“Has Titus Price sent up?” he asked at length, gulping down the last of the water.
“Sent up?”
“Yes. Art fond, lass? I told him as he mun send up some more o’ thy rent today—twenty-five pun. He’s not sent?”
“I don’t know,” she said timidly. “I was out this afternoon.”
“Out, wast?”
“Mr. Mynors sent word to ask me to go down and look over the works; so I went. I thought it would be all right.”
“Well, it was’na all right. And I’d like to know what business thou hast gadding out, as soon as my back’s turned. How can I tell whether Price sent up or not? And what’s more, thou know’s as th’ house hadn’t ought to be left.”
“I’m sorry,” she said pleasantly, with a determination to be meek and dutiful.
He grunted. “Happen he didna’ send. And if he did, and found th’ house locked up, he should ha’ sent again. Bring me th’ inkpot, and I’ll write a note as Agnes must take when her goes to school tomorrow morning.”
Anna obeyed. “They’ll never be able to pay twenty-five pounds, father,” she ventured. “They’ve paid thirty already, you know.”
“Less gab,” he said shortly, taking up the pen. “Here—write it thysen.” He threw the pen towards her. “Tell Titus if he doesn’t pay five-and-twenty this wik, us’ll put bailiffs in.”
“Won’t it come better from you, father?” she pleaded.
“Whose property is it?” The laconic question was final. She knew she must obey, and began to write. But, realising that she would perforce meet both Titus Price and Willie on Sunday, she merely demanded the money, omitting the threat. Her hand trembled as she passed the note to him to read.
“Will that do?”
His reply was to tear the paper across. “Put down what I tell ye,” he ordered, “and don’t let’s have any more paper wasted.” Then he dictated a letter which was an ultimatum in three lines. “Sign it,” he said.
She signed it, weeping. She could see the wistful reproach in Willie Price’s eyes.
“I suppose,” her father said, when she bade him “Good night,” “I suppose if I hadn’t asked, I should ha’ heard nowt o’ this gadding-about wi’ Mynors?”
“I was going to tell you I had been to the works, father,” she said.
“Going to!” That was his final blow, and having delivered it, he loosed the victim. “Go to bed,” he said.
She went upstairs, resolutely read her Bible, and resolutely prayed.
IX
The Treat
This surly and terrorising ferocity of Tellwright’s was as instinctive as the growl and spring of a beast of prey. He never considered his attitude towards the women of his household as an unusual phenomenon which needed justification, or as being in the least abnormal. The women of a household were the natural victims of their master: in his experience it had always been so. In his experience the master had always, by universal consent, possessed certain rights over the self-respect, the happiness and the peace of the defenceless souls set under him—rights as unquestioned as those exercised by Ivan the Terrible. Such rights were rooted in the secret nature of things. It was futile to discuss them, because their necessity and their propriety were equally obvious. Tellwright would not have been angry with any man who impugned them: he would merely have regarded the fellow as a crank and a born fool, on whom logic or indignation would be entirely wasted. He did as his father and uncles had done. He still thought of his father as a grim customer, infinitely more redoubtable than himself. He really believed that parents spoiled their children nowadays: to be knocked down by a single blow was one of the punishments of his own generation. He could recall the fearful timidity of his mother’s eyes without a trace of compassion. His treatment of his daughters was no part of a system, nor obedient to any defined principles, nor the expression of a brutal disposition, nor the result of gradually-acquired habit. It came to him like eating, and like parsimony. He belonged to the great and powerful class of house-tyrants, the backbone of the British nation, whose views on income-tax cause ministries to tremble. If you had talked to him of the domestic graces of life, your words would have conveyed to him no meaning. If you had indicted him for simple unprovoked rudeness, he would have grinned, well knowing that, as the King can do no wrong, so a man cannot be rude in his own house. If you had told him that he inflicted purposeless misery not only on others but on himself, he would have grinned again, vaguely aware that he had not tried to be happy, and rather despising happiness as a sort of childish gewgaw. He had, in fact, never been happy at home: he had never known that expansion of the spirit which is called joy; he existed continually under a grievance. The atmosphere of Manor Terrace afflicted him, too, with a melancholy gloom—him, who had created it. Had he been capable of self-analysis, he would have discovered that his heart lightened whenever he left the house, and grew dark whenever he returned; but he was incapable of the feat. His case, like every similar case, was irremediable.
The next morning his preposterous displeasure lay like a curse on the house; Anna was silent, and Agnes moved on timid feet. In the afternoon Willie Price called in answer to the note. The miser was in the garden, and Agnes at school. Willie’s craven and fawning humility was inexpressibly touching and shameful to Anna. She longed to say to him, as he stood hesitant and confused in the parlour: “Go in peace. Forget this despicable rent. It sickens me to see you so.” She foresaw, as the effect of her father’s vindictive pursuit of her tenants, an interminable succession of these mortifying interviews.
“You’re rather hard on us,” Willie Price began, using the old phrases, but in a tone of
