Cimarron
By Edna Ferber.
Imprint
This ebook is the product of many hours of hard work by volunteers for Standard Ebooks, and builds on the hard work of other literature lovers made possible by the public domain.
This particular ebook is based on on digital scans from the Internet Archive.
The source text and artwork in this ebook are believed to be in the United States public domain; that is, they are believed to be free of copyright restrictions in the United States. They may still be copyrighted in other countries, so users located outside of the United States must check their local laws before using this ebook. The creators of, and contributors to, this ebook dedicate their contributions to the worldwide public domain via the terms in the CC0 1.0 Universal Public Domain Dedication. For full license information, see the Uncopyright at the end of this ebook.
Standard Ebooks is a volunteer-driven project that produces ebook editions of public domain literature using modern typography, technology, and editorial standards, and distributes them free of cost. You can download this and other ebooks carefully produced for true book lovers at standardebooks.org.
To my mother
Julia Ferber
Acknowledgment
For certain descriptive passages in the portion of this book concerned with the Opening of Oklahoma in 1889 acknowledgment is made to Hands Up, by Fred E. Sutton and A. B. MacDonald, published and copyrighted 1927 by the Bobbs-Merrill Company.
Foreword
Only the more fantastic and improbable events contained in this book are true. There is no attempt to set down a literal history of Oklahoma. All the characters, the towns, and many of the happenings contained herein are imaginary. But through reading the scant available records, documents, and histories (including the Oklahoma State Historical Library collection) and through many talks with men and women who have lived in Oklahoma since the day of the Opening, something of the spirit, the color, the movement, the life of that incredible commonwealth has, I hope, been caught. Certainly the Run, the Sunday service in the gambling tent, the death of Isaiah and of Arita Red Feather, the catching of the can of nitroglycerin, many of the shooting affrays, most descriptive passages, all of the oil phase, and the Osage Indian material complete—these are based on actual happenings. In many cases material entirely true was discarded as unfit for use because it was so melodramatic, so absurd as to be too strange for the realm of fiction.
There is no city of Osage, Oklahoma. It is a composite of, perhaps, five existent Oklahoma cities. The Kid is not meant to be the notorious Billy the Kid of an earlier day. There was no Yancey Cravat—he is a blending of a number of dashing Oklahoma figures of a past and present day. There is no Sabra Cravat, but she exists in a score of bright-eyed, white-haired, intensely interesting women of sixty-five or thereabouts who told me many strange things as we talked and rocked on an Oklahoma front porch (tree-shaded now).
Anything can have happened in Oklahoma. Practically everything has.
Cimarron
I
All the Venables sat at Sunday dinner. All those handsome inbred Venable faces were turned, enthralled, toward Yancey Cravat, who was talking. The combined effect was almost blinding, as of incandescence; but Yancey Cravat was not bedazzled. A sun surrounded by lesser planets, he gave out a radiance so powerful as to dim the luminous circle about him.
Yancey had a disconcerting habit of abruptly concluding a meal—for himself, at least—by throwing down his napkin at the side of his plate, rising, and striding about the room, or even leaving it. It was not deliberate rudeness. He ate little. His appetite satisfied, he instinctively ceased to eat; ceased to wish to contemplate food. But the Venables sat hours at table, leisurely shelling almonds, sipping sherry; Cousin Dabney Venable peeling an orange for Cousin Bella French Vian with the absorbed concentration of a sculptor molding his clay.
The Venables, dining, strangely resembled one of those fertile and dramatic family groups portrayed lolling unconventionally at meat in the less spiritual of those Biblical canvases that glow richly down at one from the great gallery walls of Europe. Though their garb was sober enough, being characteristic of the time—1889—and the place—Kansas—it yet conveyed an impression as of purple and scarlet robes enveloping these gracile shoulders. You would not have been surprised to see, moving silently about this board, Nubian blacks in loincloths, bearing aloft golden vessels piled with exotic fruits or steaming with strange pasties in which nightingales’ tongues figured prominently. Blacks, as a matter of fact, did move about the Venable table, but these, too, wore the conventional garb of the servitor.
This branch of the Venable family tree had been transplanted from Mississippi to Kansas more than two decades before, but the midwest had failed to set her bourgeois stamp upon them. Straitened though it was, there still obtained in that household, by some genealogical miracle, many of those charming ways, remotely Oriental, that were of the South whence they had sprung. The midday meal was, more often than not, a sort of tribal feast at which sprawled hosts of impecunious kin, mysteriously sprung up at the sound of the dinner bell and the scent of baking meats. Unwilling émigrés, war ruined, Lewis Venable and his wife Felice had brought their dear customs with them into exile, as well as
