Interim

Just as she was about to break into the silence with a remark, one of the big curtains was suddenly drawn aside by a little old lady bearing a tray of steaming cups. She stood just inside the curtains, her delicate white-haired lace-capped head bowing from side to side of the room graciously, a gentle keen smile on her delicately shrivelled face. My mother, murmured Mr. Bowdoin as he went down the room for the tray. Slender and short as he was, she was invisible behind him as he bent for the tray and when he turned with it to the room she had disappeared. Miriam gazed at the dark curtains hoping for her return and dreading it. Nothing suitable to an enthusiastic bohemian evening could be said in a courtly manner.⁠ ⁠… She accepted a cup of coffee without a word as if Mr. Bowdoin had been a waiter, and sat flaring over it. She felt as if nothing could be said until there had been some reference to the vision. She hoped everyone had bowed and remembered with shame that she had only stared. Everyone seemed to be stirring; but the beginnings of speech went forward as if the little old lady had never appeared. Mr. Bowdoin had sat down with the men on the other side of the room and the woman had crossed over to a chair near Miss Rogers and was in eager conversation with her. Miss Rogers has only lately joined musical circles she heard Mr. Bowdoin say in an affectionate indulgent tone. That accounted for the way she deferred to him and sat in a sort of complacent exclusive rapture, keeping her manner unchanged before the onslaught of the eagerly talking woman. The woman was in the circle and did not seem to think it strange that Miss Rogers should be a candidate. She was talking about some orchestra somewhere⁠ ⁠… of something she wanted to play, he conducting, she finished in a tone of worship. Her voice was refined and she talked easily, but she also had the common uneducated look⁠ ⁠… and she was talking about Camberwell. Mr. Bowdoin was a conductor of an orchestra. Those people played in orchestras, or wanted to. The three men were talking in eager happy sentences and laughing happily and not noisily. There was something here that was lacking in Miss Szigmondy’s prosperous musical people, something that kept them apart from the world where they made their living.⁠ ⁠… They worked hard in two worlds⁠ ⁠… when Mr. Bowdoin was at the piano again they all sat easy and at home, in easy attitudes, affectionately listening. The room seemed somehow less dark and their forms much more visible and bigger. The empty white coffee cups standing about on the table caught the light. Miriam’s stood alone at the end of the table. Mr. Bowdoin had taken it from her but without entering into conversation and she was left with her prepared remark about the piano and her plea for a performance of the Tannhäuser overture going unsaid round and round in her mind. She sat ashamed before the restrained impersonal enthusiasm that filled the room. Even Miss Rogers was sitting less stiffly. Her own stiffness must make it obvious that she was not in a musical circle. Musical circles had a worldly savoir-faire of their own, the thing that was to be found everywhere in the world. To be in one would mean having to talk like that eager worshipping woman or to be calm and easily supercilious and secret like Miss Rogers. Even here the men were apart from the women; to join the men would be easy enough, to say exactly what one thought and talk about all sorts of things and laugh. But the women would hate that and one would have to be intimate with the women, and rave about music and musicians. Mr. Bowdoin had probably thought she would talk to those women. But after talking to them how could one listen to music? Their very presence made it almost impossible. She was unable to lose herself in the Wagner overture. It sounded out thinly into the room. Paderewski was looking away to where there was nothing but music sounding in a wooden room just inside an immense forest somewhere in Europe. She began thinking secretly of the world waiting for her outside and felt that she was affronting everyone in the room; treacherously and not visibly as before. She had got away from them but they did not know it. Mr. Bowdoin passed from the overture which was vociferously applauded and went on and on till she ceased altogether to try to listen and he became a stranger, sitting there playing seriously and laboriously alone at his piano.⁠ ⁠… She wished he would play a waltz⁠—and she suddenly blushed to find herself sitting there at all.⁠ ⁠…

They all seemed to get up to go at the same moment and when they drifted out into the street seemed all to be going the same way. Miriam found herself walking along the Farringdon Road between Mr. Bowdoin and the shorter of the two other men, longing for solitude and to be free to wander slowly along the new addition to her map of London at night. Even with Bohemians evenings did not end when they ended, but led to the forced companionship of walking home. The tall man and the two women were marching along ahead at a tremendous pace and she was obliged to hasten her steps to keep up with her companions’ evident intention of keeping them in view. Perhaps at the top of the road they would all separate. We will escort Miss Henderson to her home and then I’ll come on with you to Highgate. To Highgate⁠—exclaimed Miriam almost stopping. Are you going to walk to Highgate tonight? They both laughed. Oh yes said Mr. Bowdoin that’s nothing. Highgate. The mere thought of its northern remoteness seemed to be an insult to London. No