“It was so beautiful,” said Zora. “I expected a great thing of you—a sacrifice. I do not blame you because you could not do it; and yet—yet, after this—don’t you see?—I cannot stay here.”
Mrs. Vanderpool arose and walked over to her. She stood above her, in her silken morning-gown, her brown and gray sprinkled hair rising above the pale, strong-lined face.
“Zora,” she faltered, “will you leave me?”
Zora answered, “Yes.” It was a soft “yes,” a “yes” full of pity and regret, but a “yes” that Mrs. Vanderpool knew in her soul to be final.
She sat down again on the lounge and her fingers crept along the cushions.
“Ambassadorships come—high,” she said with a catch in her voice. Then after a pause: “When will you go, Zora?”
“When you leave for the summer.”
Mrs. Vanderpool looked out upon the beautiful city. She was a little surprised at herself. She had found herself willing to sacrifice almost anything for Zora. No living soul had ever raised in her so deep an affection, and yet she knew now that, although the cost was great, she was willing to sacrifice Zora for Paris. After all, it was not too late; a rapid ride even now might secure high office for Alwyn and make Cresswell ambassador. It would be difficult but possible. But she had not the slightest inclination to attempt it, and she said aloud, half mockingly:
“You are right, Zora. I promised—and—I lied. Liars have no place in heaven and heaven is doubtless a beautiful place—but oh, Zora! you haven’t seen Paris!”
Two months later they parted simply, knowing well it was forever. Mrs. Vanderpool wrote a check.
“Use this in your work,” she said. “Miss Smith asked for it long ago. It is—my campaign contribution.”
Zora smiled and thanked her. As she put the sealed envelope in her trunk her hand came in contact with a long untouched package. Zora took it out silently and opened it and the beauty of it lightened the room.
“It is the Silver Fleece,” said Zora, and Mrs. Vanderpool kissed her and went.
Zora walked alone to the vaulted station. She did not try to buy a Pullman ticket, although the journey was thirty-six hours. She knew it would be difficult if not impossible and she preferred to share the lot of her people. Once on the foremost car, she leaned back and looked. The car seemed clean and comfortable but strangely short. Then she realized that half of it was cut off for the white smokers and as the door swung whiffs of the smoke came in. But she was content for she was almost alone.
It was eighteen little months ago that she had ridden up to the world with widening eyes. In that time what had happened? Everything. How well she remembered her coming, the first reflection of yonder gilded dome and the soaring of the capitol; the swelling of her heart, with inarticulate wonder; the pain of the thirst to know and understand. She did not know much now but she had learned how to find things out. She did not understand all, but some things she—
“Ticket”—the tone was harsh and abrupt. Zora started. She had always noted how polite conductors were to her and Mrs. Vanderpool—was it simply because Mrs. Vanderpool was evidently a great and rich lady? She held up her ticket and he snatched it from her muttering some direction.
“I beg your pardon?” she said.
“Change at Charlotte,” he snapped as he went on.
It seemed to Zora that his discourtesy was almost forced: that he was afraid he might be betrayed into some show of consideration for a black woman. She felt no anger, she simply wondered what he feared. The increasing smell of tobacco smoke started her coughing. She turned. To be sure. Not only was the door to the smoker standing open, but a white passenger was in her car, sitting by the conductor and puffing heartily. As the black porter passed her she said gently:
“Is smoking allowed in here?”
“It ain’t non o’ my business,” he flung back at her and moved away. All day white men passed back and forward through the car as through a thoroughfare. They talked loudly and laughed and joked, and if they did not smoke they carried their lighted cigars. At her they stared and made comments, and one of them came and lounged almost over her seat, inquiring where she was going.
She did not reply; she neither looked nor stirred, but kept whispering to herself with something like awe: “This is what they must endure—my poor people!”
At Lynchburg a newsboy boarded the train with his wares. The conductor had already appropriated two seats for himself, and the newsboy routed out two colored passengers, and usurped two other seats. Then he began to be especially annoying. He joked and wrestled with the porter, and on every occasion pushed his wares at Zora, insisting on her buying.
“Ain’t you got no money?” he asked. “Where you going?”
“Say,” he whispered another time, “don’t you want to buy these gold spectacles? I found ’em and I dassen’t sell ’em open, see? They’re worth ten dollars—take ’em for a dollar.”
Zora sat still, keeping her eyes on the window; but her hands worked nervously, and when he threw a book with a picture of a man and half-dressed woman directly under her eyes, she took it and dropped it out the window.
The boy started to storm and demanded pay, while the conductor glared at her; but a white man in the conductor’s seat whispered something, and the row suddenly stopped.
A gang of colored section hands got on, dirty and loud. They sprawled about and smoked, drank, and bought candy and cheap gewgaws. They eyed her respectfully, and with one of them she talked a little as he awkwardly fingered his cap.
As the day wore on Zora found herself strangely weary. It was not simply the unpleasant things that kept happening, but the continued apprehension of unknown possibilities. Then,
