workmanship; or a Renaissance gonfalon of silk once white but now brown with age, yet in the centre blazing with the escutcheon and quarterings of a dead queen. Between the windows stood an ivory statuette of the “Venus of the Heel,” done in the days of the magnificent Lorenzo. An original Cazin, and a chalk drawing by Baudry hung against the wall close by together with a bronze tablet by Saint Gaudens; while across the entire end of the room opposite the fireplace, worked in the tapestry of the best period of the northern French school, Halcyone, her arms already blossoming into wings, hovered over the dead body of Ceyx, his long hair streaming like seaweed in the blue waters of the Ægean.

For a long time Corthell sat motionless, looking into the fire. In an adjoining room a clock chimed the half hour of one, and the artist stirred, passing his long fingers across his eyes.

After a long while he rose, and going to the fireplace, leaned an arm against the overhanging shelf, and resting his forehead against it, remained in that position, looking down at the smouldering logs.

“She is unhappy,” he murmured at length. “It is not difficult to see that.⁠ ⁠… Unhappy and lonely. Oh, fool, fool to have left her when you might have stayed! Oh, fool, fool, not to find the strength to leave her now when you should not remain!”

The following evening Corthell called upon Mrs. Jadwin. She was alone, as he usually found her. He had brought a book of poems with him, and instead of passing the evening in the art gallery, as they had planned, he read aloud to her from Rossetti. Nothing could have been more conventional than their conversation, nothing more impersonal. But on his way home one feature of their talk suddenly occurred to him. It struck him as significant; but of what he did not care to put into words. Neither he nor Laura had once spoken of Jadwin throughout the entire evening.

Little by little the companionship grew. Corthell shut his eyes, his ears. The thought of Laura, the recollection of their last evening together, the anticipation of the next meeting filled all his waking hours. He refused to think; he resigned himself to the drift of the current. Jadwin he rarely saw. But on those few occasions when he and Laura’s husband met, he could detect no lack of cordiality in the other’s greeting. Once even Jadwin had remarked:

“I’m very glad you have come to see Mrs. Jadwin, Corthell. I have to be away so much these days, I’m afraid she would be lonesome if it wasn’t for someone like you to drop in now and then and talk art to her.”

By slow degrees the companionship trended toward intimacy. At the various theatres and concerts he was her escort. He called upon her two or three times each week. At his studio entertainments Laura was always present. How⁠—Corthell asked himself⁠—did she regard the affair? She gave him no sign; she never intimated that his presence was otherwise than agreeable. Was this tacit acquiescence of hers an encouragement? Was she willing to afficher herself, as a married woman, with a cavalier? Her married life was intolerable, he was sure of that; her husband uncongenial. He told himself that she detested him.

Once, however, this belief was rather shocked by an unexpected and (to him) an inconsistent reaction on Laura’s part. She had made an engagement with him to spend an afternoon in the Art Institute, looking over certain newly acquired canvases. But upon calling for her an hour after luncheon he was informed that Mrs. Jadwin was not at home. When next she saw him she told him that she had spent the entire day with her husband. They had taken an early train and had gone up to Geneva Lake to look over their country house, and to prepare for its opening, later on in the spring. They had taken the decision so unexpectedly that she had no time to tell him of the change in her plans. Corthell wondered if she had⁠—as a matter of fact⁠—forgotten all about her appointment with him. He never quite understood the incident, and afterwards asked himself whether or no he could be so sure, after all, of the estrangement between the husband and wife. He guessed it to be possible that on this occasion Jadwin had suddenly decided to give himself a holiday, and that Laura had been quick to take advantage of it. Was it true, then, that Jadwin had but to speak the word to have Laura forget all else? Was it true that the mere nod of his head was enough to call her back to him? Corthell was puzzled. He would not admit this to be true. She was, he was persuaded, a woman of more spirit, of more pride than this would seem to indicate. Corthell ended by believing that Jadwin had, in some way, coerced her; though he fancied that for the few days immediately following the excursion Laura had never been gayer, more alert, more radiant.

But the days went on, and it was easy to see that his business kept Jadwin more and more from his wife. Often now, Corthell knew, he passed the night down town, and upon those occasions when he managed to get home after the day’s work, he was exhausted, worn out, and went to bed almost immediately after dinner. More than ever now the artist and Mrs. Jadwin were thrown together.

On a certain Sunday evening, the first really hot day of the year, Laura and Page went over to spend an hour with the Cresslers, and⁠—as they were all wont to do in the old days before Laura’s marriage⁠—the party sat out on the front stoop. For a wonder, Jadwin was able to be present. Laura had prevailed upon him to give her this evening and the evening of the following Wednesday⁠—on which latter occasion she had planned

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