He was a mighty man, black and white-haired, and his eyes were the eyes of death. He bent to enter the door, and then uplifting himself and stretching his great arms, his palms touched the blackened rafters.
Zora started forward. Thick memories of some forgotten past came piling in upon her. Where had she known him? What was he to her?
Slowly Elspeth, with quivering hands, unwound the black and snakelike object that always guarded her breast. Without a word, he took it, and again his hands flew heavenward. With a low and fearful moan the old woman lurched sideways, then crashed, like a fallen pine, upon the hearthstone. She lay still—dead.
Three times the man passed his hands, wavelike, above the dead. Three times he murmured, and his eyes burned into the shadows, where the girl trembled. Then he turned and went as he had come, his heavy feet crashing through the underbrush, on and on, fainter and fainter, as to the end of the world.
Zora shook herself from the trance-like horror and passed her hands across her eyes to drive out the nightmare. But, no! there lay the dead upon the hearth with the firelight flashing over her, a bloated, hideous, twisted thing, distorted in the rigor of death. A moment Zora looked down upon her mother. She felt the cold body whence the wandering, wrecked soul had passed. She sat down and stared death in the face for the first time. A mighty questioning arose within, a questioning and a yearning.
Was Elspeth now at peace? Was Death the Way—the wide, dark Way? She had never thought of it before, and as she thought she crept forward and looked into the fearful face pityingly.
“Mammy!” she whispered—with bated breath—“Mammy Elspeth!” Out of the night came a whispered answer: “Elspeth! Elspeth!”
Zora sprang to her feet, alert, fearful. With a swing of her arm, she pulled the great oaken door to and dropped the bar into its place. Over the dead she spread a clean white sheet. Into the fire she thrust pine-knots. They glared in vague red, and shadowy brilliance, waving and quivering and throwing up thin swirling columns of black smoke. Then standing beside the fireplace with the white, still corpse between her and the door, she took up her awful vigil.
There came a low knocking at the door; then silence and footsteps wandering furtively about. The night seemed all footsteps and whispers. There came a louder knocking, and a voice:
“Elspeth! Elspeth! Open the door; it’s me.”
Then muttering and wandering noises, and silence again.
The child on the bed turned itself, murmuring uneasily in its dreams. And then they came. Zora froze, watching the door, wide-eyed, while the fire flamed redder. A loud quick knock at the door—a pause—an oath and a cry.
“Elspeth! Open this door, damn you!”
A moment of waiting and then the knocking came again, furious and long continued. Outside there was much trampling and swearing. Zora did not move; the child slept on. A tugging and dragging, a dull blow that set the cabin quivering; then—
Bang! Crack! Crash!—the door wavered, splintered, and dropped upon the floor.
With a snarl, a crowd of some half-dozen white faces rushed forward, wavered and stopped. The awakened child sat up and stared with wide blue eyes. Slowly, with no word, the intruders turned and went silently away, leaving but one late comer who pressed forward.
“What damned mummery is this?” he cried, and snatching at the sheet, dragged it from the black distorted countenance of the corpse. He shuddered but for a moment he could not stir. He felt the midnight eyes of the girl—he saw the twisted, oozing mouth of the hag, blue-black and hideous.
Suddenly back behind there in the darkness a shriek split the night like a sudden flash of flame—a great ringing scream that cracked and swelled and stopped. With one wild effort the man hurled himself out the door and plunged through the darkness. Panting and cursing, he flashed his huge revolver—bang! bang! bang! it cracked into the night. The sweat poured from his forehead; the terror of the swamp was upon him. With a struggling and tearing in his throat, he tripped and fell fainting under the silent oaks.
XX
The Weaving of the Silver Fleece
The Silver Fleece, darkly cloaked and girded, lay in the cotton warehouse of the Cresswells, near the store. Its silken fibres, cramped and close, shone yellow-white in the sunlight; sadly soiled, yet beautiful. Many came to see Zora’s twin bales, as they lay, handling them and questioning, while Colonel Cresswell grew proud of his possession.
The world was going well with the Colonel. Freed from money cares, praised for his generalship in the cotton corner, able to entertain sumptuously, he was again a Southern gentleman of the older school, and so in his envied element. Yet today he frowned as he stood poking absently with his cane at the baled Fleece.
This marriage—or, rather, these marriages—were not to his liking. It was a mésalliance of a sort that pricked him tenderly; it savored grossly of bargain and sale. His neighbors regarded it with disconcerting equanimity. They seemed to think an alliance with Northern millions an honor for Cresswell blood, and the Colonel thumped the nearer bale vigorously. His cane slipped along the iron bands suddenly, and the old man lurching forward, clutched in space to save himself and touched a human hand.
Zora, sitting shadowed on the farther bale, drew back her hand quickly at the contact, and started to move away.
“Who’s that?” thundered the Colonel, more angry at his involuntary fright than at the intrusion. “Here, boys!”
But Zora had come forward into the space where the sunlight of the wide front doors poured in upon the cotton bales.
“It’s me, Colonel,” she said.
He glared at her. She was taller
