Short Fiction

was staring out through the open window with dazed horror in her eyes. In a chill shock of nameless fear Framton swung round in his seat and looked in the same direction.

In the deepening twilight three figures were walking across the lawn towards the window; they all carried guns under their arms, and one of them was additionally burdened with a white coat hung over his shoulders. A tired brown spaniel kept close at their heels. Noiselessly they neared the house, and then a hoarse young voice chanted out of the dusk: “I said, Bertie, why do you bound?”

Framton grabbed wildly at his stick and hat; the hall-door, the gravel-drive, and the front gate were dimly-noted stages in his headlong retreat. A cyclist coming along the road had to run into the hedge to avoid an imminent collision.

“Here we are, my dear,” said the bearer of the white mackintosh, coming in through the window; “fairly muddy, but most of it’s dry. Who was that who bolted out as we came up?”

“A most extraordinary man, a Mr. Nuttel,” said Mrs. Sappleton; “could only talk about his illnesses, and dashed off without a word of goodbye or apology when you arrived. One would think he had seen a ghost.”

“I expect it was the spaniel,” said the niece calmly; “he told me he had a horror of dogs. He was once hunted into a cemetery somewhere on the banks of the Ganges by a pack of pariah dogs, and had to spend the night in a newly dug grave with the creatures snarling and grinning and foaming just above him. Enough to make anyone lose their nerve.”

Romance at short notice was her speciality.

The Cobweb

The farmhouse kitchen probably stood where it did as a matter of accident or haphazard choice; yet its situation might have been planned by a master-strategist in farmhouse architecture. Dairy and poultry-yard, and herb garden, and all the busy places of the farm seemed to lead by easy access into its wide flagged haven, where there was room for everything and where muddy boots left traces that were easily swept away. And yet, for all that it stood so well in the centre of human bustle, its long, latticed window, with the wide window-seat, built into an embrasure beyond the huge fireplace, looked out on a wild spreading view of hill and heather and wooded combe. The window nook made almost a little room in itself, quite the pleasantest room in the farm as far as situation and capabilities went. Young Mrs. Ladbruk, whose husband had just come into the farm by way of inheritance, cast covetous eyes on this snug corner, and her fingers itched to make it bright and cosy with chintz curtains and bowls of flowers, and a shelf or two of old china. The musty farm parlour, looking out on to a prim, cheerless garden imprisoned within high, blank walls, was not a room that lent itself readily either to comfort or decoration.

“When we are more settled I shall work wonders in the way of making the kitchen habitable,” said the young woman to her occasional visitors. There was an unspoken wish in those words, a wish which was unconfessed as well as unspoken. Emma Ladbruk was the mistress of the farm; jointly with her husband she might have her say, and to a certain extent her way, in ordering its affairs. But she was not mistress of the kitchen.

On one of the shelves of an old dresser, in company with chipped sauce-boats, pewter jugs, cheese-graters, and paid bills, rested a worn and ragged Bible, on whose front page was the record, in faded ink, of a baptism dated ninety-four years ago. “Martha Crale” was the name written on that yellow page. The yellow, wrinkled old dame who hobbled and muttered about the kitchen, looking like a dead autumn leaf which the winter winds still pushed hither and thither, had once been Martha Crale; for seventy odd years she had been Martha Mountjoy. For longer than anyone could remember she had pattered to and fro between oven and washhouse and dairy, and out to chicken-run and garden, grumbling and muttering and scolding, but working unceasingly. Emma Ladbruk, of whose coming she took as little notice as she would of a bee wandering in at a window on a summer’s day, used at first to watch her with a kind of frightened curiosity. She was so old and so much a part of the place, it was difficult to think of her exactly as a living thing. Old Shep, the white-nozzled, stiff-limbed collie, waiting for his time to die, seemed almost more human than the withered, dried-up old woman. He had been a riotous, roystering puppy, mad with the joy of life, when she was already a tottering, hobbling dame; now he was just a blind, breathing carcase, nothing more, and she still worked with frail energy, still swept and baked and washed, fetched and carried. If there were something in these wise old dogs that did not perish utterly with death, Emma used to think to herself, what generations of ghost-dogs there must be out on those hills, that Martha had reared and fed and tended and spoken a last goodbye word to in that old kitchen. And what memories she must have of human generations that had passed away in her time. It was difficult for anyone, let alone a stranger like Emma, to get her to talk of the days that had been; her shrill, quavering speech was of doors that had been left unfastened, pails that had got mislaid, calves whose feeding-time was overdue, and the various little faults and lapses that chequer a farmhouse routine. Now and again, when election time came round, she would unstore her recollections of the old names round which the fight had waged in the days gone by. There had been a Palmerston, that had been a name down Tiverton way; Tiverton