The Osage Indian women had learned about these Little French Dresses, and they often came in with their stately measured stride: soft and flaccid from easy living, rolls of fat about their hips and thighs. They tried on sequined dresses, satin dresses, chiffon. Sometimes even the younger Osage Indian girls still wore the brilliant striped blanket, in a kind of contemptuous defiance of the whites. And to these, as well as to the other women customers, the saleswomen said, “That’s awfully good this year.⁠ ⁠… That’s dreadfully smart on you, Mrs. Buffalo Hide.⁠ ⁠… I think that line isn’t the thing for your figure, Mrs. Plenty Vest.⁠ ⁠… My dear, I want you to have that. It’s perfect with your coloring.”

The daughter of Mrs. Pat Leary (née Crook Nose) always caused quite a flutter when she came in, for accustomed though Osage was to money and the spending of it, the Learys’ lavishness was something spectacular. Handmade silk underwear, the sheerest of cobweb French stockings, model hats, dresses⁠—well, in the matter of gowns it was no good trying to influence Maude Leary or her mother. They frankly wanted beads, spangles, and paillettes on a foundation of crude color. The saleswomen were polite and acquiescent, but they cocked an eyebrow at one another. Squaw stuff. Now that little Cravat girl⁠—Felice Cravat, Cimarron Cravat’s daughter⁠—was different. She insisted on plain, smart tailored things. Young though she was, she was Oklahoma State Woman Tennis Champion. She always said she looked a freak in fluffy things⁠—like a boy dressed up in girl’s clothes. She had long, lean, muscular arms and a surprising breadth of shoulder, was slim flanked and practically stomachless. She had a curious trick of holding her head down and looking up at you under her lashes and when she did that you forgot her boyishness, for her lashes were like fern fronds, and her eyes, in her dark face, an astounding ocean gray. She was a good sport, too. She didn’t seem to mind the fact that her mother, when she accompanied her, wore the blanket and was hatless, just like any poor Kaw, instead of being one of the richest of the Osages. She was rather handsome for a squaw, in a big, insolent, slow-moving way. Felice Cravat, everyone agreed, was a chip of the old block, and by that they did not mean her father. They were thinking of Yancey Cravat⁠—old Cimarron, her grandfather, who was now something of a legend in Osage and throughout Oklahoma. Young Cim and his Osage wife had had a second child⁠—a boy⁠—and they had called him Yancey, after the old boy. Young Yancey was a bewilderingly handsome mixture of a dozen types and forbears⁠—Indian, Spanish, French, Southern, Southwest. With that long narrow face, the dolichocephalic head, people said he looked like the King of Spain⁠—without that dreadful Hapsburg jaw. Others said he was the image of his grandmother, Sabra Cravat. Still others contended that he was his Indian mother over again⁠—insolence and all. A third would come along and say, “You’re crazy. He’s old Yancey, born again. I guess you don’t remember him. There, look, that’s what I mean! The way he closes his eyes as if he were sleepy, and then when he does look at you straight you feel as if you’d been struck by lightning. They say he’s so smart that the Osages believe he’s one of their old gods come back to earth.”

Mrs. Tracy Wyatt (she who had been Donna Cravat) had tried to adopt one of her brother’s children, being herself childless, but Cim and his wife Ruby Big Elk had never consented to this. She was a case, that Donna Cravat, Oklahoma was agreed about that. She could get away with things that any other woman would be shot for. When old Tracy Wyatt had divorced his wife to marry this girl local feeling had been very much against her. Everyone had turned to the abandoned middle-aged wife with attentions and sympathy, but she had met their warmth and friendliness with such vitriol that they fell back in terror and finally came to believe the stories of how she had deviled and nagged old Tracy all through their marriage. They actually came to feel that he had been justified in deserting her and taking to wife this young and fascinating girl. Certainly he seemed to take a new lease on life, lost five inches around the waist line, played polo, regained something of the high color and good spirits of his old dray-driving days, and made a great hit in London during the season when Donna was presented at court. Besides, there was no withstanding the Wyatt money. Even in a country blasé of millionaires Tracy Wyatt’s fortune was something to marvel about. The name of Wyatt seemed to be everywhere. As you rode in trains you saw the shining round black flanks of oil cars, thousands of them, and painted on them in letters of white, “Wyatt Oils.” Motoring through Oklahoma and the whole of the Southwest you passed miles of Wyatt oil tanks, whole silent cities of monoliths, like something grimly Egyptian, squatting eunuch-like on the prairies.

As for the Wyatt house⁠—it wasn’t a house at all, but a combination of the palace of Versailles and the Grand Central Station in New York. It occupied grounds about the size of the duchy of Luxembourg, and on the ground, once barren plain, had been set great trees brought from England.

A mile of avenue, planted in elms, led up to the mansion, and each elm, bought, transported, and stuck in the ground, had cost fifteen hundred dollars. There were rare plants, farms, forests, lakes, tennis courts, golf links, polo fields, race tracks, airdromes, swimming pools. Whole paneled rooms had been brought from France. In the bathrooms were electric cabinets, and sunken tubs of rare marble, and shower baths glass enclosed. These bathrooms were the size of bedrooms, and the bedrooms the size of ballrooms, and the ballroom as big as an

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