends, is founded upon one of those anecdotes which soften the features even of civil war; and, as it is equally honourable to the memory of both parties, we have no hesitation to give their names at length. When the Highlanders, on the morning of the battle of Preston, , made their memorable attack on Sir John Cope’s army, a battery of four fieldpieces was stormed and carried by the Camerons and the Stewarts of Appine. The late Alexander Stewart of Invernahylewas one of the foremost in the charge, and observing an officer of the King’s forces, who, scorning to join the flight of all around, remained with his sword in his hand, as if determined to the very last to defend the post assigned to him, the Highland gentleman commanded him to surrender, and received for reply a thrust, which he caught in his target. The officer was now defenceless, and the battle-axe of a gigantic Highlander (the miller of Invernahyle’s mill) was uplifted to dash his brains out, when Mr. Stewart with difficulty prevailed on him to yield. He took charge of his enemy’s property, protected his person, and finally obtained him liberty on his parole. The officer proved to be Colonel Whitefoord, an Ayrshire gentleman of high character and influence, and warmly attached to the House of Hanover; yet such was the confidence existing between these two honourable men, though of different political principles, that, while the civil war was raging, and straggling officers from the Highland army were executed without mercy, Invernahyle hesitated not to pay his late captive a visit, as he returned to the Highlands to raise fresh recruits, on which occasion he spent a day or two in Ayrshire among Colonel Whitefoord’s Whig friends, as pleasantly and as good-humouredly as if all had been at peace around him.

After the battle of Culloden had ruined the hopes of Charles Edward and dispersed his proscribed adherents, it was Colonel Whitefoord’s turn to strain every nerve to obtain Mr. Stewart’s pardon. He went to the Lord Justice Clerk to the Lord Advocate, and to all the officers of state, and each application was answered by the production of a list in which Invernahyle (as the good old gentleman was wont to express it) appeared “marked with the sign of the beast!” as a subject unfit for favour or pardon.

At length Colonel Whitefoord applied to the Duke of Cumberland in person. From him, also, he received a positive refusal. He then limited his request, for the present, to a protection for Stewart’s house, wife, children, and property. This was also refused by the Duke; on which Colonel Whitefoord, taking his commission from his bosom, laid it on the table before his Royal Highness with much emotion, and asked permission to retire from the service of a sovereign who did not know how to spare a vanquished enemy. The Duke was struck, and even affected. He bade the Colonel take up his commission, and granted the protection he

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