best. But I needn’t say I am young; and perhaps I shall not grow worse as I grow older. At all events, I hope I have something impressible within me, which feels⁠—deeply feels⁠—the disinterestedness of your painfully laying your inner self bare, as a warning to me.”

Mr. Jasper’s steadiness of face and figure becomes so marvellous that his breathing seems to have stopped.

“I couldn’t fail to notice, Jack, that it cost you a great effort, and that you were very much moved, and very unlike your usual self. Of course I knew that you were extremely fond of me, but I really was not prepared for your, as I may say, sacrificing yourself to me, in that way.”

Mr. Jasper, becoming a breathing man again without the smallest stage of transition between the two extreme states, lifts his shoulders, laughs, and waves his right arm.

“No; don’t put the sentiment away, Jack; please don’t; for I am very much in earnest. I have no doubt that that unhealthy state of mind which you have so powerfully described is attended with some real suffering, and is hard to bear. But let me reassure you, Jack, as to the chances of its overcoming me. I don’t think I am in the way of it. In some few months less than another year, you know, I shall carry Pussy off from school as Mrs. Edwin Drood. I shall then go engineering into the East, and Pussy with me. And although we have our little tiffs now, arising out of a certain unavoidable flatness that attends our lovemaking, owing to its end being all settled beforehand, still I have no doubt of our getting on capitally then, when it’s done and can’t be helped. In short, Jack, to go back to the old song I was freely quoting at dinner (and who knows old songs better than you!), my wife shall dance, and I will sing, so merrily pass the day. Of Pussy’s being beautiful there cannot be a doubt;⁠—and when you are good besides, Little Miss Impudence,” once more apostrophising the portrait, “I’ll burn your comic likeness and paint your music-master another.”

Mr. Jasper, with his hand to his chin, and with an expression of musing benevolence on his face, has attentively watched every animated look and gesture attending the delivery of these words. He remains in that attitude after they are spoken, as if in a kind of fascination attendant on his strong interest in the youthful spirit that he loves so well. Then, he says with a quiet smile:

“You won’t be warned, then?”

“No, Jack.”

“You can’t be warned, then?”

“No, Jack, not by you. Besides that I don’t really consider myself in danger, I don’t like your putting yourself in that position.”

“Shall we go and walk in the churchyard?”

“By all means. You won’t mind my slipping out of it for half a moment to the Nuns’ House, and leaving a parcel there? Only gloves for Pussy; as many pairs of gloves as she is years old today. Rather poetical, Jack?”

Mr. Jasper, still in the same attitude, murmurs: “ ‘Nothing half so sweet in life,’ Ned!”

“Here’s the parcel in my greatcoat pocket. They must be presented tonight, or the poetry is gone. It’s against regulations for me to call at night, but not to leave a packet. I am ready, Jack!”

Mr. Jasper dissolves his attitude, and they go out together.

III

The Nuns’ House

For sufficient reasons, which this narrative will itself unfold as it advances, a fictitious name must be bestowed upon the old Cathedral town. Let it stand in these pages as Cloisterham. It was once possibly known to the Druids by another name, and certainly to the Romans by another, and to the Saxons by another, and to the Normans by another; and a name more or less in the course of many centuries can be of little moment to its dusty chronicles.

An ancient city, Cloisterham, and no meet dwelling-place for anyone with hankerings after the noisy world. A monotonous, silent city, deriving an earthy flavour throughout, from its Cathedral crypt, and so abounding in vestiges of monastic graves, that the Cloisterham children grow small salad in the dust of abbots and abbesses, and make dirt-pies of nuns and friars; while every ploughman in its outlying fields renders to once puissant Lord Treasurers, Archbishops, Bishops, and suchlike, the attention which the Ogre in the storybook desired to render to his unbidden visitor, and grinds their bones to make his bread.

A drowsy city, Cloisterham, whose inhabitants seem to suppose, with an inconsistency more strange than rare, that all its changes lie behind it, and that there are no more to come. A queer moral to derive from antiquity, yet older than any traceable antiquity. So silent are the streets of Cloisterham (though prone to echo on the smallest provocation), that of a summer-day the sunblinds of its shops scarce dare to flap in the south wind; while the sun-browned tramps, who pass along and stare, quicken their limp a little, that they may the sooner get beyond the confines of its oppressive respectability. This is a feat not difficult of achievement, seeing that the streets of Cloisterham city are little more than one narrow street by which you get into it and get out of it: the rest being mostly disappointing yards with pumps in them and no thoroughfare⁠—exception made of the Cathedral-close, and a paved Quaker settlement, in colour and general confirmation very like a Quakeress’s bonnet, up in a shady corner.

In a word, a city of another and a bygone time is Cloisterham, with its hoarse cathedral bell, its hoarse rooks hovering about the Cathedral tower, its hoarser and less distinct rooks in the stalls far beneath. Fragments of old wall, saint’s chapel, chapter-house, convent and monastery, have got incongruously or obstructively built into many of its houses and gardens, much as kindred jumbled notions have become incorporated into many of its citizens’ minds. All things in it

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