could look more suitable than Hannah Mole. Who would suspect her of a sense of fun and irony, of a passionate love for beauty and the power to drag it from its hidden places? Who could imagine that Miss Mole had pictured herself, at different times, as an explorer in strange lands, as a lady wrapped in luxury and delicate garments, as the mother of adorably naughty children and the inspiringly elusive mistress of a poet? She could turn up her own long nose at these fanciful excursions, without convincing herself of their improbability. The desires, the energy, the gaiety were there, but they were ruled by an ironic conception of herself which did not seem inconsistent and which was also the armour she assumed against the world when it was not willing to be friendly. And, after all, as she told herself, quelling her useless rebellion, the things she wanted, if she had them, would soon turn into those she wanted no longer and⁠—here was God’s happy idea of compensation again⁠—she found a wealth of amusement in going about disguised, while because her clear-sightedness was not kept entirely for the weaknesses of others, she had to own that she who had been a failure in the lot forced on her, was not likely to be a success in any one she chose. She was a vagrant and with the vagrant’s advantages, the readiness to move on, the carelessness of possessions, she had to support the inconvenience of being moved on before she was ready to go and of finding herself poorer than was comfortable. Now both these conditions had befallen her. Few things, she thought at that moment, could be more distasteful than leaving the house where she was treated as a friend, where she had a sly, lazy pleasure in listening to Mrs. Gibson’s platitudes and a keener one in discomfiting Mr. Blenkinsop by waylaying him on the stairs and forcing him into conversation; a house which she could leave at her caprice for a saunter round Upper Radstowe or a long walk on the other side of the river, to which she could return with the certainty of a welcome, and she must resign all this for the sake of mending Mr. Corder’s daughter’s stockings and keeping herself fed and clad.

Yet it was better to be Hannah Mole than to be Lilla who could see herself as one person only, and that was Mrs. Spenser-Smith, who had never broken a basement window to save a man from gas poisoning, dragged him from the neighbourhood of the oven, and then consoled the baby who was crying, neglected, in his perambulator: better than to be poor little Mrs. Ridding with that strange look on her face. It was the look, Hannah thought, of someone who had braced herself for approaching an inevitable catastrophe and seen its postponement with despair. The look had no more than flashed across her face but Hannah had seen it and she could recall it plainly now, in the darkness. “Oh, for money!” Hannah moaned, not thinking of herself. Money could cause neurotics to be cured or, if it failed in that, it could enable a young widow to bring up her boy, and Hannah began to desire it passionately. She had heard Lilla speak with grand disparagement of it, but that was just what Lilla, who had always had it, would take care to do. Money was one of the best things in the world, used properly, used by Miss Hannah Mole, and all the way down Prince’s Road she was buying annuities for people like herself, settling some thousands of pounds on Mrs. Ridding, and sending people Christmas cards and valentines in the shape of five pound notes.

When she reached Mrs. Gibson’s house she saw a light in the basement kitchen and, through the mended window, which was open, she could hear Mrs. Ridding singing. Hannah’s big mouth drooped. She heard that singing every morning before Mr. Ridding went to work and every evening when he came home, but never at any other time of day, and it hurt her that anyone so young should be so unhappy and so brave. She was ashamed of her own discontent and her concentration on herself. What happened to her, who had lived more than half her life and had some fun in it and, yes, one mad, romantic interlude, was of very little importance now, but Mrs. Ridding was a girl and Hannah’s large, erratic heart was aching for her. And there was nothing she could do. Her funds of advice⁠—which she did not take herself⁠—of drollery, of encouragement, were of no use, for Mrs. Ridding was very bright and cold with the witnesses of that sordid scene in the basement, even with the woman who had comforted and bathed the baby. Hannah wished she could bath the baby again. Mrs. Gibson had been much impressed by her handling of him; Mrs. Gibson, in fact, admired everything Hannah did, and perhaps it would be salutary for her to live with a man who was much more likely to admire what he did himself.

Hannah turned the lock with the latchkey Mrs. Gibson lent her and found Mr. Blenkinsop hanging up his hat in the hall.

“Oh, good evening, Mr. Blenkinsop!” she exclaimed girlishly. “You’re rather late, aren’t you?”

Mr. Blenkinsop looked at her severely through his spectacles. “Purposely,” he remarked significantly, and stood aside to let her pass up the stairs before him.

Hannah went ahead meekly. She had not yet found the manner to which Mr. Blenkinsop would respond. She had tried to deepen the impression which her prowess in the basement kitchen must have made on him; she had hinted that she, too, had an interest in literature and Charles Lamb; she had asked foolish feminine questions about banking, which was Mr. Blenkinsop’s profession, but nothing stirred him. He remained grave, solid, and as monosyllabic as language and bare courtesy would allow.

“Sickening!” she said to herself, straightening

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