altar. The light was reflected manifold on the halo of the tabernacle, fluttered on candlesticks and brass ornaments and made the paper roses in the altar vases look red and yellow. A priest stood with his back turned to them, reading silently from a book; a pair of acolytes moved to and fro, bowed, made the sign of the cross and various other movements which seemed meaningless to Helge.

The little church was dark; in the two side chapels tiny nightlight flames flickered, hanging from brass chains in front of images blacker than the darkness itself.

Jenny Winge knelt on a rush stood. Her folded hands rested on the prie-Dieu, and her head was raised, showing her profile clearly outlined against the soft candlelight, which trembled in the fair waves of her hair and stole down the delicate bend of her bare neck.

Heggen and Ahlin took two chairs quietly from the pile against one of the pillars.

This quiet service before dawn was quaint and impressive; Gram followed attentively every movement of the priest. The acolytes hung a white garment, with a golden cross on it, over his shoulders. He took the Host, turned round and held it up to the light. The boys swung the incense, and the sharp, sweet smell of it floated to where Helge stood, but he waited in vain for music or singing.

Miss Winge apparently made some pretence of being a Catholic, since she was kneeling like that. Heggen sat looking straight in front of him towards the altar. He had laid one arm about the shoulders of Francesca, who had fallen asleep leaning against him. Ahlin sat behind a pillar, probably asleep too⁠—he could not see him.

It was extraordinary to sit here with utter strangers; he felt lonely, but no longer depressed. The happy feeling of freedom from the previous night returned. He looked at the others, at the two young girls, Jenny and Francesca. He knew their names now, but little more. And none of them knew what it meant to him to sit there, what he had left behind by coming, the painful struggles, the conquering of obstacles and the breaking of bonds that had held him. He felt strangely happy, almost proud of it, and he looked at the two women with a mild pity. Such a little thing as Cesca⁠—and Jenny⁠—young and high-spirited, with ready, confident opinions behind their white, small foreheads. Two young girls treading an even path of life, with here and there a small stone perhaps to move away, but who knew nothing about a road like his. What would they do, poor girls, if they had to try it? He started when Heggen touched his shoulder, and blushed, for he had been dozing.

“You have had a nap, too, I see,” said Heggen.

Out in the street the high, quiet houses slept with closed shutters. A tram drove up in a side street, a cab rattled over the bridge, and one or two cold and sleepy stragglers walked on the pavement.

They turned into a street from where they could see the obelisk in front of Trinita-dei-Monti⁠—it stood white against the dark hollies of Pincio. No living being was to be seen and no sound heard but their own steps on the iron bridge and the ripple of a fountain in a yard. Far away the murmur of the waters on Monte Pinco came through the stillness. Helge recognized it, and as he walked towards it, a growing feeling of joy filled him, as if his pleasure from the previous evening were waiting for him up there by the fountain under the hollies.

He turned to Jenny Winge, not realizing that his eyes and his voice betrayed his feeling.

“I stood here last night and saw the sun set; it seemed so strange to be here. I have been working for years to get here. I had to come because of my studies. I wanted to be an archæologist, but I have been obliged to teach from the time I got my degree. I have been waiting for the day when I could come out here⁠—sort of prepared myself for it. Yet, when I stood here yesterday so suddenly, I was almost taken unawares.”

“I quite understand,” said Jenny.

“The moment I stepped out of the train yesterday and saw the ruins of the Thermes opposite, surrounded by modern buildings with cafés and cinemas, with the sun shining on the mighty, yellow ruins, I loved it. The trams in the piazza, the plantations, the gorgeous fountains with such quantities of water. I thought the old walls looked so pretty in the midst of the modern quarters with the busy traffic.”

She nodded pleasantly. “Yes,” she said; “I love it too.”

“Then I went down to the town; it was delightful. Modern buildings among the old ones, and fountains flowing and plashing everywhere. I walked right out to San Pietro; it was dark when I got there, but I stood a while and looked at the water. Do they play all night in this city?”

“Yes, all night. You see and hear fountains almost everywhere. The streets are very quiet at night. Where we live, Miss Jahrman and I, there is one in the courtyard, and when the weather is mild we sit on our balcony late at night and listen to it.”

She had sat down on the stone parapet. Helge stood in the same spot as the evening before and gazed again at the town, with its background of hills under a sky as clear as the one over the mountaintops at home. He filled his lungs with the pure, cold air.

“Nowhere in the world, are there such mornings as in Rome,” said Jenny. “I mean when the whole town is sunk in a sleep that grows lighter and lighter, and then suddenly awakes rested and fit. Heggen says it is because of the shutters; no windowpanes to catch the morning light and throw it on to your face.”

They sat with their backs to the breaking dawn

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