As the approach of Savonarola was discerned, none dared conspicuously to break the stillness by a sound which would rise above the solemn tramp of footsteps and the faint sweep of garments; nevertheless his ear, as well as other ears, caught a mingled sound of slow hissing that longed to be curses, and murmurs that longed to be blessings. Perhaps it was the sense that the hissing predominated which made two or three of his disciples in the foreground of the crowd, at the meeting of the roads, fall on their knees as if something divine were passing. The movement of silent homage spread: it went along the sides of the streets like a subtle shock, leaving some unmoved, while it made the most bend the knee and bow the head. But the hatred, too, gathered a more intense expression; and as Savonarola passed up the Por’ Santa Maria, Romola could see that someone at an upper window spat upon him.
Monks again—Frati Umiliati, or Humbled Brethren, from Ognissanti, with a glorious tradition of being the earliest workers in the wool-trade; and again more monks—Vallombrosan and other varieties of Benedictines, reminding the instructed eye by niceties of form and colour that in ages of abuse, long ago, reformers had arisen who had marked a change of spirit by a change of garb; till at last the shaven crowns were at an end, and there came the train of untonsured secular priests.
Then followed the twenty-one incorporated Arts of Florence in long array, with their banners floating above them in proud declaration that the bearers had their distinct functions, from the bakers of bread to the judges and notaries. And then all the secondary officers of State, beginning with the less and going on to the greater, till the line of secularities was broken by the Canons of the Duomo, carrying a sacred relic—the very head, enclosed in silver, of San Zenobio, immortal bishop of Florence, whose virtues were held to have saved the city perhaps a thousand years before.
Here was the nucleus of the procession. Behind the relic came the archbishop in gorgeous cope, with canopy held above him; and after him the mysterious hidden Image—hidden first by rich curtains of brocade enclosing an outer painted tabernacle, but within this, by the more ancient tabernacle which had never been opened in the memory of living men, or the fathers of living men. In that inner shrine was the image of the Pitying Mother, found ages ago in the soil of L’Impruneta, uttering a cry as the spade struck it. Hitherto the unseen Image had hardly ever been carried to the Duomo without having rich gifts borne before it. There was no reciting the list of precious offerings made by emulous men and communities, especially of veils and curtains and mantles. But the richest of all these, it was said, had been given by a poor abbess and her nuns, who, having no money to buy materials, wove a mantle of gold brocade with their prayers, embroidered it and adorned it with their prayers, and, finally, saw their work presented to the Blessed Virgin in the great Piazza by two beautiful youths who spread out white wings and vanished in the blue.
But today there were no gifts carried before the tabernacle: no donations were to be given today except to the poor. That had been the advice of Fra Girolamo, whose preaching never insisted on gifts to the invisible powers, but only on help to visible need; and altars had been raised at various points in front of the churches, on which the oblations for the poor were deposited. Not even a torch was carried. Surely the hidden Mother cared less for torches and brocade than for the wail of the hungry people. Florence was in extremity: she had done her utmost, and could only wait for something divine that was not in her own power.
The Frate in the torn mantle had said that help would certainly come, and many of the fainthearted were clinging more to their faith in the Frate’s word, than to their faith in the virtues of the unseen Image. But there were not a few of the fierce-hearted who thought with secret rejoicing that the Frate’s word might be proved false.
Slowly the tabernacle moved forward, and knees were bent. There was profound stillness; for the train of priests and chaplains from L’Impruneta stirred no passion in the onlookers. The procession was about to close with the Priors and the Gonfaloniere: the long train of companies and symbols, which have their silent music and stir the mind as a chorus stirs it, was passing out of sight, and now a faint yearning hope was all that struggled with the accustomed despondency.
Romola, whose heart had been swelling, half with foreboding, half with that enthusiasm of fellowship which the life of the last two years had made as habitual to her as the consciousness of costume to a vain and idle woman, gave a deep sigh, as at the end of some long mental tension, and remained on her knees for very languor; when suddenly there flashed from between the houses on to the distant bridge something bright-coloured. In the instant, Romola started up and stretched out her arms, leaning from the window, while the black drapery fell from her head, and the golden gleam of her hair and the flush in her face seemed the effect of one illumination. A shout arose in the same instant; the last troops of the procession paused, and all faces were turned towards the distant bridge.
But the bridge was passed now: the horseman was pressing at full gallop along by the Arno; the sides of his bay horse, just streaked with foam, looked all white from swiftness; his cap was flying loose by his red
