At the hour announced for the fishing, a crowd assembles, varying in number according to the size and the celebrity of the pond, but comparatively as large and as fashionable as that to be seen at the Champ de Mars or Chantilly on race days when favourite horses are to run and favourite jockeys to ride. Only here the spectators do not look on from grand stands and carriages; on the contrary, they come as they can, or as they like, in gigs, pleasure vans, phaëtons, carts, on horseback, on donkey-back, but once on the spot everyone rushes to find a place, stationing him or herself either in order of arrival, or according to the amount of elbowing and pushing of which each is capable, always, however, with that due respect for authority which is observed even in the least civilised districts. A sort of stout trellis-work, however, firmly sunk into the ground, prevents the onlookers from falling into the reservoir.
The colour and the smell of the water betoken the arrival of the fish. Every kind of show has its drawbacks: the larger and grander the audience at the opera house, the more carbonic acid is there to draw into the lungs; at the drawing of a pond, the nearer the supreme moment approaches, the more marsh-gas is there to inhale.
When the sluice is first opened, the water that pours through is beautifully clear, and slightly green in colour, like the water of a brook; this is the upper layer, which, carried along by its weight, is the first to appear. By degrees the water becomes less transparent, and takes on a greyish hue; this is the second layer, emptying itself in turn, and every now and then, more frequently as the water becomes muddier, a ray of silver is seen to dart through it; it is some fish, too small and weak to resist the current, which flashes past as if acting as scout for its stronger brethren. Nobody troubles to pick it up; it is allowed to lie gasping, and trying to find some little stagnant puddle of water at the bottom of the pond, flapping, floundering and capering like an acrobat going through his antics.
Then the black water comes pouring through; this is the last act, the final catastrophe.
Each fish, according to its power of resistance, struggles against the current which is bearing it along in this unusual manner. Instinctively they feel there is danger, and each strives its hardest to swim in an opposite direction; the pike struggles beside the carp which it was yesterday pursuing so hard; the perch is reconciled to the tench, and as they swim side by side, does not so much as think of taking a bite out of the flesh he finds so palatable at other times. So the Arabs at times find huddled together in the pits they dig to catch game, gazelles and jackals, antelopes and hyenas, the jackals and hyenas having grown as gentle and as timid as the gazelles and antelopes.
But the strength of the struggling and dying fish begins at last to fail. The scouts that we noticed a few minutes ago become more numerous; the size of the fish becomes more respectable, which is proved to them by the attention they receive from the pickers-up. These pickers-up are men, clad in plain linen trousers and cotton shirts; the trousers are rolled up to above the knee, and the shirt sleeves turned up to the shoulders. The fish are gathered up in baskets; those destined to be sold alive, or kept for restocking the pond, are poured off into tanks; those condemned to death are simply spread out on the grass, and will be sold before the day is out. As the fish grow more and more abundant the cries of delight from the spectators become louder and more frequent; for these onlookers are not like the audiences in our theatres; they have no idea of stifling their feelings, or showing good taste by appearing indifferent. No, they come to amuse themselves, and every fine tench, or fine carp, or fine pike, calls forth loud, undisguised and delighted applause. As in a well-ordered review, the troops file past in order, according to their weight, if we may use the expression, first the light sharpshooters, then the somewhat heavier dragoons, and finally the ponderous cuirassiers and heavy artillery to bring up the rear, so the fish sweep by according to their several species; the smallest, that is the weakest, first, the heaviest, that is the strongest, last.
At last the moment comes when the water ceases to flow; the passage is literally obstructed by the remainder of the fish, the bigwigs of the pond, and the pickers-up have veritable monsters to fight with. This is the supreme moment. Now comes the climax of applause, the last vociferous bravos. Then, the play being over, everyone goes to examine the actors; the latter are mostly lying gasping to death on the grass of the field, while a certain number are recovering themselves in the water. You look about for the eels; where are the eels you ask? Then three or four eels, about as big round as your thumb and half the length of your arm, are pointed out to you; for the eels, thanks to their peculiar organization, have momentarily at least, escaped the general carnage. The eels have taken a header into the mud and disappeared; and this is the reason why you may see men with guns walking up and down at the edge of the pond, and hear a report from time to time.
