But no sooner had she joined the group than a French naval officer she had never seen before walked quietly up to her. And with his two arms hanging down to his knees, he politely made her a Japanese bow. Akiko was faintly conscious of the blood mounting to her cheeks. But the meaning of that bow was clear without any asking. So she looked round at the girl standing beside her in a light blue gown to get her to hold her fan. As she turned, to her surprise, the French naval officer, with a smile flitting across his cheek, said distinctly to her in Japanese with a strange accent,
“Won’t you dance with me?”
In a moment Akiko was dancing the “Blue Danube Waltz” with the French naval officer. He had tanned cheeks, clear-cut features and a heavy mustache. She was too short to reach up and put her long-gloved hand on the left shoulder of his uniform. But the experienced officer handled her deftly and danced her lightly through the crowd. And at times he even whispered amiable flatteries into her ear in French.
Repaying his gentle words with a bashful smile, she looked from time to time about the ballroom in which they danced. She could see between the sea of people flashes of curtains of purple silk crape with the Imperial crest dyed into them, and the gay silver or sober gold of the chrysanthemums in the vases under Chinese flags on which blue claw-spread dragons writhed. And the sea of people, stirred up by the wind of gay melody from the German orchestra that came bubbling over it like champagne, never stopped for a moment its dizzy commotion. When she and one of her friends, also dancing, saw each other, they nodded happily as they went busily by. But at that moment, another dancer, whirling like a big moth, appeared between them from nowhere in particular.
But meanwhile, she realized that the naval officer was watching her every movement. This simply showed how much interest this foreigner, unaccustomed to Japan, took in her vivacious dancing. Did this beautiful young lady, too, live like a doll in a house of paper and bamboo? And with slender metal chopsticks did she pick up grains of rice out of a teacup as big as the palm of your hand with a blue flower painted on it and eat them? Such doubts, together with an affectionate smile, seemed ever and anon to come and go in his eyes. If this was amusing to Akiko, it was at the same time gratifying. So every time his surprised gaze fell to her feet, her slender little rose-colored dancing pumps went sliding the more lightly over the slippery floor.
But finally the officer seemed to notice that this kitten-like young lady showed signs of fatigue, and peering into her face with kindly eyes, he asked,
“Shall we go on dancing?”
“Non, merci,” said Akiko in excitement, this time clearly.
Then the French naval officer, continuing the steps of the waltz, wove his way through the waves of lace and flowers moving back and forth and right and left, and guided her leisurely up to the chrysanthemums in vases by the wall. And after the last revolution, he seated her neatly in a chair there and, having once thrown out his chest in his military uniform, again respectfully made her a deep Japanese bow.
Then after dancing a polka and a mazurka, Akiko took the arm of this French naval officer and went down the stairs between the walls of white and yellow and pink chrysanthemums to a large hall.
Here in the midst of swallowtails and white shoulders moving to and fro unceasingly, many tables loaded with silver and glass utensils were piled high with meat and truffles, or pinnacled with towers of sandwiches and ice-cream, or built up into pyramids of pomegranates and figs. Especially beautiful was a gilt lattice with skilfully made artificial grape vines twining their green leaves through it on the wall at one side of the room above the piled-up chrysanthemums. And among the leaves, bunches of grapes like wasps’ nests hung in purple abundance. In front of this gilt lattice, Akiko found her bald-headed father, with another gentleman of the same age, smoking a cigar. When he saw her, he nodded slightly with evident satisfaction, and without taking further notice of her, turned to his companion and went on smoking.
The French naval officer went to one of the tables with Akiko, and they began to eat ice-cream. As they ate, she noticed that ever and anon his eyes were drawn to her hands or her hair or her neck with the light blue ribbon round it. This did not, of course, make her unhappy. But at one moment a womanly doubt could not but flash forth in her. Then, as two young women who looked like Germans went by with red camellias on their black velvet breasts, in order to hint at this doubt, she exclaimed,
“Really how beautiful western women are!”
When the naval officer heard this, contrary to her expectation, he shook his head seriously.
“Japanese women are beautiful, too. Especially you—”
“I’m no such thing.”
“No, I’m not flattering. You could appear at a Parisian ball just as you are. If you did, everybody would be surprised. For you’re like the princess in Watteau’s picture.”
Akiko did not know who Watteau was. So the beautiful vision of the past called up for the naval officer by his words—the vision of a fountain in a dusky grove and a fading rose—could only disappear without a trace and be lost. But this girl of unusual sensibility, as she plied her ice-cream spoon, did not forget to stick to just one more thing she wanted to speak of.
“I should like to go to a Parisian ball and see what they’re like.”
“No, a Parisian ball is
