millenniums before or after.

And while we gazed, we became aware that something with a heavy tread had entered the passage. We thought it (and rightly) to be one of the Dwellers. The steps passed us, and went forward. We were of one mind to follow.

Returning to the centre of the tunnel, we were again in darkness, but the footsteps led us, and we found that the resistance against which we had fought had ceased to trouble us while we followed the unseen feet. Realising this, we increased our pace to a run, lest the dividing space should widen, so that we were but ten or fifteen yards behind⁠—our feet making no sounds on the soft flooring⁠—when our unseen guide turned sideways into a chamber on the right-hand side of the passage.

VII

The Living Book

We stood at the entrance of a room of (to us) enormous proportions. It was filled with an equally-diffused light, of which I saw no origin.

Neither, when I considered it later, could I observe any appliances for the regulation of temperature or ventilation. Yet the warmth was such that I did not suffer from my lack of clothing; the air was fresh and exhilarating. The arched entrance to the room had no door, but the light stayed at the threshold. Standing on the outer side of the entrance, we supposed ourselves to be unobservable in the darkness.

The Dweller that we had followed was a woman, like the one that we had last seen, but her colouring was different. The hair on her head was short, curling, and glossy black. It extended down the spine in the same way. The body-colour varied from a dark bluish-black to the softest, palest greys. The effect was beautiful beyond describing.

Her form was as straight and graceful as had been that of the other, nor did it give an impression of great size in a room which was proportioned to it. It was not she that was large, but we that were small. Her body was slim and perfect in its proportions, and her face was flawless, yet where the other had given an impression of youth, there was here an atmosphere of age incalculable. I cannot say from what it came, unless from one thing only. Her eyes were intolerably tired.

As she entered the room she had an object about the size of a football perched on her left shoulder. There was a table in the centre, of a transparent blue substance. It had three legs which joined in a twisted knot, and then spread out. I noticed that these legs moved so that the table adjusted itself to her as she approached it, but whether this movement were sentient or mechanical I could not tell. She extended her left arm to the surface of the table, and the object on her shoulder rolled slowly down.

It was of the colour of a boiled lobster, with many bluish-white appendages hanging from its surface. They were about an inch in length, and of the shape to a dachshund’s ear. As it rolled forward they spread out like hands, to balance and control its motion, and when it rested those that were close to the ground would support it steadily.

It was evidently alive, but it had no other features that I could observe, and it appeared equally comfortable whatever part of its surface were uppermost.

The table was relatively higher than those to which we are accustomed, and there was no chair or other seat in the room.

The Dweller remained standing, as though her attention were fixed upon the red globule before her. I turned to my companion to convey my wonder, but she gave me a quick thought that she was trying to follow what was happening, and did not wish for distraction, so I looked quietly round the room while I waited.

The wall on the side on which we stood, and those to right and left, were blank of all but colour, which was blue, of a very delicately-beautiful tint, which I had not seen previously, evidently designed to harmonise with the colouring of its occupant.

The farther wall was of the same nature as those we had passed in the passage, having a living picture within it⁠—if living it could be called, much was an epitome of desolation.

It showed far more plainly, or at least to a far greater distance, than did those into which we had looked before. It was a scene of a frozen river, which itself must have been half-a-mile in width, and of an endless solitary frozen plain beyond it. The sky was frosty blue and cloudless. There were no trees⁠—nothing but the frozen river, and the frozen snow.

I had a perception that it had lain thus for many centuries, lifeless, windless, and unchanging, and that it was in some inexplicable way akin to the one who appeared to have selected it to companion her, and that within it lay the explanation of the weariness in her eyes.

But its desolation was less than hers, for it must have ended at some time in the earth’s history. Though it might have endured for millenniums, yet the time had come when the earth again swung sunward, and the warmth found it. But for the weariness from which she suffered there was no hope at all.

Following this impression, it occurred to me as a natural thing that, if reflections of the earth’s changing past were used as mural decorations, such scenes and periods would be preferred as would show little or very gradual differences, or their suitability might be lost.

The articles in the room were few. There was a wide shelf at the centre of the left-hand wall, on which were stacked a number of flat boards which were probably pictures, or material for them, for, to the right of the table, there was an easel, such as would have looked natural enough, apart from its size, in a studio of our own day, with a similar board

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