me back to Blackstable in her car, but I preferred to walk. I promised to dine at Ferne Court next day and meanwhile to write down what I could remember of the two periods during which I had been in the habit of seeing Edward Driffield. As I walked along the winding road, meeting no one by the way, I mused upon what I should say. Do they not tell us that style is the art of omission? If that is so I should certainly write a very pretty piece, and it seemed almost a pity that Roy should use it only as material. I chuckled when I reflected what a bombshell I could throw if I chose. There was one person who could tell them all they wanted to know about Edward Driffield and his first marriage; but this fact I proposed to keep to myself. They thought Rosie was dead; they erred; Rosie was very much alive.

Being in New York for the production of a play and my arrival having been advertised to all and sundry by my manager’s energetic press representative, I received one day a letter addressed in a handwriting I knew but could not place. It was large and round, firm but uneducated. It was so familiar to me that I was exasperated not to remember whose it was. It would have been more sensible to open the letter at once, but instead I looked at the envelope and racked my brain. There are handwritings I cannot see without a little shiver of dismay and some letters that look so tiresome that I cannot bring myself to open them for a week. When at last I tore open the envelope what I read gave me a strange feeling. It began abruptly:

I have just seen that you are in New York and would like to see you again. I am not living in New York any more, but Yonkers is quite close and if you have a car you can easily do it in half an hour. I expect you are very busy so leave it to you to make a date. Although it is many years since we last met I hope you have not forgotten your old friend

Rose Iggulden (formerly Driffield)

I looked at the address; it was the Albemarle, evidently a hotel or an apartment house, then there was the name of a street, and Yonkers. A shiver passed through me as though someone had walked over my grave. During the years that had passed I had sometimes thought of Rosie, but of late I had said to myself that she must surely be dead. I was puzzled for a moment by the name. Why Iggulden and not Kemp? Then it occurred to me that they had taken this name, a Kentish one too, when they fled from England. My first impulse was to make an excuse not to see her; I am always shy of seeing again people I have not seen for a long time; but then I was seized with curiosity. I wanted to see what she was like and to hear what had happened to her. I was going down to Dobbs Ferry for the weekend, to reach which I had to pass through Yonkers, and so answered that I would come at about four on the following Saturday.

The Albemarle was a huge block of apartments, comparatively new, and it looked as though it were inhabited by persons in easy circumstances. My name was telephoned up by a Negro porter in uniform and I was taken up in the elevator by another. I felt uncommonly nervous. The door was opened for me by a coloured maid.

“Come right in,” she said. “Mrs. Iggulden’s expecting you.”

I was ushered into a living room that served also as dining room, for at one end of it was a square table of heavily carved oak, a dresser, and four chairs of the kind that the manufacturers in Grand Rapids would certainly describe as Jacobean. But the other end was furnished with a Louis XV suite, gilt and upholstered in pale blue damask; there were a great many small tables, richly carved and gilt, on which stood Sèvres vases with ormolu decorations and nude bronze ladies with draperies flowing as though in a howling gale that artfully concealed those parts of their bodies that decency required; and each one held at the end of a playfully outstretched arm an electric lamp. The gramophone was the grandest thing I had ever seen out of a shop window, all gilt and shaped like a sedan chair and painted with Watteau courtiers and their ladies.

After I had waited for about five minutes a door was opened and Rosie came briskly in. She gave me both her hands.

“Well, this is a surprise,” she said. “I hate to think how many years it is since we met. Excuse me one moment.” She went to the door and called: “Jessie, you can bring the tea in. Mind the water’s boiling properly.” Then, coming back: “The trouble I’ve had to teach that girl to make tea properly, you’d never believe.”

Rosie was at least seventy. She was wearing a very smart sleeveless frock of green chiffon, heavily diamanté, cut square at the neck and very short; it fitted like a bursting glove. By her shape I gathered that she wore rubber corsets. Her nails were blood-coloured and her eyebrows plucked. She was stout, and she had a double chin; the skin of her bosom, although she had powdered it freely, was red, and her face was red too. But she looked well and healthy and full of beans. Her hair was still abundant, but it was quite white, shingled and permanently waved. As a young woman she had had soft, naturally waving hair and these stiff undulations, as though she had just come out of a hairdresser’s, seemed more than anything else to change her. The only

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