And, it may have been the work of wind and weather, or some other influence, but the wild drawn face seemed gradually to lose some of its hardness and unhappiness. Every day, through the long monotonous hours, the song of his little guest would come up in snatches to the lonely watcher, and at evening, when the vesper-bell was ringing and the great grey bats slid out of their hiding-places in the belfry roof, the bright-eyed bird would return, twitter a few sleepy notes, and nestle into the arms that were waiting for him. Those were happy days for the Dark Image. Only the great bell of the Cathedral rang out daily its mocking message, “After joy … sorrow.”
The folk in the verger’s lodge noticed a little brown bird flitting about the Cathedral precincts, and admired its beautiful singing. “But it is a pity,” said they, “that all that warbling should be lost and wasted far out of hearing up on the parapet.” They were poor, but they understood the principles of political economy. So they caught the bird and put it in a little wicker cage outside the lodge door.
That night the little songster was missing from its accustomed haunt, and the Dark Image knew more than ever the bitterness of loneliness. Perhaps his little friend had been killed by a prowling cat or hurt by a stone. Perhaps … perhaps he had flown elsewhere. But when morning came there floated up to him, through the noise and bustle of the Cathedral world, a faint heart-aching message from the prisoner in the wicker cage far below. And every day, at high noon, when the fat pigeons were stupefied into silence after their midday meal and the sparrows were washing themselves in the street-puddles, the song of the little bird came up to the parapets—a song of hunger and longing and hopelessness, a cry that could never be answered. The pigeons remarked, between mealtimes, that the figure leaned forward more than ever out of the perpendicular.
One day no song came up from the little wicker cage. It was the coldest day of the winter, and the pigeons and sparrows on the Cathedral roof looked anxiously on all sides for the scraps of food which they were dependent on in hard weather.
“Have the lodge-folk thrown out anything on to the dust-heap?” inquired one pigeon of another which was peering over the edge of the north parapet.
“Only a little dead bird,” was the answer.
There was a crackling sound in the night on the Cathedral roof and a noise as of falling masonry. The belfry jackdaw said the frost was affecting the fabric, and as he had experienced many frosts it must have been so. In the morning it was seen that the Figure of the Lost Soul had toppled from its cornice and lay now in a broken mass on the dust-heap outside the verger’s lodge.
“It is just as well,” cooed the fat pigeons, after they had peered at the matter for some minutes; “now we shall have a nice angel put up there. Certainly they will put an angel there.”
“After joy … sorrow,” rang out the great bell.
Dogged
Artemus Gibbon was, by nature and inclination, blameless and respectable, and under happier circumstances the record of his life might have preserved the albino tint of its early promise; but he was of timid and yielding disposition, and had been carefully brought up, so that his case was clearly hopeless from the first. It only remained for the strong and unscrupulous character to come alongside, and the result was a foregone conclusion. And one afternoon it came. It is a well-tried axiom that, in human affairs, as in steeplechasing, the ugliest croppers occur at the “safest” and most carefully pruned places, and of all conceivable occasions for a young man to go irretrievably wrong, a church bazaar would seem to offer the least appropriate opportunity. Yet it was at such a function, opened by a bishop’s lady, and patronised by the most hopelessly correct people in the neighbourhood, that Artemus Gibbon went unsuspectingly to his undoing.
In the first place it must be admitted that his natural timidity was played upon by the embarrassing absence of anything at the bazaar which a bachelor of prosaic tastes might reasonably be expected to purchase with any approach to hearty conviction that his money was profitably laid out. Baby linen, which seemed to be the staple article on most of the stalls, was not to be thought of for a moment and the innate modesty of his taste in dress caused him to recoil from the “Jubilee Memento Scarves,” hand-worked with the royal arms in a delirium of crimson and gold. Hence, when he had purchased a harmless and unnecessary pincushion and two views of Durham Cathedral, he felt that he might, without odium, effect a dexterous retreat. Here it was that the Foreseen and Inevitable stepped in and changed the placid current of his life. He was pounced upon by a severe-looking dame, with an air of one being in authority, who gave him to understand that it was required of him that he should buy a dog.
“Only two guineas; my niece has charge of him over there. Clara!” Gibbon found himself a moment later confronted by a vivacious damsel—and the dog. The possibility of admitting a canine companion within the narrow compass of his establishment had not been altogether foreign to his speculations on life; a quiet, meek-eyed spaniel for instance, which would occupy an unobtrusive position by his domestic hearth, or participate in his constitutional walks, or, in later days, perhaps, a dignified deerhound with a tendency to statuesque repose—such were the shapes that his occasional ruminations on the subject had taken. But the dog now before him was by no means built according to these patterns. A rakish-looking fox terrier, stamped with the hallmark of naked and unashamed depravity, and wearing the yawningly alert air of one who has found the world
