pass I think I can too. My name is French, I speak French⁠—at least well enough to fool anybody who isn’t French⁠—I can sew, and they’ll never think me anything else but French. I’ll see you, of course, but I’m leaving Harlem, leaving coloured people for good. I’ll live my own life, make more money than I can here, I’ll be able sooner to have Jean with me, and⁠—well, there’s no other way out.⁠ ⁠…”

XVII

Again Mimi had the feeling she was closing a book in her life and opening a new one. Just like a novel by Rolland, she thought. Or, better, her life to her was like one of those Harlem apartments of seemingly interminable length, with no hall and with each room opening into the next one. Railroad flats, she had heard them called. She felt she was always opening the door of another room, passing through it, then opening and closing behind her, never to be reopened, the door of the next cubicle. Those years of childhood in New Orleans had been the first one, happy and carefree years when she was more content than ever afterwards. The next had been Atlanta, then Philadelphia, then Harlem. Four separate lives, and here was a new one opening before her. She wondered how many more through which she must pass before the final exit. Sometimes now she wished she could skip all the rest and make that last step, wherever it might lead. In her moments of greatest depression she thought of suicide but these morbid thoughts did not remain with her long. Petit Jean and thoughts of his future would have driven them away even if she had not felt a deep aversion to death by her own hand.

From a newspaper advertisement she was able to secure a small room with a private family, living in the lower Nineties, respectable but commonplace. In the matter of linear feet and rods and miles she was not far distant from Harlem but in other ways she might as well have been halfway round the world from the scenes she had once known. Here the towering apartment houses, most of them five or six stories in height and of cream brick and with terra-cotta or stone trimmings, housed countless numbers of families, belching them forth from seven to nine in the morning as small business men and stenographers and manicurists and clerks dashed madly for the nearest subway or elevated station. At the little newsstands they would snatch, according to tastes, copies of the World or Times, though, more than any other purveyor of the news, they bought issues of “the paper for people who think.” Sleek and well fed, powdered and rouged and lipsticked with expert hand, they were swallowed up by the yawning and insatiable pits and were whirled to downtown jobs by the rushing, roaring subways.

Later in the day swarms of children poured forth from the same apartments, in winter bound schoolward, in summer to the nearest park or the street, chaperoned by quarrelsome mothers or older sisters. Yet later came elaborately coiffured and gowned young women, invariably pretty, who toiled not nor spun. Evening came and the Gargantuan beehives reversed the process and swallowed again the hordes they had spewed forth in the morning hours. Phonographs blared raucously, voices were raised in babels of song or quarrelling or loud laughter. Midnight, and the din died down. Sleep, engulfing and obliterating as a candle-snuffer, brought peace, broken only when a late and noisy party was quieted momentarily by sleepy, irritated voices shouting: “Hey, cut out the noise down there!”

It was in one of these huge rabbit warrens that Mimi found shelter. The house she lived in looked down upon most of the others in the block⁠—it boasted in the entrance hallway rows of dusty but imposing palms, set in tubs painted a bilious green, and between these tropic relics stood uncomfortable-looking chairs of imitation needlepoint. No one seemed aware of the purpose of these chairs, which always reminded Mimi of the photographs she had seen of the electric chair at Sing Sing, for not even the oldest inhabitant of the house, who had been living there now for a year and a half, had ever seen anyone sitting in them. But they added class, tone, éclat. And they likewise added a few dollars to the rent of each apartment in the house so adorned.

She had not wanted to leave Harlem. Mrs. Rogers had argued, pleaded, almost wept. At times Mimi had been on the point of weakening, had almost thought seriously of trying to stick it out. Each time that she had almost convinced herself that this was the wisest and only course, some new evidence of the ordeal would come to her and make her vow anew that she would not attempt to live it down. Years before she had heard a story which Booker Washington had told in which he likened Negroes to a basket of crabs when one of them had with great energy climbed almost to the top of the basket and freedom, the others less progressive than he would reach up with their claws and pull him back to their own level. This had seemed to her then merely an effective story coined for oratorical purposes, but now its applicability was forced upon her with painful truth.

Though she had to a considerable degree recovered from the intense consciousness of race which her experiences in the riot at Atlanta had engendered in her, yet Mimi, despite the shortcomings which she saw in her own people, had a loyalty to and an affection for them that was almost an obsession. She never spoke of this feeling, for she felt that to those who understood, explanations were unnecessary, while to those who needed an explanation, whatever she might say would have been obscure and difficult of understanding. In other words, to her it was as useless for

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