She was still silent, rather pale and very thoughtful, and she seemed to breathe more quickly than usual.
“Of course,” I continued, “you may say that it was my own lookout, that I had only to keep my own counsel, and no one would be any the worse. But there’s the mischief of it. How can a man who is thinking of a woman morning, noon and night; whose heart leaps at the sound of her coming, whose existence is a blank when she is away from him—a blank which he tries to fill by recalling, again and again, all that she has said and the tones of her voice, and the look that was in her eyes when she spoke—how can he help letting her see, sooner or later, that he cares for her? And if he does, when he has no right to, there is an end of duty and chivalry and even common honesty.”
“Yes, I understand now,” said Juliet softly. “Is this the way?” She tripped up the steps leading to Fountain Court and I followed cheerfully. Of course it was not the way, and we both knew it, but the place was silent and peaceful, and the plane-trees cast a pleasant shade on the gravelled court. I glanced at her as we walked slowly towards the fountain. The roses were mantling in her cheeks now and her eyes were cast down, but when she lifted them to me for an instant, I saw that they were shining and moist.
“Did you never guess?” I asked.
“Yes,” she replied in a low voice, “I guessed; but—but then,” she added shyly, “I thought I had guessed wrong.”
We walked on for some little time without speaking again until we came to the further side of the fountain, where we stood listening to the quiet trickle of the water, and watching the sparrows as they took their bath on the rim of the basin. A little way off another group of sparrows had gathered with greedy joy around some fragments of bread that had been scattered abroad by the benevolent Templars, and hard by a more sentimentally-minded pigeon, unmindful of the crumbs and the marauding sparrows, puffed out his breast and strutted and curtsied before his mate with endearing gurgles.
Juliet had rested her hand on one of the little posts that support the chain by which the fountain is enclosed and I had laid my hand on hers. Presently she turned her hand over so that mine lay in its palm; and so we were standing hand-in-hand when an elderly gentleman, of dry and legal aspect, came up the steps and passed by the fountain. He looked at the pigeons and then he looked at us, and went his way smiling and shaking his head.
“Juliet,” said I.
She looked up quickly with sparkling eyes and a frank smile that was yet a little shy, too.
“Yes.”
“Why did he smile—that old gentleman—when he looked at us?”
“I can’t imagine,” she replied mendaciously.
“It was an approving smile,” I said. “I think he was remembering his own springtime and giving us his blessing.”
“Perhaps he was,” she agreed. “He looked a nice old thing.” She gazed fondly at the retreating figure and then turned again to me. Her cheeks had grown pink enough by now, and in one of them a dimple displayed itself to great advantage in its rosy setting.
“Can you forgive me, dear, for my unutterable folly?” I asked presently, as she glanced up at me again.
“I am not sure,” she answered. “It was dreadfully silly of you.”
“But remember, Juliet, that I loved you with my whole heart—as I love you now and shall love you always.”
“I can forgive you anything when you say that,” she answered softly.
Here the voice of the distant Temple clock was heard uttering a polite protest. With infinite reluctance we turned away from the fountain, which sprinkled us with a parting benediction, and slowly retraced our steps to Middle Temple Lane and thence into Pump Court.
“You haven’t said it, Juliet,” I whispered, as we came through the archway into the silent, deserted court.
“Haven’t I, dear?” she answered; “but you know it, don’t you? You know I do.”
“Yes, I know,” I said; “and that knowledge is all my heart’s desire.”
She laid her hand in mine for a moment with a gentle pressure and then drew it away; and so we passed through into the cloisters.
Colophon
The Red Thumbmark
was published in by
R. Austin Freeman.
This ebook was produced for
Standard Ebooks
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Sean Perkins,
and is based on a transcription produced in by
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Internet Archive.
The cover page is adapted from
Lucien Dedichen and Jappe Nilssen,
a painting completed in by
Edvard Munch.
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League Spartan and Sorts Mill Goudy
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