The wounded boar instantly sprang from its lair, and gnashing its crooked tusks together so that sparks flew from them, rushed upon its foe. It would not have been difficult to have avoided such a furious attack by a skilful side-spring; but our hero was not the man to get out of any opponent’s way; so he threw his gun aside, tore his dagger from its sheath, faced the savage beast, and dealt at its head a blow sufficient to have cleaved it to the chine; but the tremendous blow fell short upon one of the monster’s tusks, and the dagger, coming into contact with the stone-like bone, broke off short at the hilt.
Half stunned by the shock, the boar only succeeded in grazing the hero’s leg, whereupon the latter seized the beast by both ears and a desperate struggle began. Weaponless as he was, he grappled with the monster, which, grunting and roaring, twisted its head about in every direction; but the hero’s iron grasp held fast the broad ears of the monster with invincible force, and when the boar tried to overturn its assailant by suddenly going down on its haunches, the hero, with a swift and tremendous blow of his clenched fist, hurled it backwards, falling himself indeed at the same time, but uppermost, and quickly recovering his balance pressed down with his whole weight upon the boar (which valiantly but vainly continued struggling against superior strength), and triumphantly bestrided its huge paunch.
The boar now appeared to be completely beaten; its glassily glaring eyes were protruding, the blood streamed from its jaws and nostrils; it had ceased to bellow, but a rattling sound came from its throat; its legs writhed convulsively, its snout hung flabbily down; it was plain that it could not hold out much longer.
The hero had now only to call to his companions, who were close at hand, but that would have been too humiliating; or to wait till the boar bled to death, but that would have been too tiresome. Suddenly he recollected that he had a Turkish knife in his girdle, and, meaning to put a speedy end to the long tussle, he pressed down the boar’s head with his knee and felt for his knife with one hand.
At that moment the report of a gun5 resounded somewhere in the wood. The downtrodden boar suddenly seemed to feel that the pressure of his opponent’s hands and knees was slackening, and rallying all his remaining strength, threw off his assailant and dealt him one last blow with his tusks, and that blow was fatal, for it ripped open the man’s throat.
His kinsmen and friends, hastening to the spot, found the hero in the throes of death by the side of the dead boar. They rushed up with loud lamentations, and bound up his throat with their kerchiefs.
“It is nothing, my children; it is nothing!” he gasped, and expired.
“Alas! poor warrior!” sighed those who stood around him.
“Alas! my country!” sobbed Helen, raising her tearful eyes to heaven.
The gala-day had become a day of mourning; the hunt a funeral.
The guests sorrowfully followed the body of their best friend to Csakatorny. Only the baldhead took the opposite direction.
“Didn’t I say that life was meant for other and better things?” murmured he. “Well, well! the world is large, and men are many. I’ll go a kingdom further on.”
Thus died Nicolas Zrinyi6 the younger, his country’s greatest poet and bravest son.
Thus died the man whom Fortune always respected, the darling, the bulwark, the ornament of his fatherland.
In vain will you now seek for his hunting-box or his castle. All has perished—the name, the family, nay, the very remembrance of the hero.
The general and the statesman are forgotten; only one part of him still survives, only one part of him will live eternally—the poet.
II
The House at Ebesfalva
And now we too will go “a kingdom further on.”
Let us go one kingdom forward and four years backward. We are in Transylvania; the year is 1662.
A simple country-house stands before us, at the lower end of Ebesfalva, being almost the last house in the place. Evidently the architect of this edifice had rather an eye to usefulness than beauty, for each part of it has a style of its own, and differs from every other part in shape, size, and quality. On both sides stand stables, cow-houses, wagon-sheds, fowl-houses, and high-gabled, straw-thatched sheepfolds. In the rear lies an orchard, from which the pointed roof of a beehive peeps forth, and in the middle of the courtyard stands the whitewashed dwelling-house, surrounded by shady nut trees, beneath which stands a round table improvised from a millstone. A stone wall separates the courtyard from a thrashing-floor, in which we see incipient haycocks piled up into hillocks, and enormous stacks of corn, on the topmost point of the tallest of which an adventurous peacock shrieks exultantly. It is evening; the herds are returning home; the oxen are being unyoked from the huge, maize-laden wagons; the herds, jingling their bells, come back from the pastures; the swine jostle one another in the narrow gateway and rush grunting to their troughs; the cocks and hens are squabbling in the large nut tree, where they have taken up their quarters for the night; far away sounds the vesper bell, and further still the song of the village beauty, on her way to the spring; the hands see to their cattle: one carries a freshly-mown bundle of millet-grass across the farmyard, another bends beneath the weight of a huge pitcher, filled to overflowing with yellowish, fragrant, foaming milk, fresh from the udder. Through the kitchen window is to be seen the merry sparkle of a roaring fire, over which a girl with round, red cheeks holds a large pan; the fragrant odour of the savoury mess spreads far and wide. And now the meal is served on large, green platters; the family take their
