Now there are many natures (God-created though they be) of so black and vile a tendency as to be soured and embittered by workhouse treatment; by constant keeping down; by days and days which grow into years and years, in which to hear a kind word is to hear a strange language—a language so strange as to bring a choking sensation into the throat, and not unbidden tears into the eyes. Natures there are, so innately wicked, as not to be improved by tyranny; by the dominion, the mockery, and the insult of little boys, who are wise enough to despise poverty, but not charitable enough to respect misfortune. And fourth-form ushers in a second-rate academy have to endure this sort of thing now and then. Some natures too may be so weak and sentimental as to sicken at a life without one human tie; a boyhood without father or mother; a youth without sister or brother. Not such the excellent nature of Jabez North. Tyranny found him meek, it is true, but it left him much meeker. Insult found him mild, but it left him lamblike. Scornful speeches glanced away from him; cruel words seemed drops of water on marble, so powerless were they to strike or wound. He would take an insult from a boy whom with his powerful right hand he could have strangled: he would smile at the insolence of a brat whom he could have thrown from the window with one uplifting of his strong arm almost as easily as he threw away a bad pen. But he was a good young man; a benevolent young man; giving in secret, and generally getting his reward openly. His left hand scarcely knew what his right hand did; but Slopperton always knew it before long. So every citizen of the borough raised and applauded this model young man, and many were the prophecies of the day when the pauper boy should be one of the greatest men in that greatest of all towns, the town of Slopperton.
The bad November day merged into a bad November night. Dark night at five o’clock, when candles, few and far between, flickering in Dr. Tappenden’s schoolroom, and long rows of half-pint mugs—splendid institutions for little boys to warm their hands at, being full of a boiling and semi-opaque liquid, par excellence milk-and-water—ornamented the schoolroom table. Darker night still, when the half-pint mugs have been collected by a red maidservant, with nose, elbows, and knuckles picked out in purple; when all traces of the evening meal are removed; when the six red-nosed first-form boys have sat down to Virgil—for whom they entertain a deadly hatred, feeling convinced that he wrote with a special view to their being flogged from inability to construe him. Of course, if he hadn’t been a spiteful beast he would have written in English, and then he wouldn’t have had to be construed. Darker night still at eight o’clock, when the boys have gone to bed, and perhaps would have gone to sleep, if Allecompain Major had not a supper-party in his room, with Banbury cakes, pigs trotters, periwinkles, acid rock, and ginger-beer powders, laid out upon the bolster. Not so dark by the head assistant’s desk, at which Jabez sits, his face ineffably calm, examining a pile of exercises. Look at his face by that one candle; look at the eyes, which are steady now, for he does not dream that anyone is watching him—steady and luminous with a subdued fire, which might blaze out some day into a deadly flame. Look at the face, the determined mouth, the thin lips, which form almost an arch—and say, is that the face of a man to be content with a life of dreary and obscure monotony? A somewhat intellectual face; but not the face of a man with an intellect seeking no better employment than the correcting of French and Latin exercises. If we could look into his heart, we might find the answers to these questions. He raises the lid of his desk; a deep desk that holds many things—paper, pens, letters; and what?—a thick coil of rope. A strange object in the assistant’s desk, this coil of rope! He looks at it as if to assure himself that it is safe; shuts his desk quickly, locks it, puts the key in his waistcoat-pocket; and when at half-past nine he goes up into his little bedroom at the top of the house, he will carry the desk under his arm.
II
Good for Nothing
The November night is darkest, foggiest, wettest, and windiest out on the open road that leads into Slopperton. A dreary road at the best of times, this Slopperton road, and dreariest of all in one spot about a mile and a half out of the town. Upon this spot stands a solitary house, known as the Black Mill. It was once the cottage of a miller, and the mill still stands, though in disuse.
The cottage had been altered and improved within
