anything in that kind which the country produced. In similar fashion he trained him to the use of bow and arrow, substituting every three months a stronger bow and longer arrows; and soon he became, even on horseback, a wonderful archer. He was but fourteen when he killed his first bull, causing jubilation among the huntsmen, and, indeed, through all the castle, for there too he was the favourite. Every day, almost as soon as the sun was up, he went out hunting, and would in general be out nearly the whole of the day. But Watho had laid upon Fargu just one commandment, namely, that Photogen should on no account, whatever the plea, be out until sundown, or so near it as to wake in him the desire of seeing what was going to happen; and this commandment Fargu was anxiously careful not to break; for, although he would not have trembled had a whole herd of bulls come down upon him, charging at full speed across the level, and not an arrow left in his quiver, he was more than afraid of his mistress. When she looked at him in a certain way, he felt, he said, as if his heart turned to ashes in his breast, and what ran in his veins was no longer blood, but milk and water. So that, ere long, as Photogen grew older, Fargu began to tremble, for he found it steadily growing harder to restrain him. So full of life was he, as Fargu said to his mistress, much to her content, that he was more like a live thunderbolt than a human being. He did not know what fear was, and that not because he did not know danger; for he had had a severe laceration from the razor-like tusk of a boar—whose spine, however, he had severed with one blow of his hunting-knife, before Fargu could reach him with defence. When he would spur his horse into the midst of a herd of bulls, carrying only his bow and his short sword, or shoot an arrow into a herd, and go after it as if to reclaim it for a runaway shaft, arriving in time to follow it with a spear-thrust before the wounded animal knew which way to charge, Fargu thought with terror how it would be when he came to know the temptation of the huddle-spot leopards, and the knife-clawed lynxes, with which the forest was haunted. For the boy had been so steeped in the sun, from childhood so saturated with his influence, that he looked upon every danger from a sovereign height of courage. When, therefore, he was approaching his sixteenth year, Fargu ventured to beg of Watho that she would lay her commands upon the youth himself, and release him from responsibility for him. One might as soon hold a tawny-maned lion as Photogen, he said. Watho called the youth, and in the presence of Fargu laid her command upon him never to be out when the rim of the sun should touch the horizon, accompanying the prohibition with hints of consequences, none the less awful that they were obscure. Photogen listened respectfully, but, knowing neither the taste of fear nor the temptation of the night, her words were but sounds to him.
VII
How Nycteris Grew
The little education she intended Nycteris to have, Watho gave her by word of mouth. Not meaning she should have light enough to read by, to leave other reasons unmentioned, she never put a book in her hands. Nycteris, however, saw so much better than Watho imagined, that the light she gave her was quite sufficient, and she managed to coax Falca into teaching her the letters, after which she taught herself to read, and Falca now and then brought her a child’s book. But her chief pleasure was in her instrument. Her very fingers loved it, and would wander about over its keys like feeding sheep. She was not unhappy. She knew nothing of the world except the tomb in which she dwelt, and had some pleasure in everything she did. But she desired, nevertheless, something more or different. She did not know what it was, and the nearest she could come to expressing it to herself was—that she wanted more room. Watho and Falca would go from her beyond the shine of the lamp, and come again; therefore surely there must be more room somewhere. As often as she was left alone, she would fall to poring over the coloured bas-reliefs on the walls. These were intended to represent various of the powers of Nature under allegorical similitudes, and as nothing can be made that does not belong to the general scheme, she could not fail at least to imagine a flicker of relationship between some of them, and thus a shadow of the reality of things found its way to her.
There was one thing, however, which moved and taught her more than all the rest—the lamp, namely, that hung from the ceiling, which she always saw alight, though she never saw the flame, only the slight condensation towards the centre of the alabaster globe. And besides the operation of the light itself after its kind, the indefiniteness of the globe, and the softness of the light, giving her the feeling as if her eyes could go in and into its whiteness, were somehow also associated with the idea of space and room. She would sit for an hour together gazing up at the lamp, and her heart would swell as she gazed. She would wonder what had hurt her, when she found her face wet with tears, and then would wonder how she could have been hurt without knowing it. She never looked thus at the lamp except when she was alone.
VIII
The Lamp
Watho having given orders, took it for granted they were obeyed, and that Falca was all night long with Nycteris, whose day it was. But
