The Law and the Lady

in the harbor. The Jew had stepped on shore. His boat was on the beach. His crew⁠—little men with stony, white faces, dressed in funeral black⁠—sat in silent rows on the seats of the boat, with their oars in their lean, long hands. The Jew, also in black, stood with his eyes and hands raised imploringly to the thunderous heaven. The wild creatures of land and sea⁠—the tiger, the rhinoceros, the crocodile, the sea-serpent, the shark, and the devilfish⁠—surrounded the accursed wanderer in a mystic circle, daunted and fascinated at the sight of him. The lightning was gone. The sky and sea had darkened to a great black blank. A faint and lurid light lighted the scene, falling downward from a torch, brandished by an avenging spirit that hovered over the Jew on outspread vulture wings. Wild as the picture might be in its conception, there was a suggestive power in it which I confess strongly impressed me. The mysterious silence in the house, and my strange position at the moment, no doubt had their effect on my mind. While I was still looking at the ghastly composition before me, the shrill trilling sound of the whistle upstairs burst on the stillness. For the moment my nerves were so completely upset that I started with a cry of alarm. I felt a momentary impulse to open the door and run out. The idea of trusting myself alone with the man who had painted those frightful pictures actually terrified me; I was obliged to sit down on one of the hall chairs. Some minutes passed before my mind recovered its balance, and I began to feel like my own ordinary self again. The whistle sounded impatiently for the second time. I rose and ascended the broad flight of stairs which led to the first story. To draw back at the point which I had now reached would have utterly degraded me in my own estimation. Still, my heart did certainly beat faster than usual as I approached the door of the circular anteroom; and I honestly acknowledge that I saw my own imprudence, just then, in a singularly vivid light.

There was a glass over the mantelpiece in the anteroom. I lingered for a moment (nervous as I was) to see how I looked in the glass.

The hanging tapestry over the inner door had been left partially drawn aside. Softly as I moved, the dog’s ears of Miserrimus Dexter caught the sound of my dress on the floor. The fine tenor voice, which I had last heard singing, called to me softly.

“Is that Mrs. Valeria? Please don’t wait there. Come in!”

I entered the inner room.

The wheeled chair advanced to meet me, so slowly and so softly that I hardly knew it again. Miserrimus Dexter languidly held out his hand. His head inclined pensively to one side; his large blue eyes looked at me piteously. Not a vestige seemed to be left of the raging, shouting creature of my first visit, who was Napoleon at one moment, and Shakespeare at another. Mr. Dexter of the morning was a mild, thoughtful, melancholy man, who only recalled Mr. Dexter of the night by the inveterate oddity of his dress. His jacket, on this occasion, was of pink quilted silk. The coverlet which hid his deformity matched the jacket in pale sea-green satin; and, to complete these strange vagaries of costume, his wrists were actually adorned with massive bracelets of gold, formed on the severely simple models which have descended to us from ancient times.

“How good of you to cheer and charm me by coming here!” he said, in his most mournful and most musical tones. “I have dressed, expressly to receive you, in the prettiest clothes I have. Don’t be surprised. Except in this ignoble and material nineteenth century, men have always worn precious stuffs and beautiful colors as well as women. A hundred years ago a gentleman in pink silk was a gentleman properly dressed. Fifteen hundred years ago the patricians of the classic times wore bracelets exactly like mine. I despise the brutish contempt for beauty and the mean dread of expense which degrade a gentleman’s costume to black cloth, and limit a gentleman’s ornaments to a finger-ring, in the age I live in. I like to be bright and beautiful, especially when brightness and beauty come to see me. You don’t know how precious your society is to me. This is one of my melancholy days. Tears rise unbidden to my eyes. I sigh and sorrow over myself; I languish for pity. Just think of what I am! A poor solitary creature, cursed with a frightful deformity. How pitiable! how dreadful! My affectionate heart⁠—wasted. My extraordinary talents⁠—useless or misapplied. Sad! sad! sad! Please pity me.”

His eyes were positively filled with tears⁠—tears of compassion for himself! He looked at me and spoke to me with the wailing, querulous entreaty of a sick child wanting to be nursed. I was utterly at a loss what to do. It was perfectly ridiculous⁠—but I was never more embarrassed in my life.

“Please pity me!” he repeated. “Don’t be cruel. I only ask a little thing. Pretty Mrs. Valeria, say you pity me!”

I said I pitied him⁠—and I felt that I blushed as I did it.

“Thank you,” said Miserrimus Dexter, humbly. “It does me good. Go a little further. Pat my hand.”

I tried to restrain myself; but the sense of the absurdity of this last petition (quite gravely addressed to me, remember!) was too strong to be controlled. I burst out laughing.

Miserrimus Dexter looked at me with a blank astonishment which only increased my merriment. Had I offended him? Apparently not. Recovering from his astonishment, he laid his head luxuriously on the back of his chair, with the expression of a man who was listening critically to a performance of some sort. When I had quite exhausted myself, he raised his head and clapped his shapely white hands, and honored me with an “encore.”

“Do it again,” he said,