It was glorious that there had been no fussing. No one had even asked her to sit down. She could have sung for relief. She wanted to sing the quivering alien song that was singing itself in the spaces of the room. There was a chair just at hand against the wall, beside a dilapidated wicker laundry basket. But her coffee was where Michael had deposited it, on the chest of drawers at his side. She must recover it, go round in front of Lintoff to get it before she sat down. She did not want the coffee, but she would go round for the joy of moving in the room. She passed him and stood arrested by the talk flowing to and fro between her and her goal. Michael rose and stood with her, still talking. She waited a moment, weaving into his deep emphatic tones the dreamy absent voice of Lintoff.
Michael moved away with a question to Madame Lintoff sitting alone behind them on her bed. She was left standing, turned towards Lintoff, suddenly aware of the tide that flowed from him as he stood, still motionless, in the middle of the room. He stood poised, without stiffness, his narrow height neither drooping nor upright; as if held in place by the surrounding atmosphere. Nothing came to trouble the space between them as she moved towards him, drawn by the powerful tide. She felt she could have walked through him. She was quite near him now, her face lifted towards the strange radiance of the thin white face, the glow of the flaming beard; a man’s face, yielded up to her, and free from the least flicker of reminder.
“What do you think? What do you see?” she heard herself ask. Words made no break in the tide holding her there at rest.
His words followed hers like a continuation of her phrase:
“Mademoiselle, I see the People.” His eyes were on hers, an intense blue light; not concentrated on her; going through her and beyond in a widening radiance. She was caught up through the unresisting eyes; the dreamy voice away behind her. She saw the wide white spaces of Russia; motionless dark forms in troops, waiting. …
She was back again, looking into the eyes that were now upon her personally; but not in the Englishman’s way. It was a look of remote intense companionship. She sustained it, helpless to protest her unworthiness. He did not know that she had just flown forward from herself out and away; that her faint vision of what he saw as he spoke was the outpost of all her experience. He was waiting to speak with an equal, to share. … He had no social behaviour. No screen of adopted voice or manner. There was evil in him; all the evils that were in herself, but unscreened. He was careless of them. She smiled and met his swift answering smile; it was as if he said, “I know; isn’t everything wonderful.” … They moved with one accord and stood side by side before the gleaming candles. Across the room the two Russian voices were sounding one against the other; Michael’s grudging sceptical bass and the soft weary moaning contralto.
“Do you like Maeterlinck?” she asked, staring anxiously into the flame of the nearest candle. He turned towards her with eager words of assent. She felt his delighted smile shining through the sudden enthusiastic disarray of his features and gazed into the candle summoning up the vision of the old man sitting alone by his lamp. The glow uniting them came from the old man’s lamp … this young man was a revolutionary and a doctor of philosophy; yet the truth of the inside life was in him, nearer to him than all his strong activities. They could have nothing more to say to each other. It would be destruction to say anything more. She dropped her eyes and he was at once at an immense distance. Behind her closed door she stood alone grappling her certainties, trying to answer the voice that cried out within her against the barriers between them of language and relationships. Lintoff began to walk about the room. Every time his movements brought him near he stood before her in eager discourse. She caught the drift of the statements he flung out in a more solid, more flexible French, mixed with struggling, stiff, face-stiffening scraps of English. The people, alive and one and the same all over the world, crushed by the half-people, the educated specialists, and by the upper classes dead and dying of their luxury. She agreed and agreed, delighting in the gentleness of his unhampered movements, in his unselfconscious, uncompeting speech. If what he said were true, the people to pity were the specialists and the upper classes; clean sepulchres. … How would he take opposition?
“Isn’t it weird, étrange,” she cried suddenly into a pause in his struggling discourse, “that Christians are just the very people who make the most fuss about death?”
He had not understood the idiom. Sunned in his waiting smile she glanced aside to frame a translation.
“N’y a rien de plus drôle,” she began. How cynical it sounded; a cynical French voice striking jests out of the surface of things; neighing them against closed nostrils, with muzzles tight-crinkled in Mephistophelian mirth. She glanced back at him, distracted by the reflection that the contraction of the nostrils for French made everything taut. …
“Isn’t it funny that speaking French banishes the inside of everything; makes
