had all been moving. It was as if her real being were still facing the other way.

“No⁠—where really can we go?” In an instant he would remember the dark little Italian-Swiss café near the Marble Arch, and its seal would be set on the whole of the afternoon. The Lintoffs would not be aware of this. They were indifferent to surroundings in a world that had only one meaning for them. But the sense of them and their world, already, in the boundless immensity of Sunday, scattered into the past, would be an added misery amongst the clerks and shopgirls crowded in that stuffy little interior where so many of her Sunday afternoons had died. The place cancelled all her worlds, put an end to her efforts to fit Michael into them, led her always impatiently into the next week for forgetfulness of their recurring, strife-tormented leisure.⁠ ⁠…

Verandahs and sunlit sea; small drawing-rooms, made large by their wandering shapes; spaces of shadow and sunlight beautifying all their English Sunday contents; windowed alcoves reflecting the sky; spacious, silken, upstairs tearooms in Bond Street.⁠ ⁠… But these things were hers now, only through friends. Here, by herself, as the Lintoffs knew her, she belonged to the resourceless crowd of London workers.⁠ ⁠…

Michael ordered much tea and a lemonade, in a reproachful aside to the pallid grubby little waiter squeezing his way between the close-set tables with a crowded tray held high.

“ ’Ow many?” he murmured over his shoulder, turning a low-browed anxious face. His tray tilted dangerously, sliding its contents.

“You can count?” said Michael without looking at him.

“Four tea, four limonade,” murmured the poor little man huskily.

“I have ordered tea,” thundered Michael. “You can bring also one bottle limonade.”

The waiter pushed on, righting his noisy trayful. Michael subsided with elbows on the smeary marble tabletop, his face propped on his hands, about to speak. The Lintoffs also; their gleaming pale faces set towards the common centre, while their eyes brooded outwards on the crowded little scene. Miriam surveyed them, glad of their engrossment, dizzy with the sense of having left herself outside in the Park.

“Shall I tell the Lintoffs that you have dimples?” Michael asked serenely, shifting his bunched face round to smile at her.

She checked him as he leaned across to call their attention.⁠ ⁠… It was in this very room that she had first told him he must choose between her company and violent scenes with waiters. He was utterly unconscious; aware only of his compatriots sitting opposite, himself before them in the pride of an international friendship. Yesterday’s compact set aside, quite likely, later on, to be questioned.

The Lintoffs’ voices broke out together, chalkily smooth and toneless against the cockney sounds vibrating in the crowded space, all harsh and strident, all either facetious or wrangling. Their eyes had come back. But they themselves were absent, set far away, amongst their generalisations. Of the actual life of the passing moment they felt no more than Michael. Itself, its uniqueness, the deep loop it made, did not exist for them. They looked only towards the future. He only at a uniform pattern of humanity.

Yet within the air itself was all the time the something that belonged to everybody; that could be universally recognised; disappearing at once with every outbreak of speech that sought only for distraction, from embarrassment or from tedium.⁠ ⁠… She sat lifeless, holding for comfort as she gathered once more, even with these free Russians, the proof of her perfect social incompatibility, to the thought that this endurance was the last. These were the last hours of wandering out of the course of her being.⁠ ⁠… She felt herself grow pale and paler, sink each moment more utterly out of life. The pain in her brow pressed upon her eyelids like a kind of sleep. She must be looking quite horrible. Was there anyone, anywhere, who suffered quite in this way, felt always and everywhere so utterly different?

Tea came bringing the end of the trio of Russian phrases. Michael began to dispense it, telling the Lintoffs that they had discovered that the English did not know how to drink tea. Ardent replies surged at the back of her mind; but speech was a faraway mystery. She clung to Michael’s presence, the sight of his friendly arm handing the cup she could not drink; to the remembered perfection of his acceptance of failures and exhaustions⁠ ⁠… mechanically she was speaking French⁠ ⁠… appearing interested and sincere; caring only for the way the foreign words gave a quality to the barest statement by placing it in far-off surroundings, giving it a life apart from its meaning, bearing her into a tide of worldly indifference.⁠ ⁠…

But real impressions living within her own voice came crowding upon her, overwhelming the forced words, opening abysses, threatening complete flouting of her surroundings. She snatched at them as they passed before her, smiled her vanishing thread of speech into inanity, and sat silent, half turned towards the leaping reproachful shapes of thought, inexpressible to these people waiting with faces set only towards swift replies. Madame Lintoff made a fresh departure in her moaning sweetly querulous voice⁠ ⁠… a host of replies belonged to it, all contradicting each other. But there was a smooth neat way of replying to a thing like that, leading quickly on to something that would presently cancel it⁠ ⁠… quite simple people.⁠ ⁠… Mrs. Bailey, saying wonderful things without knowing it.

Answers given knowingly, admitted what they professed to demolish.⁠ ⁠… She had forfeited her right to speak; disappeared before their eyes, and must yet stay, vulnerable, held by the sounds she had woven, false threads between herself and them. Her head throbbed with pain, a molten globe that seemed to be expanding to the confines of the room. Michael was inaccessible, carefully explaining to Madame Lintoff, in his way, why she had said what she had said; set with boyish intentness towards the business of opening his dreadful green bottle.

Lintoff sat upright with a listening face; the lit brooding face of one listening to distant

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