The Lone Wolf
By Louis Joseph Vance.
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I
Troyon’s
It must have been Bourke who first said that even if you knew your way about Paris you had to lose it in order to find it to Troyon’s. But then Bourke was proud to be Irish.
Troyon’s occupied a corner in a jungle of side-streets, well withdrawn from the bustle of the adjacent boulevards of St. Germain and St. Michel, and in its day was a restaurant famous with a fame jealously guarded by a select circle of patrons. Its cooking was the best in Paris, its cellar second to none, its rates ridiculously reasonable; yet Baedeker knew it not. And in the wisdom of the cognoscenti this was well: it had been a pity to loose upon so excellent an establishment the swarms of tourists that profaned every temple of gastronomy on the Rive Droit.
The building was of three storeys, painted a dingy drab and trimmed with dull green shutters. The restaurant occupied almost all of the street front of the ground floor, a blank, noncommittal double doorway at one extreme of its plate-glass windows was seldom open and even more seldom noticed.
This doorway was squat and broad and closed the mouth of a wide, stone-walled passageway. In one of its two substantial wings of oak a smaller door had been cut for the convenience of Troyon’s guests, who by this route gained the courtyard, a semi-roofed and shadowy place, cool on the hottest day. From the court a staircase, with an air of leading nowhere in particular, climbed lazily to the second storey and thereby justified its modest pretensions; for the two upper floors of Troyon’s might have been plotted by a nightmare-ridden architect after witnessing one of the first of the Palais Royal farces.
Above stairs, a medieval maze of corridors long and short, complicated by many unexpected steps and staircases and turns and enigmatic doors, ran every-which-way and as a rule landed one in the wrong room, linking together, in all, some twoscore bedchambers. There were no salons or reception-rooms, there was never a bathroom, there wasn’t even running water aside from two hallway taps, one to each storey. The honoured guest and the exacting went to bed by lamplight: others put up with candlesticks: gas burned only in the corridors and the restaurant—asthmatic jets that, spluttering blue within globes obese, semi-opaque, and yellowish, went well with furnishings and decorations of the Second Empire to which years had lent a mellow and somehow rakish dinginess; since nothing was ever refurbished.
With such accommodations the guests of Troyon’s were well content. They were not many, to begin with, and they were almost all middle-aged bourgeois, a caste that resents innovations. They took Troyon’s as they found it: the rooms suited them admirably, and the tariff was modest. Why do anything to disturb the perennial peace of so discreet and confidential an establishment? One did much as one pleased there, providing one’s bill was paid with tolerable regularity and the hand kept supple that operated the cordon in the small hours of the night. Papa Troyon came from a tribe of innkeepers and was liberal-minded; while as for Madame his wife, she cared for nothing but pieces of gold. …
To Troyon’s on a wet winter night in the year 1893 came the child who as a man was to call himself Michael Lanyard.
He must have been four or five years old at that time: an age at which consciousness is just beginning to recognize its individuality and memory registers with capricious irregularity. He arrived at the hotel in a state of excitement involving an almost abnormal sensitiveness to impressions; but that was soon drowned deep in dreamless slumbers of healthy exhaustion; and when he came to look back through a haze of days, of which each had made its separate and imperative demand upon his budding emotions, he found his store of memories strangely dulled and disarticulate.
The earliest definite picture was that of himself, a small but vastly important figure, nursing a heavy heart in
