to cover myself up. I’ll tell you a story, though, and it may help you. Once upon a time there was a high-class crook⁠—what the newspapers call a Master Mind. Came a day when he found he had accumulated enough money to give up the game and settle down as an honest man.

“But he had two lieutenants⁠—one in New York and one in San Francisco⁠—and they were the only men in the world who knew he was a crook. And, besides that, he was afraid of both of them. So he thought he’d rest easier if they were out of the way. And it happened that neither of these lieutenants had ever seen the other.

“So this Master Mind convinced each of them that the other was double-crossing him and would have to be bumped off for the safety of all concerned. And both of them fell for it. The New Yorker went to San Francisco to get the other, and the San Franciscan was told that the New Yorker would arrive on such-and-such a day and would stay at such-and-such a hotel.

“The Master Mind figured that there was an even chance of both men passing out when they met⁠—and he was nearly right at that. But he was sure that one would die, and then, even if the other missed hanging, there would only be one man left for him to dispose of later.”

There weren’t as many details in the story as I would have liked to have, but it explained a lot.

“How do you figure out Cudner’s getting into the wrong room?” I asked.

“That was funny! Maybe it happened like this: My room was 609 and the killing was done in 906. Suppose Cudner went to the hotel on the day he knew I was due and took a quick slant at the register. He wouldn’t want to be seen looking at it if he could avoid it, so he didn’t turn it around, but flashed a look at it as it lay⁠—facing the desk.

“When you read numbers of three figures upside-down you have to transpose them in your head to get them straight. Like 123. You’d get that 3‒2‒1, and then turn them around in your head. That’s what Cudner did with mine. He was keyed up, of course, thinking of the job ahead of him, and he overlooked the fact that 609 upside-down still reads 609 just the same. So he turned it around and made it 906⁠—Develyn’s room.”

“That’s how I doped it,” I said, “and I reckon it’s about right. And then he looked at the key-rack and saw that 906 wasn’t there. So he thought he might just as well get his job done right then, when he could roam the hotel corridors without attracting attention. Of course, he may have gone up to the room before Ansley and Develyn came in and waited for them, but I doubt it.

“I think it more likely that he simply happened to arrive at the hotel a few minutes after they had come in. Ansley was probably alone in the room when Cudner opened the unlocked door and came in⁠—Develyn being in the bathroom getting the glasses.

“Ansley was about your size and age, and close enough in appearance to fit a rough description of you. Cudner went for him, and then Develyn, hearing the scuffle, dropped the bottle and glasses and rushed out, and got his.

“Cudner, being the sort he was, would figure that two murders were no worse than one, and he wouldn’t want to leave any witnesses around.

“And that is probably how Ingraham got into it. He was passing on his way from his room to the elevator and perhaps heard the racket and investigated. And Cudner put a gun in his face and made him stow the two bodies in the clothespress. And then he stuck his knife in Ingraham’s back and slammed the door on him. That’s about the⁠—”

An indignant nurse descended on me from behind and ordered me out of the room, accusing me of getting her patient excited.

Orrett stopped me as I turned to go.

“Keep your eye on the New York dispatches,” he said, “and maybe you’ll get the rest of the story. It’s not over yet. Nobody has anything on me out here. That shooting in Pigatti’s was self-defense so far as I’m concerned. And as soon as I’m on my feet again and can get back East there’s going to be a Master Mind holding a lot of lead. That’s a promise!”

I believed him.

The Tenth Clue

I

“Do You Know⁠ ⁠… Emil Bonfils?”

Mr. Leopold Gantvoort is not at home,” the servant who opened the door said, “but his son, Mr. Charles, is⁠—if you wish to see him.”

“No. I had an appointment with Mr. Leopold Gantvoort for nine or a little after. It’s just nine now. No doubt he’ll be back soon. I’ll wait.”

“Very well, sir.”

He stepped aside for me to enter the house, took my overcoat and hat, guided me to a room on the second floor⁠—Gantvoort’s library⁠—and left me. I picked up a magazine from the stack on the table, pulled an ashtray over beside me, and made myself comfortable.

An hour passed. I stopped reading and began to grow impatient. Another hour passed⁠—and I was fidgeting.

A clock somewhere below had begun to strike eleven when a young man of twenty-five or -six, tall and slender, with remarkably white skin and very dark hair and eyes, came into the room.

“My father hasn’t returned yet,” he said. “It’s too bad that you should have been kept waiting all this time. Isn’t there anything I could do for you? I am Charles Gantvoort.”

“No, thank you.” I got up from my chair, accepting the courteous dismissal. “I’ll get in touch with him tomorrow.”

“I’m sorry,” he murmured, and we moved toward the door together.

As we reached the hall an extension telephone in one corner of the room we were leaving buzzed softly, and I halted in the doorway

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