Short Fiction

generally confronted me from one of the free benches, never staring at me, but always elaborately conscious of my presence. My friends began to comment on my changed looks, and advised me to leave off heaps of things. I should have liked to have left off Laploshka.

On a certain Sunday⁠—it was probably Easter, for the crush was worse than ever⁠—I was again wedged into the crowd listening to the music in the fashionable Paris church, and again the collection-bag was buffeting its way across the human sea. An English lady behind me was making ineffectual efforts to convey a coin into the still distant bag, so I took the money at her request and helped it forward to its destination. It was a two-franc piece. A swift inspiration came to me, and I merely dropped my own sou into the bag and slid the silver coin into my pocket. I had withdrawn Laploshka’s two francs from the poor, who should never have had the legacy. As I backed away from the crowd I heard a woman’s voice say, “I don’t believe he put my money in the bag. There are swarms of people in Paris like that!” But my mind was lighter that it had been for a long time.

The delicate mission of bestowing the retrieved sum on the deserving rich still confronted me. Again I trusted to the inspiration of accident, and again fortune favoured me. A shower drove me, two days later, into one of the historic churches on the left bank of the Seine, and there I found, peering at the old woodcarvings, the Baron R., one of the wealthiest and most shabbily dressed men in Paris. It was now or never. Putting a strong American inflection into the French which I usually talked with an unmistakable British accent, I catechised the baron as to the date of the church’s building, its dimensions, and other details which an American tourist would be certain to want to know. Having acquired such information as the baron was able to impart on short notice, I solemnly placed the two-franc piece in his hand, with the hearty assurance that it was “pour vous,” and turned to go. The baron was slightly taken aback, but accepted the situation with a good grace. Walking over to a small box fixed in the wall, he dropped Laploshka’s two francs into the slot. Over the box was the inscription, “Pour les pauvres de M. le Curé.”

That evening, at the crowded corner by the Café de la Paix, I caught a fleeting glimpse of Laploshka. He smiled, slightly raised his hat, and vanished. I never saw him again. After all, the money had been given to the deserving rich, and the soul of Laploshka was at peace.

Gabriel-Ernest

“There is a wild beast in your woods,” said the artist Cunningham, as he was being driven to the station. It was the only remark he had made during the drive, but as Van Cheele had talked incessantly his companion’s silence had not been noticeable.

“A stray fox or two and some resident weasels. Nothing more formidable,” said Van Cheele. The artist said nothing.

“What did you mean about a wild beast?” said Van Cheele later, when they were on the platform.

“Nothing. My imagination. Here is the train,” said Cunningham.

That afternoon Van Cheele went for one of his frequent rambles through his woodland property. He had a stuffed bittern in his study, and knew the names of quite a number of wild flowers, so his aunt had possibly some justification in describing him as a great naturalist. At any rate, he was a great walker. It was his custom to take mental notes of everything he saw during his walks, not so much for the purpose of assisting contemporary science as to provide topics for conversation afterwards. When the bluebells began to show themselves in flower he made a point of informing everyone of the fact; the season of the year might have warned his hearers of the likelihood of such an occurrence, but at least they felt that he was being absolutely frank with them.

What Van Cheele saw on this particular afternoon was, however, something far removed from his ordinary range of experience. On a shelf of smooth stone overhanging a deep pool in the hollow of an oak coppice a boy of about sixteen lay asprawl, drying his wet brown limbs luxuriously in the sun. His wet hair, parted by a recent dive, lay close to his head, and his light-brown eyes, so light that there was an almost tigerish gleam in them, were turned towards Van Cheele with a certain lazy watchfulness. It was an unexpected apparition, and Van Cheele found himself engaged in the novel process of thinking before he spoke. Where on earth could this wild-looking boy hail from? The miller’s wife had lost a child some two months ago, supposed to have been swept away by the millrace, but that had been a mere baby, not a half-grown lad.

“What are you doing there?” he demanded.

“Obviously, sunning myself,” replied the boy.

“Where do you live?”

“Here, in these woods.”

“You can’t live in the woods,” said Van Cheele.

“They are very nice woods,” said the boy, with a touch of patronage in his voice.

“But where do you sleep at night?”

“I don’t sleep at night; that’s my busiest time.”

Van Cheele began to have an irritated feeling that he was grappling with a problem that was eluding him.

“What do you feed on?” he asked.

“Flesh,” said the boy, and he pronounced the word with slow relish, as though he were tasting it.

“Flesh! What Flesh?”

“Since it interests you, rabbits, wildfowl, hares, poultry, lambs in their season, children when I can get any; they’re usually too well locked in at night, when I do most of my hunting. It’s quite two months since I tasted child-flesh.”

Ignoring the chaffing nature of the last remark Van Cheele tried to draw the boy on the subject of possible poaching