never entirely dissociated herself; but now she got such a sudden feeling of being a discrete person that they seemed as separate from her as the ship itself. However, willy-nilly she was almost as tied to them as she was to her body. And then there was this voyage, this ship, this mast round which she had wound her legs. She began to examine it with almost as vivid an illumination as she had studied the skin of her hands. And when she came down from the mast, what would she find at the bottom? There would be Jonsen, and Otto, and the crew: the whole fabric of a daily life which up to now she had accepted as it came, but which now seemed vaguely disquieting. What was going to happen? Were there disasters running about loose, disasters which her rash marriage to the body of Emily Thornton made her vulnerable to?

A sudden terror struck her: did anyone know? (Know, I mean, that she was someone in particular, Emily⁠—perhaps even God⁠—not just any little girl.) She could not tell why, but the idea terrified her. It would be bad enough if they should discover she was a particular person⁠—but if they should discover she was God! At all costs she must hide that from them.⁠—But suppose they knew already, had simply been hiding it from her (as guardians might from an infant king)? In that case, as in the other, the only thing to do was to continue to behave as if she did not know, and so outwit them.

But if she was God, why not turn all the sailors into white mice, or strike Margaret blind, or cure somebody, or do some other Godlike act of the kind? Why should she hide it? She never really asked herself why: but instinct prompted her strongly of the necessity. Of course, there was the element of doubt (suppose she had made a mistake, and the miracle missed fire): but more largely it was the feeling that she would be able to deal with the situation so much better when she was a little older. Once she had declared herself there would be no turning back; it was much better to keep her godhead up her sleeve for the present.

Grownups embark on a life of deception with considerable misgiving, and generally fail. But not so children. A child can hide the most appalling secret without the least effort, and is practically secure against detection. Parents, finding that they see through their child in so many places the child does not know of, seldom realise that, if there is some point the child really gives his mind to hiding, their chances are nil.

So Emily had no misgivings when she determined to preserve her secret, and needed have none.

Down below on the deck the smaller children were repeatedly crowding themselves into a huge coil of rope, feigning sleep and then suddenly leaping out with yelps of panic and dancing round it in consternation and dismay. Emily watched them with that impersonal attention one gives to a kaleidoscope. Presently Harry spied her, and gave a hail.

“Emilee‑ee! Come down and play House-on-fire!”

At that, her normal interests momentarily revived. Her stomach as it were leapt within her sympathetically toward the game. But it died in her as suddenly; and not only died, but she did not even feel disposed to waste her noble voice on them. She continued to stare without making any reply whatever.

“Come on!” shouted Edward.

“Come and play!” shouted Laura. “Don’t be a pig!”

Then in the ensuing stillness Rachel’s voice floated up:

“Don’t call her, Laura, we don’t really want her.”

II

But Emily was completely unaffected⁠—only glad that for the present they were all right by themselves. She was already beginning to feel the charge of the party a burden.

It had automatically devolved on her with the defection of Margaret.

It was puzzling, this Margaret business. She could not understand it, and it disturbed her. It dated back really to that night, about a week ago, when she herself had so unaccountably bitten the captain. The memory of her own extraordinary behaviour gave her now quite a little shiver of alarm.

Everybody had been very drunk that night, and making a terrible racket⁠—it was impossible to get to sleep. So at last Edward had asked her to tell them a story. But she was not feeling “storyable,” so they had asked Margaret; all except Rachel, who had begged Margaret not to, because she wanted to think, she said. But Margaret had been very pleased at being asked, and had begun a very stupid story about a princess who had lots and lots of clothes and was always beating her servant for making mistakes and shutting him up in a dark cupboard. The whole story, really, had been nothing but clothes and beating, and Rachel had begged her to stop.

In the middle, a sort of rabble of sailors had come down the ladder, very slowly and with much discussion. They stood at the bottom in a knot, swaying a little and all turned inwards on one of their number. It was so dark one could not see who this was. They were urging him to do something⁠—he hanging back.

“Oh, damn it!” he cried in a thick voice. “Bring me a light, I can’t see where dey are!”

It was the voice of the captain⁠—but how altered! There was a sort of suppressed excitement in it. Someone lit a lantern and held it up in the middle. Captain Jonsen stood on his legs half like a big sack of flour, half like a waiting tiger.

“What do you want?” Emily had asked kindly.

But Captain Jonsen stood irresolute, shifting his weight from foot to foot as if he was steering.

“You’re drunk, aren’t you?” Rachel had piped, loudly and disapprovingly.

But it was Margaret who had behaved most queerly. She had gone yellow as cheese, and her eyes large with terror. She was shivering from head to foot as if she

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