feet echoed on the floor at once, a hundred mouths gave tongue, a hundred dancers, seized as by a cyclone, whirled round and round; and the rustling of capotes, skirts, kerchiefs waving about the room, was like the flight of a flock of many-coloured birds. On they went, on continually⁠—dancing without the slightest pause for breath, the floor clattering like a drum, the walls vibrating, the room a seething cauldron. And the rapture of the dance waxed greater, greater yet.

Then came the moment to perform rites which are always gone through when the bride puts aside her crown of rosemary.

First, Yagna had to pay toll, on entering the matrons’ set!

Immediately afterwards, another ceremony was gone through. The men had a long rope, woven of the straw of unthreshed wheat, of which they made a large ring, carefully held and guarded by the bridesmaids, Yagna standing up in the middle. Whoever wished to dance with her was obliged to creep under it, tear her away by force, and tread a measure, though they scourged him all the time with cords, wherever they could. Finally, the miller’s wife and Vachnikova made a collection, for “The Cap.” The Voyt came first; he tossed a gold piece into the plate; after that, silver roubles tinkled like hail; lastly, paper ones, as leaves in autumn.

More than three hundred roubles were thus collected!

Dominikova, quite overcome to see so large a sum offered for Yagna’s sake, told her sons to bring more vodka, with which she herself pledged her hosts, kissing her friends and weeping at their great kindness.

“Drink, my good neighbours, drink, dear friends, beloved brothers of mine.⁠ ⁠… I feel spring back in my heart again⁠ ⁠… ! Yagna’s health⁠ ⁠… drink once more⁠ ⁠… once more.⁠ ⁠…” And when she gave over, the smith drank with others, and her sons too, each separately; for the throng was very thick. Yagna too, thanking them heartily for their kindness, embraced the knees of the elders present.

The room was humming, the glasses circulating freely from hand to hand; everyone exhaled ardour and joy. Faces were crimson, eyes resplendent; hearts went out to hearts. They stood in knots about the room, drinking and talking blithely, each saying his say very loud, unheard by any, but not caring for that!⁠—All felt at one; one joy united and penetrated them all! “Ye that have troubles, leave them for the morrow; take your fling tonight: enjoy friendly company, solace your soul! Our hallowed land, its summer spell of fruit-bearing over, is given rest by the Lord: even so is it meet that men should rest in autumn, when their fieldwork is done. Man, that have your cornstacks piled and your granaries full of grain worth heaps of precious gold⁠—rest you now from summer labour and toil gone by!”

So spake some, while others again revolved in their minds their troubles and their griefs.

To neither of these classes did Boryna belong. His eyes saw only Yagna, his heart swelling and throbbing with the pride of her beauty. Again and again would he throw zloty to the musicians, that they might not spare catgut: for the sounds were growing weak, as their zeal was flagging.

On a sudden, then, they thundered out an Obertas that made one quiver to the backbone. Boryna leaped to Yagna’s side, caught her in a mighty grasp, and at once started such a dance as shook the planks beneath them. He wafted her down the room⁠—back again⁠—clanged on the floor with his horseshoe heels⁠—knelt suddenly to her, and sprung up again in a flash⁠—bore her about from wall to wall⁠—roared out a solo which the instruments took up and accompanied, and still led the dance, while other couples imitated him, leaping, singing, stamping, and all with ever-increasing rapidity: as if as many spindles full of parti-coloured wools were together on the floor, turning, twisting, twirling, faster than the eyes could make out their hues; so that no one could discern lad from lass in the swift rush⁠—only rainbow masses, flying about, driven as by a goal, with ever-changing tints, turning always with greater and more impetuous speed! At times the rush of air even blew out the candles: the music went on in the dark, and the dance as well, lit by the faint white beams of the moon shining in through the window. Then, athwart the seething dimness, were seen quick shadows, flying fast, chasing one another in the mingled darkness and silvery mist; foaming waves of pale glimmering and melodious din surged up out of the black night, in dusky harmonies of colour and sound⁠—as in a vision or a dream⁠—fading back into impenetrable murk, to loom once more distinct against the pallid wall, from which the glazed images of the saints reflected the moonbeams with crinkled flickers: and again they plunged and vanished into the shadows, and only the sounds of heavy breathing, and quick steps and cries, made their presence vaguely known in the entangled confusion of the unlit room!

One dance followed another in rapid succession, and with no interval between them. As each new dance was struck up, new dancers directly sprang forward, erect as a forest, swift of advance as a gale of wind; and loudly the stamping feet thundered afar, and shouts of merriment echoed through the house, while the onset went on, wild, mad, stormy, and earnest as a struggle for life and death!

Ah! how they danced!

Those Cracoviennes, with their frolicsome hop-skip-and-jump measures, and the quick lilt of their clean-cut, tinkling, metallic tunes; and the terse ditties, full of fun and freedom, with which, like the spangled girdles of the peasantry who made them, they are so brightly studded⁠—those tunes welling with joyous dashing melody, redolent of the strong, abounding, audacious savour of youth in sportful pursuit of the sweet thrilling emotions that tell of the heyday in the blood!

And those Mazurs, long-drawn-out as the paths which streak the endless plains, wind-clamorous and vast as the endless plains they streak: lowly, yet heaven-kissing; melancholy and bold, magnificent and

Вы читаете The Peasants
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