only one kind of article⁠—caps or clocks or songs, braces, shawls, indecent literature, concertinas, gramophones, coats, pants, reach-me-downs, epergnes. The thoroughfare was crowded with people (I saw two Lascars in red fez caps) inspecting the goods displayed and attentively observed by numerous policemen. The alarm clocks were all going off, each gramophone was working a record (a different one!) and every tradesman shouting his wares⁠—a perfect pandemonium.

A Conversation

“There is that easily calculable element in your nature, dear boy,” I said, “by which you forego the dignity of a freewilled human being and come under an inflexible natural law. I can anticipate your movements, intentions, and opinions long beforehand. For example, I know quite well that every Saturday morning will see you with The New Statesman under your arm; I know that the words ‘Wagner’ or ‘Shaw’ uttered slowly and deliberately in your ear will produce a perfectly definite reaction.”

“I bet you can’t predict what I am going to buy now,” R⁠⸺ replied gaily, advancing to the newspaper stall.

He bought the Pink ’Un and I laughed.⁠ ⁠…

“And so you read Pragmatism,” he mused, “while the fate of the Empire stands in the balance.”

“Yes,” said I, “and the Paris Academy of Sciences were discussing the functions of θ and the Polymorphism of Antarctic diatoms last September when the Germans stood almost at the gates of Paris.”

This was a lucky stroke for me, for he knew he was rubbing me on the raw. We are, of course, great friends, but sometimes we get on one another’s nerves.

“I am polychromatic,” I declaimed, “rhetorical, bass. You⁠—besides being a bally fool⁠—are of a pretty gray colour, a baritone and you paint in watercolours.”

“Whereas you, of course, would paint in blood?” he answered facetiously.

His Oxford education has a firm hold on him. He says for example, “e converso” instead of “on the other hand” and “entre nous” for “between ourselves.” He labels his paragraphs α, β, γ, instead of a, b, c, and quotes Juvenal, knows Paris and Naples, visits the Alps for the winter sports, all in the approved manner of dons.

Not infrequently he visits the East End to Study “how the poor live,” he lectures at Toynbee Hall, and calls the proletariat “the prolly.” In fact, he does everything according to the regulations, being a socialist and an agnostic, a follower of Shaw and a devotee of Bunyan. “Erotic” he is careful to pronounce eròtic to show he knows Greek, and the “Duma,” the Dumà, though he doesn’t know Russian. Like any don, he is always ready to discuss and give an opinion on any sub- supra- or circum-lunary subject from bimetallism to the Symphony as an art-form.

“That’s a dominant fifth,” I said to him the other day; no answer.

“You ignorant devil,” I said, “you don’t know what a dominant fifth is!”

We made grimaces at one another.

“Who’s the Master of the Mint?” I asked him. “That is an easy one.”

“The Chancellor of the Exchequer,” was the prompt reply.

“Oh! that’s right,” I said sarcastic and crestfallen. “Now tell me the shortest verse in the Bible and the date of Rameses II.”

We laughed. R⁠⸺ is a very clever man and the most extraordinarily versatile man I know. He is bound to make his mark. His danger is⁠—too many irons in the fire. Here are some of his occupations and acquirements: Art (etching, drypoint, watercolours), music (a charming voice), classics, French, German, Italian (both speaking and reading knowledge), biology, etc., etc. He is forever titillating his mind with some new thing. “For God’s sake, do leave it alone⁠—you simply rag your mind to death. Put it out to grass⁠—go through an annual season of complete abstinence from knowledge⁠—an intellectual Lent.”

No one more than he enjoys my ragging him like this⁠—and I do it rather well.

1915

I have grown so ridiculously hypercritical and fastidious that I will refuse a man’s invitation to dinner because he has watery blue eyes, or hate him for a mannerism or an impediment or affectation in his speech. Some poor devil who has not heard of Turner or Debussy or Dostoevsky I gird at with the arrogance of a knowledgeable youth of seventeen. Some oddity who should afford a sane mind endless amusement, I write off as a Insus naturae and dismiss with a flourish of contempt. My intellectual arrogance⁠—excepting at such times as I become conscious of it and pull myself up⁠—is incredible. It is incredible because I have no personal courage and all this pride boils up behind a timid exterior. I quail often before stupid but overbearing persons who consequently never realise my contempt of them. Then afterwards, I writhe to think I never stood up to this fool; never uttered an appropriate word to interfere with another’s nauseating self-love. It exasperates me to be unable to give a Roland for an Oliver⁠—even servants and underlings tick me off⁠—to fail always in sufficient presence of mind to make the satisfying rejoinder or riposte. I suffer from such a savage amour propre that I fear to enter the lists with a man I dislike on account of the mental anguish I should suffer if he worsted me. I am therefore bottled up tight⁠—both my hates and loves. For a coward is not only afraid to tell a man he hates him, but is nervous too of letting go of his feeling of affection or regard lest it be rejected or not returned. I shudder to think of such remarks as (referring to me), “He’s one of my admirers, you know” (sardonically), or, “I simply can’t get rid of him.”

If however my cork does come out, there is an explosion, and placid people occasionally marvel to hear violent language streaming from my lips and nasty acid and facetious remarks.

Of course, to intimate friends (only about three persons in the wide, wide world), I can always give free

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