The Fifth Queen Crowned

The Fifth Queen Crowned

By Ford Madox Ford.

Table of Contents

1. Titlepage
2. Imprint
3. Dedication
4. Epigraph
5. The Fifth Queen Crowned
   1. Part I: The Major Chord
      1. I
      2. II
      3. III
      4. IV
      5. V
      6. VI
      7. VII
      8. VIII
   2. Part II: The Threatened Rift
      1. I
      2. II
      3. III
      4. IV
      5. V
   3. Part III: The Dwindling Melody
      1. I
      2. II
      3. III
   4. Part IV: The End of the Song
      1. I
      2. II
      3. III
      4. IV
      5. V
6. Colophon
7. Uncopyright

Imprint

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To
Arthur Marwood

“Da habt Ihr schon das End vom Lied”

The Fifth Queen Crowned

A Romance

Part I

The Major Chord

I

“The Bishop of Rome⁠—”

Thomas Cranmer began a hesitating speech. In the pause after the words the King himself hesitated, as if he poised between a heavy rage and a sardonic humour. He deemed, however, that the humour could the more terrify the Archbishop⁠—and, indeed, he was so much upon the joyous side in those summer days that he had forgotten how to browbeat.

“Our holy father,” he corrected the Archbishop. “Or I will say my holy father, since thou art a heretic⁠—”

Cranmer’s eyes had always the expression of a man’s who looked at approaching calamity, but at the King’s words his whole face, his closed lips, his brows, the lines from his round nose, all drooped suddenly downwards.

“Your Grace will have me write a letter to the⁠—to his⁠—to him⁠—”

The downward lines fixed themselves, and from amongst them the panic-stricken eyes made a dumb appeal to the griffins and crowns of his dark green hangings, for they were afraid to turn to the King. Henry retained his heavy look of jocularity: he jumped at a weighty gibe⁠—

“My Grace will have thy Grace write a letter to his Holiness.”

He dropped into a heavy impassivity, rolled his eyes, fluttered his swollen fingers on the red and gilded table, and then said clearly, “My. Thy. His.”

When he was in that mood he spoke with a singular distinctness that came up from his husky and ordinary joviality like something dire and terrible⁠—like that something that upon a clear smooth day will suggest to you suddenly the cruelty that lies always hidden in the limpid sea.

“To Caesar⁠—egomet, I mineself⁠—that which is Caesar’s: to him⁠—that is to say to his Holiness, our lord of Rome⁠—the things which are of God! But to thee, Archbishop, I know not what belongs.”

He paused and then struck his hand upon the table: “Cold porridge is thy portion! Cold porridge!” he laughed; “for they say: Cold porridge to the devil! And, since thou art neither God’s nor the King’s, what may I call thee but the devil’s self’s man?”

A heavy and minatory silence seemed to descend upon him; the Archbishop’s thin hands opened suddenly as if he were letting something fall to the ground. The King scowled heavily, but rather as if he were remembering past heavinesses than for any present griefs.

“Why,” he said, “I am growing an old man. It is time I redded up my house.”

It was as if he thought he could take his time, for his heavily pursed eyes looked down at the square tips of his fingers where they drummed on the table. He was such a weighty man that the old chair in which he sat creaked at the movement of his limbs. It was his affectation of courtesy that he would not sit in the Archbishop’s own new gilded and great chair that had been brought from Lambeth on a mule’s back along with the hangings. But the other furnishings of that Castle of Pontefract were as old as the days of Edward IV⁠—even the scarlet wood of the table had upon it the arms of Edward IV’s Queen Elizabeth, side by side with that King’s. Henry noted it and said⁠—

“It is time these arms were changed. See that you have here fairly painted the arms of my Queen and me⁠—Howard and Tudor⁠—in token that we have passed this way and sojourned in this Castle of Pontefract.”

He was dallying with time as if it were a luxury to dally: he looked curiously round the room.

“Why, they have not housed you very well,” he said, and, as the Archbishop shivered suddenly, he added, “there should be glass in the windows. This is a foul old kennel.”

“I have made a complaint to the Earl Marshal,” Cranmer said dismally, “but ’a said there was overmuch room needed above ground.”

This room was indeed below ground and very old, strong, and damp. The Archbishop’s own hangings covered the walls, but the windows shot upwards through the stones