And thou, O most fatal and potent of mankind, in what terms shall I describe thee? What words are adequate to the just delineation of thy character? How shall I detail the means which rendered the secrecy of thy purposes unfathomable? But I will not anticipate. Let me recover if possible, a sober strain. Let me keep down the flood of passion that would render me precipitate or powerless. Let me stifle the agonies that are awakened by thy name. Let me, for a time, regard thee as a being of no terrible attributes. Let me tear myself from contemplation of the evils of which it is but too certain that thou wast the author, and limit my view to those harmless appearances which attended thy entrance on the stage.
One sunny afternoon, I was standing in the door of my house, when I marked a person passing close to the edge of the bank that was in front. His pace was a careless and lingering one, and had none of that gracefulness and ease which distinguish a person with certain advantages of education from a clown. His gait was rustic and awkward. His form was ungainly and disproportioned. Shoulders broad and square, breast sunken, his head drooping, his body of uniform breadth, supported by long and lank legs, were the ingredients of his frame. His garb was not ill adapted to such a figure. A slouched hat, tarnished by the weather, a coat of thick grey cloth, cut and wrought, as it seemed, by a country tailor, blue worsted stockings, and shoes fastened by thongs, and deeply discoloured by dust, which brush had never disturbed, constituted his dress.
There was nothing remarkable in these appearances; they were frequently to be met with on the road, and in the harvest field. I cannot tell why I gazed upon them, on this occasion, with more than ordinary attention, unless it were that such figures were seldom seen by me, except on the road or field. This lawn was only traversed by men whose views were directed to the pleasures of the walk, or the grandeur of the scenery.
He passed slowly along, frequently pausing, as if to examine the prospect more deliberately, but never turning his eye towards the house, so as to allow me a view of his countenance. Presently, he entered a copse at a small distance, and disappeared. My eye followed him while he remained in sight. If his image remained for any duration in my fancy after his departure, it was because no other object occurred sufficient to expel it.
I continued in the same spot for half an hour, vaguely, and by fits, contemplating the image of this wanderer, and drawing, from outward appearances, those inferences with respect to the intellectual history of this person, which experience affords us. I reflected on the alliance which commonly subsists between ignorance and the practice of agriculture, and indulged myself in airy speculations as to the influence of progressive knowledge in dissolving this alliance, and embodying the dreams of the poets. I asked why the plough and the hoe might not become the trade of every human being, and how this trade might be made conducive to, or, at least, consistent with the acquisition of wisdom and eloquence.
Weary with these reflections, I returned to the kitchen to perform some household office. I had usually but one servant, and she was a girl about my own age. I was busy near the chimney, and she was employed near the door of the apartment, when someone knocked. The door was opened by her, and she was immediately addressed with “Pry’thee, good girl, canst thou supply a thirsty man with a glass of buttermilk?” She answered that there was none in the house. “Aye, but there is some in the dairy yonder. Thou knowest as well as I, though Hermes never taught thee, that though every dairy be an house, every house is not a dairy.” To this speech, though she understood only a part of it, she replied by repeating her assurances, that she had none to give. “Well then,” rejoined the stranger, “for charity’s sweet sake, hand me forth a cup of cold water.” The girl said she would go to the spring and fetch it. “Nay, give me the cup, and suffer me to help myself. Neither manacled nor lame, I should merit burial in the maw of carrion crows, if I laid this task upon thee.” She gave him the cup, and he turned to go to the spring.
I listened to this dialogue in silence. The words uttered by the person without, affected me as somewhat singular, but what chiefly rendered them remarkable, was the tone that accompanied them. It was wholly new. My brother’s voice and Pleyel’s were musical and energetic. I had fondly imagined, that, in this respect, they were surpassed by none. Now my mistake was detected. I cannot pretend to communicate the impression that was made upon me by these accents, or to depict the degree in which force and sweetness were blended in them. They were articulated with a distinctness that was unexampled in my experience. But this was not all. The voice was not only mellifluent and clear, but the emphasis was so just, and the modulation so impassioned, that it seemed as if an heart of stone could not fail of being moved by it. It imparted to me an emotion altogether involuntary and incontrollable. When he uttered the words “for charity’s sweet sake,” I dropped the cloth that I held in my hand, my heart overflowed with sympathy, and my eyes with unbidden tears.
This description will appear to you trifling or incredible. The importance of these circumstances will be manifested in the sequel. The manner
